Kyau & Albert continually produce outstanding music. Their record label Euphonic has featured quality tracks since 1997. Check out their monthly radio show called 'Euphonic Sessions' !!

ALEX M.O.R.P.H.: “Music is the Key. Melodies are the Path. 
Beats are Universal”.

Since the mid 90s Alex M.O.R.P.H has set out to shapeshift within the dance scene as per his alias, leaving no facet of trance unturned and showing the top of the tree is a position that he’s grown rather fond of. Even in a time where stats and streams, followers and figures are pushed to the front, the maths behind M.O.R.P.H’s staying power are frankly mind-boggling. ‘Not All Superheroes Wear Capes’ said the man on his 2016 album – but M.O.R.P.H. is deserving of honours fit for a king. “Passion, discipline, a lot of hard work, and most importantly the love for music”, ensure his crown never slips.

From collaborations with Paul van Dyk and Armin van Buuren (both of whom have always repped M.O.R.P.H. to the fullest), to remixes of Dash Berlin, Gareth Emery, Aly & Fila and Faithless, M.O.R.P.H. is the epitome of can’t stop-won’t stop, earning VIP entry to the globe’s most in-demand clubs and arenas as he continues with the energy and passion of his 1996 self when the Seelenlandschaften imprint came calling. It’s telling that M.O.R.P.H. being the first and only German DJ to play New York’s legendary Madison Square Garden, puts his touring and gig commitments in a different league considering his knocking-out-the-park performances at Cream Ibiza, Mayday, Ultra Music Festival and the ubiquitous A State of Trance spectaculars. Godskitchen, Ushuaia Ibiza, Space Miami, his own HeavensGate takeovers – all mega-scale spaces the German has commanded with ease and never taken for granted, delivering shows and sets living long in the memory while leaving you fiending for his next throb of beats. 

With M.O.R.P.H. still on a high-riding rollercoaster after all these years, cruising through ‘Sunset Boulevard’ while keeping the vibe at ‘Maximum Overdrive’, he has never lost sight of the true goal in life: “find your personal balance, keep things in line – and don’t risk your health!” A true exponent of knowing the scene never sits still, M.O.R.P.H.’s longevity and get-up-and-go overlaps into his handling of the Universal Nation label and podcast series: the man eats, sleeps and breathes music. Global lockdown may have forced a temporary timeout, but it only stirred creativity and tapped into other production processes, ready for when the world was good to go again.

Anyone with a keen ear for the High Contrast label over the last 18 months or so will have heard M.O.R.P.H. hiding in plain sight with a surefire supply of thrills and spills, adding to his reputation as a master of sounds under multiple names maintaining both melodic and attacking instincts. Again it’s all about balance and the right way of going about keeping things simple: “it’s just so important that all elements fit together well: that’s how you keep the atmosphere instead of just adding some big and loud synths in the break that rips the audience in two. It might work fine on the dancefloor, don’t get me wrong, but it’s not how I do things”. Always an in-demand remixer, if you’re given the keys to take on hall-of-famers such as ‘Madagascar’ by Art of Trance and ‘Carte Blanche’ by Veracocha, you know you’ve been doing something right. “One thing has never changed – a heart beating for music”.
 
Back to those statistics. M.O.R.P.H. is an all-time trance bestseller on Beatport and has twice entered the fabled DJ Mag Top 100 list. With a calculator-smashing amount of productions, remixes, compilation mixes and single of the year awards, M.O.R.P.H. has proved time and again his music is for the masses, with streams for favourites such as ‘An Angel’s Love’ and ‘The Reason’ racing into the millions upon millions. On top of being A State of Trance go-to guy and a Vandit Records MVP, he has released on major movers such as Ministry of Sound and Armada. And M.O.R.P.H. isn’t done yet. “I want to get trance back there where it belongs - to the main stages, to more people, sharing with them how gorgeous our music is, and how essential it is to experience it together”. With two new singles reflecting his worldwide adventures - ‘Calling Berlin’ and ‘Calling San Francisco’ – and another album in the pipeline, you believe Alex M.O.R.P.H. is still the man to make all these things happen.

Listen to brand new releases in the Armada Today playlist: https://ArmadaToday.lnk.to/P-LSO

Armada Music is the biggest independent dance music label in the world. Founded by Armin van Buuren, Maykel Piron (CEO) and David Lewis, the label manages an ever-growing catalog of over 40,000 tracks, built up across twenty-plus years of specialized dance music exploitation. 

Representing artists such as Armin van Buuren, ARTY, D.O.D, Eelke Kleijn, Jan Blomqvist, Loud Luxury, Sunnery James & Ryan Marciano, Tensnake, THEMBA and Yulia Niko, Armada Music amasses more than one billion streams per month, airplay on leading radio outlets such as BBC Radio 1 and Sirius XM, and top positions in the world’s most notable charts. The label also takes great pride in major achievements such as Armin van Buuren’s GRAMMY nomination for ‘This Is What It Feels Like’, Loud Luxury and Brando’s ‘Body’ surpassing one billion streams on Spotify and breaking artists such as Lost Frequencies into global stardom.

Across offices in Amsterdam (HQ), New York, London and Laren (NL), Armada Music offers a truly global appeal to its growing roster. The label has its own club, radio studio and multiple production studios, and hosts various live formats. Producer platform Armada University, which offers educational products and opportunities, shows the label’s sustained effort to nurture the next wave of talent. 

In 2023, Armada Music launched BEAT Music Fund, the world’s first dance music investment company, that acquires catalogs with the mission of honoring, representing and reinvigorating them. BEAT’s portfolio will continue to grow; in the first six months following its launch, BEAT acquired the catalogs of, among others, electronic music star ARTY, house and techno pioneer Kevin Saunderson’s KMS Records, legendary NYC-based house label King Street Sounds and chart-topping producers Chocolate Puma.


@Astateoftrance
@arminvanbuuren

Berlin based Music Producer & Mixing Engineer
▪️Founder of @elektrons_ofc
▪️Bedrock // Poker Flat // Balance
▪️www.hannesbieger.com
▪️ Booking live set: ian@analog-a.com

SCHILLER’s musical language knows no bounds, which may explain why, as SCHILLER, he’s achieved such huge success over the last 15 years. His endless musical and visual curiosity has won him legions of fans around the world.
 
With anthems like DAS GLOCKENSPIEL – a UK top-5 hit – SCHILLER creates electronica with an emotional core. Since he started taking his live shows on the road, SCHILLER has made a worldwide name for himself. His sell-out tours have delighted hundreds of thousands of fans with their stunning and sophisticated use of surround-sound and breathtaking, state-of-the-art light shows.
 
Always seeking out new influences and ideas, SCHILLER has already looked to the classical world for inspiration. One of SCHILLER’S best-selling tracks, EIN SCHÖNER TAG – ONE FINE DAY – samples the famous aria of the same name from Puccini’s Madame Butterfly, while a productive collaboration with star pianist Lang Lang led to the hit single TIME FOR DREAMS.
Since then, VON DEYLEN’s desire to take SCHILLER further down the classical road has kept on growing. In early 2013 he traveled to the mountains of California and immersed himself in their natural beauty, using the energy the landscape gave him to create his latest album, OPUS, a seamless blend of classical and electronic soundworlds.
 
An instant hit in his native Germany, OPUS not only went straight to No.1, it sold more units in its first week than any other debut classical album and received GOLD STATUS only a couple of weeks after its release.
 
A voyage of discovery into the world of classical music, OPUS reveals an exciting new side to this artist, yet there’s no mistaking the unique SCHILLER sound.
 
SCHILLER - The journey continues.

Walking the fine line of trance, house and progressive, we find Dutch DJ and producer Ruben de Ronde right in the middle of all things. No borders can stop this talent from touching the very edge of different styles, from the trancy ‘Forever In Our Hearts’ to the deeper, arousing progressive ‘Grands Boulevards’ and big room tech-track ‘Stoer’.

Since 2005, he’s poured out his sounds straight from his own label, ‘Statement’, as well as working extensively with Armada Music. A slew of remixes have made his name rise amongst the A-class, with his interpretation on works by Cosmic Gate, Way Out West, Push, Aly & Fila, W&W, Sean Tyas and many more. In 2008, his first solo-production, ‘Republique’, became a Top 20 hit in the Beatport chart and got the ‘Captivating’ stamp by the renowned DJ Mag. Ever since, he’s had no time to look back and faces the future with the release of ‘Noir’, ‘Natural’ and the most recent single with Robert Nickson ‘Superlative’ on Armin van Buuren’s label ’A State of Trance’.
The ongoing support for his productions include a fan base going by the name of Armin van Buuren, Paul van Dyk, Tiësto, Cosmic Gate, Markus Schulz, Judge Jules, Fedde LeGrand and Roger Sanchez alike.

Ruben has swept music lovers right off their feet with DJ sets all over the World. But he manages to do just the same with his bi-weekly radio show ‘The Sound of Holland’. On www.afterhours.fm , listeners of his show have the chance to vote for their favourite track under the ‘Blog Burner’ tag.

Ruben de Ronde is right here, right now, ready to face the broad and promising horizon.


Com influências do Indie dance , progressive house , afro house e melodic techno , Mark , é um Dj/produtor de música eletrônica carpinense , residente em Recife-PE , que traz nas suas produções referências de grandes produtores do cenário nacional e internacional .
Contato : +55 81 99847 6658

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