- Talkie -

Japanese house music producer, remixer and sound engineer mainly for progressive house, tech house and techno, getting bunch of supports from worldwide DJs and producers including some big names such as above & beyond, mark knight, daniel portman and so on. 

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Audio from The Times and Sunday Times - here you can find interviews, analysis and foreign dispatches from our reporters.

Whether we wear a lab coat or haven't seen a test tube since grade school, science is shaping all of our lives. And that means we all have science stories to tell. Every year, we host dozens of live shows all over the country, featuring all kinds of storytellers - researchers, doctors, and engineers of course, but also patients, poets, comedians, cops, and more. Some of our stories are heartbreaking, others are hilarious, but they're all true and all very personal. Welcome to The Story Collider!

Hailing from provincial Italy, world class DJ & producer Benny Benassi is a name needing little introduction but always deserving of wide admiration and acclaim.  Indulging in a career spanning fifteen plus years, Benassi is renown as a humble, authentic and charming character who has grown from club DJ to festival king to multi-million selling record producer taking success in his stride. Trademarking his unique infusion of house and electro with his global smash “Satisfaction” Benny has continued to create music which is a clear evolution of this signature sound but never deviating too far. 

There is no better place to start delving into the rich history of the Benassi career than with his international blockbuster, “Satisfaction” and its game-changing music video became his launch pad into stardom. Created with his cousin and producer, Alle Benassi, and inspired by the car horns outside an open street facing window, this single catapulted into the charts with a #1 in France, #2 in the UK and Germany. Followed by his debut album Hypnotica, which reached top 20 across nearly all parts of Europe within the first month of release. 

The next few years for Benny were a culmination of successes, whether it be the major festivals he went on the play (Coachella, EDC, Ultra Music Festival, Tomorrowland to name a few) or his next artist album, Rock N Rave in 2008. The same year he won a Grammy Award for his ground breaking remix of Public Enemy “Bring The Noise” further catapulting the Benassi name into stardom. 

In 2011, Benny teamed up with a star-studded album cast for his album Electroman which featured T-Pain, Kelis, Jean-Baptsiste and Apl.de.ap amongst others and most famously Gary Go with his chart-topping single “Cinema”.  The Skrillex remix of “Cinema” not only went Gold in the US and platinum in Australia and Canada but won the Benassi’s another Grammy whilst holding firm in the iTunes top 10 dance chart for over 6 months. 

Still on this exceptional career high, Benny Benassi combined talents with Chris Brown to create one of the biggest cross-over dance records of its time with “Beautiful People”. The following years have been a measure of incredible world tours and releases, most notably his record “Dance The Pain Away” with John Legend, which premiered live on stage at Coachella with John himself. 

2016 saw Benny released his first album in five years Danceaholic, an unexpected, stunning cocktail of already released tracks, two unreleased reworks of older singles and brand new songs, led by the hit summer anthem “Paradise”, once again with Chris Brown. “Paradise” stayed in the Top 50 UK charts for 10 weeks and boasts more than 65 million video views and close to 47 million Spotify streams. 

In recent years, Benny's main releases include “Everybody Needs A Kiss” featured US duo Sofi Tukker racking up over 10 millions streams online and was featured as the sound of gay pride for Musica.ly, "Lonely Nights" featuring Lil Yachty, interspersed with two great house-oriented tracks, "Inside" with Chris Nasty, performing well in clubs and on streaming platforms and "Everybody Hates Monday Mornings" with his own production outfit, BB Team, and featuring the eccentric and charismatic YouTuber, Canguro English.

Beyond his own productions he brought his sound to a wider musical audience with a flurry of high-profile remixes with the likes of Bob Marley & The Wailers, Giorgio Moroder, Madonna, Sean Paul and the Rolling Stones, to name but a few; whilst maintaining a weekly radio show on the US heavy-weight iHeart Radio broadcasting to a staggering quarter of a billion listeners monthly.

To honor Studs Terkel & his legacy, we are sharing stories about Working Now through a SoundCloud Fellowship demonstration project.

RSS link: http://feeds.soundcloud.com/users/22214123-workingnow/tracks

Zomboy came crashing head first into 2016 with the game changing single ‘Like A B*tch'. Taken from his hotly anticipated Neon Grave EP, the track became the go-to set opener for the likes of Skrillex, DJ Snake and almost every bass DJ at Ultra 2016.  

While the EP Crushed the charts, the 'Neon Grave' tour saw Zomboy sell out venues all over North America and has set the tone for an incredible 2016 for the producer.
 
Never one for slowing down, he's since remixed the Chainsmokers' huge crossover hit ‘Don’t Let Me Down’, and has embarked on his annual festival run, destroying crowds one by one with his inimitable energy and stage presence

Music Produced by: Jules Dickens @ Abstract Source Mixing https://www.abstractsourcemixing.com 
  
Contact:  info@abstractsourcemixing.com

“Whether releasing tracks as Abstract Source or through his many collaborations, you get the idea that this brilliant artist and teacher will touch the lives of many people. His steady flow of directed and passionate energy takes the form of a wonderfully unpredictable musical output"

Ashley Casselle
(Global Underground | Junior Boys Own)

Music means everything to Jules and after a chat about the many layers of his career, he reveals more than a few surprises. From his past DJ exploits playing on a desert island in Malaysia, a Chinese temple for NYE or, closer to home at Dalston's bustling Superstore.

He possesses a unique energy which fills his long white walled studio in Brick Lane, enthusing about the artists he’s collaborated with, like techno pioneer Russ Gabriel on 'The Return EP'. He's most at home among LED lights, flickering buttons and pulsing switches, while drum machines and sequencers roll effortlessly into action to reveal new tracks.

After a spell running the label Abstrakt Dance with techno kingpin Colin Dale, Jules is now focussing on his Abstract Source sound. From the lush house of ‘Day to Night’ on Chicago’s Large Records to the gyrating drum & bass of ‘Tell Me’ on London’s V Recordings.

His music has found its way into some esteemed places: Peter Gabriel's Cue Songs have picked up the rights to his catalogue while Finlay Cowan (Pink Floyd Illustrator) has commissioned him to soundtrack a new project, the intriguing 'Subway Slim'.

Jules is currently developing a music therapy project aptly named DMT (Digital Music Therapy) which stems from a recent bout of insomnia. He has already delivered sound workshops to over 200 people and an album is on its way.

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