Name: Friday May 26th 2023 Normalization #1 by mafirman
Duration: 3 min 13 s
Description: Normalization #1 for Wiard 300 Series Modular, Lyra-8, and TipTop Audio/Buchla Modular. Recorded May 26th 2023 in Naperville IL USA.

Normalization #1 for Wiard 300 Series Modular, Lyra-8, and TipTop Audio/Buchla Modular. Recorded May 26th 2023 in Naperville IL USA.

Friday May 26th 2023 Normalization #1

No Comply

From the underground experimental lab at Dogs h8 Rats World Headquarters.
Michael Grimes plays bass and electronic sounds. Improvisational drum performance by Douglas Wilkerson. Paul Mathew Moore plays Piano, mini Moog analog synth and trombone. Cover art Douglas Wilkerson
Composition: Wilkerso, Grimes & Moore.
Mixed and Produced by D. Wilkerson

The Catch

2025-03-06

to sail the Milky Way

🌬🌊🌪⁂©All Rights Reserved 03-2025
©Lyricist, Mixing, Mastering, FX, Pro License & Creator: Lady ElectroTrek
***

TITLE: EYE OF THE CYCLONE
________________________________________________________________________
LYRICS:

(Verse 1)
Round the globe, tracks scorchin’ the maps,
Storm watchin’ while the pressure collapses gaps.
Cyclone twistin’, tails whip with the wrath,
No safe zone when fate tears up the path.

(Chorus)
Nowhere to run, nowhere to glide,
Wind scream loud, truth can't be denied.
Better hold steady or the vortex confides,
The eye of the storm might suck you inside.

(Verse 2)
Gale force grind, step, the clock rewinds,
Unravellin' the travelin’, it’s messin’ your mind.
Front row seats to your own demise,
Forecast fire where the hurricane lies.

(Chorus)
Nowhere to run, nowhere to glide,
Wind scream loud; truth can't be denied.
Better hold steady or the vortex confides,
The eye of the storm might suck you inside.

(Bridge)
Dark skies spiral, devour the light,
Energy electric, ignitin' the night.
Spin cycle rinse, no sins left to fight,
Nature’s got karma: internals ignite.

(Verse 3)
Barometer crack, no science can check,
Atmospheric chaos snapping your neck.
Tuesdays tremble, weeks fold, decks wrecked,
Land vanishes beneath - man’s ego unchecked.

Nowhere To Hide

Eye Of The Cyclone

2025-03-31

formation of the planet

A suthoreat noubitut

I wrote this in the age of 19 for classical guitar with the original title "Verwirrung". This is a version with midi instruments.

remembering hard times

19Apr25
My naviarhaiku589 track
https://naviarlab.tumblr.com/post/780996466807308288/naviarhaiku589-rising-sun
:D

misty sea [naviarhaiku589]

Obscura

🏋🏻‍♀️💪🏻🦵🏻👌🏻🤜🏻🤛🏻⁂©All Rights Reserved 04-2025
©Lyricist, Mixer, Mastering, Pro License, & Creator: Lady ElectroTrek 
***

TITLE: TOUGH FOR THE ROUGH
__________________________________________________________________
⚠^Explicit LYRICS:

(Verse 1) 
Slip the knot
Forget the pot
He ain't all that ya got
Speak to the cheek
Make sure he don't blow the fleek to the freak

(Verse 2) 
Gotta get up
When your man's effed up
No telling where it'll lead
But my head held high--Tilt it to the sky
Life's on hyper speed
going to grind your evil deed

(Chorus)
Rip the foo grip
No use trying to fast feed the furious
Time's a line that drags from behind
I leave it to find the delirious
Make my way clear is a must
The crib be chilling & that's a plus
So just hush

(Outro)
Crush the cold rust 
Relationships that aim to rot
Gonna hit my flush in a rush
Keep it hip
If you want no back lip
Don't you slip
You'll find the flip 
Will be the back stitch
So pitch up 
Bitch there's enough bad 
Yeah, you act up
We get tough
T-T-T-Tough for your rough

Flip The Foo

Tough For Your Rough

I am, on the maternal side, Haplogroup T
(Subclade T2) and, on the paternal side,
Haplogroup Q (M242)!
I have been walking the earth since the
early '50s. I am an ex-mill-rat,
ex-(Calumet)region-rat, ex-chemist,
dead-mathematician, ex-programmer,
musician, composer, earth-walker.
I have two musical directions, I play,
perform, and teach traditional Japanese
classical music for the shakuhachi
(an end blown bamboo flute), and I play,
compose, and perform experimental
electronic music. All the electronic music I
compose and perform is and can be done
in real-time (i.e. I don't use multi-tracking
or computer manipulation for my compositions).
Whenever I record anything, either electronic
or on the shakuhachi, it is done in real-time
just as it would have been done on the stage
or in an intimate setting.

Friday May 26th 2023 Normalization #1

mafirman

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