ϟ DANCE DANCE ϟ

Kokako Music: Dance floor selection

Building

tropicalbootybass

Marido

batuk

Churras

Magabo

Volta

Comfort Fit - Wicked Game (Swede:art remix)

Continuing our mission to help in the creation of a fresh, healthy, and exciting future for Australian electronic music we are proud to present to you the Surecut Kids and their debut EP 'Dayum Girl!'. Inspired by their love for female emcees the Surecut Kids decided one inspired post-gig night to hunt down their favourite female vocalists from around the globe and bring them back to their cosy EP. Caught in the web of their musical wit and charm were: rising US hip hop star Cheasleauen ('Drunk In This' and 'Twerk') Baltimore duo the Get Em Mamis ('Clap For It'), Brazilian Baile Funk vocalist MG GI ('Baralho'), Jamaican born Dancehall queen Natalie Storm ('Dust'), and Shon B ('Stop Hatin') from the infamous Florida hip hop group Yo Majesty.
After months of preparation, 2.76 million emails, lost files, missing mixdowns and too many hours spent in the studio to count, this ambitious idea has finally come to life. The end result is a cross-pollination of bass-heavy genres including Dubstep, Hip Hop, Dancehall, Baile Funk, Soca, and B’more (with a bit of executive production finesse from label boss Kid Kenobi himself). 
Dayum! 
We hope you enjoy! 
KKids x 

'Clap For It feat Get Em Mamis' - Surecut Kids

10) Gloria Dub. BR-FBX-11-00016
(letra: Fabio Trummer, Otto/ Musica: Robi Meira , Kiko Meira)
por Yellow Pi

Produzido por Bid

Apoio: Soul City Produssas




Gloria Dub

ANGEL MAGIK presents TROPICAL BASS 2 SUMMER 2009 (2)

MC Gringo & Nog Dog - Sookie (Bumps Sookie Soca Mix)

BARATO TOTAL
(Composição: Gilberto Gil)
------------------------------------
Lá, lá, lá, lá, lá, lá, lá
Lá, lá, lá, lá, lá, lá, lá
Quando a gente tá contente
Tanto faz o quente, tanto faz o frio, tanto faz
Que eu me esqueça do meu compromisso
Com isso ou aquilo que aconteceu dez minutos atrás
Dez minutos atrás de uma idéia já deu
Pra uma teia de aranha crescer e prender
Sua vida na cadeia do pensamento
Que de um momento pro outro começa a doer
Lá, lá, lá, lá, lá, lá, lá
Lá, lá, lá, lá, lá, lá, lá
Quando a gente tá contente
Gente é gente (gato é gato!)
Barata pode ser um barato total
Tudo que você disser deve fazer bem
Nada que você comer deve fazer mal
Quando a gente tá contente
Nem pensar que está contente
Nem pensar que está contente a gente quer
Nem pensar a gente quer, a gente quer
A gente quer, a gente quer é viver


Gal Costa E Nacao Zumbi - Barato Total

Swede:art - Sex On The Airplane

Quilombo do Futuro dives deep into afro-brazilian rhythms and sound system culture.  It's the roots of the terreiro growing and overtaking the asfalto.  Crumbling it bit by bit.  Life that springs from urban decay.  Coco, maculelê, samba, jongo and capoeira meet ragga and dub, hip hop and kuduro, grime and dubstep. Organic elements combined with electronic production to bring the punch and power for big sound systems, this is serious batucada and bass, mids, treble. TUDO.

Maga Bo has performed and worked in over 40 different countries - from Delhi to Sydney, Berlin to Addis Ababa, New York City to Brasília, all the while keeping his feet (and ears) firmly planted in the sonic axis RJ/SP/BA - Rio de Janeiro, São Paulo, Salvador.  Inspired as much by his experiences touring internationally in the global beats and bass world as his time spent in the traditional Afro-Brazilian roots scene in Rio de Janeiro, Quilombo do Futuro offers a careful juxtaposition of raw, heavy bass with organic, instrumental and vocal subtlety.  Far from relying on pre-made loops of "Brazilian" drums or other shallow cultural signifiers, this album was recorded with some of the most original and brightest musicians in Brazil today. 

Working with celebrated Brazilian musicians, BNegão, Gaspar, Lucas Santtana and Marcelo Yuka, the record also brings in new talents, Funkero, Biguli and one of the most innovative groups in Brazilian music today, BaianaSystem.  Bo's mestre of capoeira angola, Mestre Camaleão, brings the berimbau while Rosângela Macedo's vocals hold down tradition.  Guyanese Brooklynite, Jahdan Blakkamoore, and Panamanian Chicagoite, MC Zulu, bring the dancehall vibe to riddims that most don't even try to touch.  All percussion was tracked and produced by Maga Bo and his long time partner in riddim, percussionist and fellow carioca, João Hermeto. 

A quilombo was an autonomous, fugitive settlement founded by ex-slaves and others in colonial brazil.  The Quilombo do Futuro is more than a possible physical space.  It is a potential world-wide agglomeration of cultural resistance.  After centuries of wealth generated by an economy built on slavery (and the subsequent post-abolition adaptations), the Quilombo do Futuro is a break from this legacy.  Fortified by an international community based on plurality, inclusive democracy and direct communication, cultural resistance is paramount in creating a sustainable, healthy existence in the face of world-wide corporate domination.  

Born in the United States and based in Rio de Janeiro since 1999, Maga Bo has collaborated with Mulatu Astatke, Issa Bagayogo, Bollywood star Shilpa Rao, BaianaSystem as well as releasing critically acclaimed remixes for Poirier, Luisa Maita, Filastine, Blick Bassy and Bomba Estéreo.  His music and remixes have also been released on Tru-Thoughts, Ninja Tune, Cumbancha, Dutty Artz, World Connection and many others.  Among his many international tours, he has performed at the Sydney Festival, WOMEX, Club Transmediale and Mundial.

FREE DOWNLOAD

02  No Balanço da Canoa feat. Rosângela Macedo and Marcelo Yuka

11  Xororô feat. Russo Passapusso and Robertinho Barreto

JAH JAH REVOLTA (adubada por Buguinha Dub)
Russo Passapusso  

Robertinho Barreto . Guitarra Baiana
 Russo Passapusso . Voz 
andre t . Programações
 Kaboduca . Percussão   
Gravada por Marcelo Seco e andré t
 Mixada por andré t

12 JAH JAH REVOLTA(adubada por Buguinha Dub)

Check OH MAMA!  (feat. Son Palenque) video : http://www.youtube.com/watch?v=MSJ21UO7_3k

OH MAMA!  (feat. Son Palenque)

...Ciranda de maluco aqui em Pernambuco é bom demais...

Ciranda De Maluco

Remix feito pelo DJ LK para "Proletariado, do albúm "1 Real", do DJ Dolores.

Curta a fan Page para mais novidades:

http://www.facebook.com/djdoloresmusic


DJ DOLORES - PROLETARIADO (DJ LK REMIX BETA)

Swede:art - I'm A R.O.B.O.T. feat. Blaktroniks (TOKiMONSTA Remix)

Bambá -  part. Burro Morto e Russo Passapusso ------- Manchinha (trombone)
Mangaio (Samplers e Synts), Leonardo Marinho (Guitarra) , Junix (Guitarra), Jorge DubMan (Bateria), Pablo Ramires (Darbuka), Daniel Jesi (Baixo), Haley Guimaraes (Teclado), Ruy Jose (Gravaçao Burro Morto)
Produçao - Vinicius Mangaio
gravado por Seco Bass e Mangaio
masterizado por Seco Bass em MarcioMello

Bambá  (RADIOMUNDI feat. Burro Morto, Russo Passapusso e Manchinha)

Ponto BR é um coletivo que reúne mestres como Humberto de Maracanã, cantador de Bumba Boi que deu nome ao Prêmio Culturas Populares do MinC, Walter França do Maracatu Estrela Brilhante, chefe do baque centenário campeão do carnaval de Recife, e Zezé de Iemanjá, ekedi e caixeira do Divino da Casa Fanti Ashanti, em diálogo com a paulistana Renata Amaral, o pernambucano Eder “O” Rocha, o suíço Thomas Rohrer e o maranhense Henrique Menezes, músicos sediados em São Paulo que além de seus projetos solo trabalham com grupos e artistas diversos como A Barca, DJ Dolores, Ivaldo Bertazzo, Zélia Duncan, Orquestra Popular do Recife, Nação Zumbi, Mestre Ambrósio, Zeca Baleiro e Chico Cesar, entre outros.

Esta investigação estética está fundamentada em uma longa convivência com estas comunidades, sua cultura, seus guardiões, em pesquisas que já renderam dezenas de registros em CD e documentários destas manifestações. Toadas de Bumba Boi, Maracatu, pontos de Tambor de Mina, Jurema, Cocos, Cirandas, Carimbós, Rojões e vários outros fazem parte do show na eira, cujo processo de concepção resultou de uma imersão do grupo em ensaios e encontros registrados ao vivo que resultaram também no CD de mesmo

www.ponto.mus.br

Ponto BR - Santo Antonio me avisou (Na Eira - 2010)

As maravilhosas fizeram uma versão incrível de uma de minhas músicas preferidas. 


Brigitte - Habanera

Brigitte - Ne Me Laisse Pas Laimer

Fock Me Avontade feat MC Gringo & MC Nem

Included on the upcoming album MAR.

BLANCO & NEGRO ( feat. Macondo & Mr. Vallenato)
Written by PST

Ella siempre dice blanco y yo digo negro.
me hala pa' atra y pa'lante es que yo me muevo.

Si me pregunta por que (la quiero)
mi vida si su querer ( me muero)
Si me pregunta por que (la quiero)
mi vida si su querer ( me muero).

Ella siempre dice afuera y yo pa adentro
pero con mi sabrosura yo la contento

Cuando me dan gana de espantar la amargura
me entrego a sus besos tiernos y su locura

Si me pregunta por que (la quiero)
mi vida si su querer ( me muero)
Si me pregunta por que (la quiero)
mi vida si su querer ( me muero).




BLANCO & NEGRO (feat. Macondo & Mr. Vallenato)

Cabeça

Official remix released with permission from Samba de Coco Raízes de Arcoverde.  Additional percussion by João Hermeto.  Remixed at Comando Digital, Rio de Janeiro.

https://www.facebook.com/pages/Samba-de-Coco-Ra%C3%ADzes-de-Arcoverde/150862398301637
http://www.myspace.com/cocoraizesdearcoverde

Free Download

Ê Boi (Maga Bo Remix) - Samba de Coco Raízes de Arcoverde

Official remix of Silver Bullit's Show Me What U Made Of track with Afrikan Boy and Mr. Spoek Mathambo.

Out on June 13th, 2013 on Urban World Records

Silver Bullit - Show Me What U Made Of  feat Afrikan Boy & Spoek Mathambo (Chief Boima Remix)

02-CLARA MORENO - MORENA BOSSA NOVA - 2004

“Speaker-bangin’ before all else” (XLR8R) with “some of the smartest ears in the game” (Chicago Reader), “few can make a room explode like Maga Bo” (Flavorpill). A purveyor of “international sonic weaponry and rhythm knowledge” (Rough Trade), the Rio de Janeiro-based DJ/producer is a veteran pioneer of global bass music, with 20+ years of dedicated experience searching out unheralded music bumping from speaker-boxes in the world’s grittiest corners, from Addis Ababa to Zanzibar. 

Maga Bo’s sophisticated approach to international sounds comes from in-person, on-site collaboration with other artists. He has worked on location in Morocco, India, Ethiopia, Senegal, Zanzibar, and South Africa, to name just a few, while delving into a whirlwind of local styles: chaâbi, asmari music, taraab, manganiyar folk music, masqanda, and mbalax. All instruments and vocals come straight from the source. His original riddims and recordings, enriched by the presence of live vocalists and percussion, and enhanced by the philosophies of hip-hop and dub, take the global bass DJ set to a new level, one driven by first-hand experience searching open-air markets instead of just searching the web. 

His current work explores the contours of Afro-Brazilian culture and includes collaborations with the brightest talents in Brazil’s vast musical landscape. An immigrant himself, Maga Bo put down roots in his adopted hometown of Rio -- a cultural melting pot like no other where he has produced baile funk MCs and played drums in his neighborhood samba school. Journeys to Brazil’s northeast region have resulted in recording sessions with unsung folklore heroes Grupo Bongar and Samba de Coco Raízes de Arcoverde. 

A globally in-demand performer, Maga Bo has graced stages from India to Ethiopia to Brazil, at major summer festivals across Europe, and on tour in North America and Australia. He has performed at WOMAD UK, WorldWide, Sydney Festival, WOMEX, Transmediale and Mundial. He’s collaborated with Buraka Som Sistema’s Kalaf, Max Normala aka Ninja of South African rap-rave outfit Die Antwood, Ethio-Jazz godfather Mulatu Astatke, Bollywood star Shilpa Rao, and Brazilian chart toppers BaianaSystem and BNegão, and released critically acclaimed remixes for Asian Dub Foundation, Batida, Bomba Estéreo, Poirier, Filastine, and Systema Solar. 

Maga Bo’s groundbreaking debut full-length album, Archipelagoes, was released on DJ /rupture's Soot Records in 2008 after recording sessions in Senegal, Tanzania, Morocco and South Africa with heavyweight local rappers and musicians. His second full-length, Quilombo do Futuro, landed at #1 on the iTunes Brazilian music chart and #1 on the Rhapsody world music album of the year. The album was lauded by the New York Times as “a cultural manifesto riding on rhythm” and by National Public Radio (NPR) as “defin[ing] a kind of virtual refuge for traditional culture, giving it a welcome place in the techy global music soundscape of the 21st century." 

His track, ”No Balanço da Canoa,” garnered over half a million views on Youtube and was featured in Grand Theft Auto V and the opening ceremony of the 2016 Olympics in Rio de Janeiro. He’s released music on Jarring Effects, Tru-Thoughts, Ninja Tune, Sound Way, ZZK, Cumbancha and many others. 

He currently releases confrontational, bass-heavy digital roots music from all over Brazil on Kaxambu Records and is an integrant of the live tropical-electro soundsystem band, Sociedade Recreativa. 

Having performed and worked in over 50 countries, Maga Bo walks the walk of the real globalization. Music is the weapon in a world of cultural appropriation, wide-spread poverty and mass migrations. 

Maga Bo bookings - booking*at*magabo.com

02 No Balanço da Canoa feat. Rosângela Macedo and Marcelo Yuka

MAGA BO