A crítica da chapa, no jornal O País em 1929, revelava a sonoridade de um universo desconhecido: “Batuque” é monumental. Quem o ouve adquire a impressão exata de estar presente, sem que ninguém o veja, às prodigiosas festas íntimas dos negros, verdadeiras reuniões privativas dessa raça nas quais ela passa momentos de completa independência e dá largas à sua natureza meio selvagem. Nessa música temos a África tornada brasileira e revemos os tempos em que o negro nas suas reuniões privadas, às vezes de caráter algo religioso, dava expansão à sua revolta contra a tirania exercida pelo branco.” Lançado em disco em 1929 pela cantora e folclorista pernambucana Stefana de Macedo em arranjo para duo de violões, “Batuque” (Columbia 5.093-A) apontava no selo sua origem no Século XVII: “Dança dos Quilombo dos Palmares”. www.goma-laca.com

Stefana de Macedo - Batuque (1929)

Trio Ternura - A Gira (Mr Mendel Edit).mp3 128 Kbps

Saudação ao Sol

Roda Maravilhosa- Ohxalá (Galo Preto re-edit)

O DESMANCHE - CRACA E DANI NEGA
2018
Produzido por Craca.
Todas as musicas por Craca e Dani Nega.
Textos: Dani Nega 
Textos adicionais: Dinho Nascimeto, Roberta Estrela D`Alva, Naruna Costa, Jé Oliveira
Beats, baixos, samplers, arpegiators, guitarra, cordas, sintetizadores: Craca
Congas: Gisah Silva
Trombone e flauta: Gil Mokoi Igarussu
Samples adicionais: Jovem Palerosi. Sandra-X
Participações especiais, vozes de: Juçara Marçal, Luedji Luna, Sandra-X, Graça Cunha, Nanny Soul, Roberta Estrela D'Alva e Clarianas.
Melodias adicionais: Naruna Costa.
Mixado por Craca.
Masterizado por Andre Magalhães

PARTICIPAÇÕES
Boi Navegador  - Clarianas
Peito Meu - Luedji Luna
Não Pise na Bola - Roberta Estrela D'alva
Saravá Xangô - Juçara Marçal e Sandra X

Boi Navegador

For Quilombo do Futuro Remixed, Maga Bo called upon the talents of a select team of top notch producers haling from several different continents.  The original tracks united the organic subtleties of the Afro-Brazilian rhythms coco, maculelê, samba, jongo and capoeira with the punchy, powerful, electronic based sounds of dub, raga, hip hop and dubstep.  Batucada and bass, mids, treble.  TUDO.  The remixes take the tracks even further….

Frikstailers deliver a monster digital cumbia remix.  Uproot Andy comes with a crunk, bullerengue samba reggae.  Subatomic Sound System brings a hypnotic dub rework.  Stereotyp's remix is a spooky, frantic burst of barefoot energy.  El Remolon takes baile funk into trance cumbia dub territory.  Sabo brings a sunny, uplifting vibe for the dance floor.  Dr. Das injects noise and grit with a deep, deep bassline.  Process Rebel treats coco to warm distortion and spacious reverb.  Dub Gabriel offsets hard, one-drop dub and samba with political commentary on immigration.  Digitaldubs drops a raw, dirty bass and rapid-fire funk programming.  DJ Dolores' new project Stank, comes with a frantic, dubbed out samba reggae.  Poirier goes deep on his tranced out jongo rework.  Batida connects the dots between samba and kuduro with vocals straight from Angolan MC Sacerdote.  Leo Justi adds a hard electro-funk edge.  Copia Doble Systema vs. Dixon transform ragga cumbia into hypnotic electronic tumbao.  Buguinha drops a pair of smoky live dub mixes while Chancha Via Circuito offers a smooth trip hop take on coco.

A quilombo was an autonomous, fugitive settlement founded by ex-slaves and others in colonial brazil.  The Quilombo do Futuro is more than a possible physical space.  It is a potential world-wide agglomeration of cultural resistance.  After centuries of wealth generated by an economy built on slavery (and the subsequent post-abolition adaptations), the Quilombo do Futuro is a break from this legacy.  Fortified by an international community based on plurality, inclusive democracy and direct communication, cultural resistance is paramount in creating a sustainable, healthy existence in the face of world-wide corporate domination.  

Born in the United States and based in Rio de Janeiro since 1999, Maga Bo has collaborated with Mulatu Astatke, Issa Bagayogo, Bollywood star Shilpa Rao, BaianaSystem as well as releasing critically acclaimed remixes for Poirier, Luisa Maita, Filastine, Blick Bassy and Bomba Estéreo.  His music and remixes have been released on Tru-Thoughts, Ninja Tune, Cumbancha, Dutty Artz, World Connection and many others.  Among his many international tours, he has performed at the Sydney Festival, WOMEX, Club Transmediale and Mundial.  

08 No Balanço da Canoa feat. Rosângela Macedo and Marcelo Yuka (Process Rebel Remix)

Maria Eleonor - do disco Manto dos Sonhos, de Renata Rosa. Prêmio da Música Brasileira 2009.
Renata Rosa: Voz
Pepê: Violão de Sete Cordas
Lucas dos Prazeres: Latinha
Quarteto de Cordas da Cidade de São Paulo

01 Maria Eleonor

FurmigaDub é o encontro da cultura popular nordestina com a música eletrônica
contemporânea. Desde 2011, Furmiga vem usando seu conhecimento musical para
estabelecer uma ponte entre os ritmos que cresceu ouvindo, como ciranda, caboclinho
e baião, e as batidas da cada vez mais efervescente bass music. No projeto
FurmigaDub e Seu Bando, Fabiano Formiga apresenta ao público alguns dos nomes
que foram importantes na sua trajetória, entre eles Anita Garyballdi, Alex Madureira,
Caiana dos Crioulos e Marinho.

Anita Garyballdi - Soletrando o Coco

Mashup cumbiero del track De dar Dor de Dj Dolores, un grosso y principal influencia para mi en esto del World Music.

De dar Dor - Dj Dolores (Rüstico Cumbia Mashup)

Fraccionando o Pife com a participação ilustre do Maguim do Pife @morangodone, e com samples de flautas dos índios do carnaval tradição da Parahyba misturados com texturas sintéticas digitais de ritmos nordestinos de cultura popular com influências de psydub e psychill.

Furmigadub + Maguim do Pife - Fracccionando O Pife

Sample da tribo Funiô com circulo de tambores

http://www.youtube.com/watch?v=mPvofnLuQC0

<a href='https://theartistunion.com/tracks/2e2fb9'>Download for free on The Artist Union</a>

Free Download

Funiô Hi Tech (Original Mix)

“Speaker-bangin’ before all else” (XLR8R) with “some of the smartest ears in the game” (Chicago Reader), “few can make a room explode like Maga Bo” (Flavorpill). A purveyor of “international sonic weaponry and rhythm knowledge” (Rough Trade), the Rio de Janeiro-based DJ/producer is a veteran pioneer of global bass music, with 20+ years of dedicated experience searching out unheralded music bumping from speaker-boxes in the world’s grittiest corners, from Addis Ababa to Zanzibar. 

Maga Bo’s sophisticated approach to international sounds comes from in-person, on-site collaboration with other artists. He has worked on location in Morocco, India, Ethiopia, Senegal, Zanzibar, and South Africa, to name just a few, while delving into a whirlwind of local styles: chaâbi, asmari music, taraab, manganiyar folk music, masqanda, and mbalax. All instruments and vocals come straight from the source. His original riddims and recordings, enriched by the presence of live vocalists and percussion, and enhanced by the philosophies of hip-hop and dub, take the global bass DJ set to a new level, one driven by first-hand experience searching open-air markets instead of just searching the web. 

His current work explores the contours of Afro-Brazilian culture and includes collaborations with the brightest talents in Brazil’s vast musical landscape. An immigrant himself, Maga Bo put down roots in his adopted hometown of Rio -- a cultural melting pot like no other where he has produced baile funk MCs and played drums in his neighborhood samba school. Journeys to Brazil’s northeast region have resulted in recording sessions with unsung folklore heroes Grupo Bongar and Samba de Coco Raízes de Arcoverde. 

A globally in-demand performer, Maga Bo has graced stages from India to Ethiopia to Brazil, at major summer festivals across Europe, and on tour in North America and Australia. He has performed at WOMAD UK, WorldWide, Sydney Festival, WOMEX, Transmediale and Mundial. He’s collaborated with Buraka Som Sistema’s Kalaf, Max Normala aka Ninja of South African rap-rave outfit Die Antwood, Ethio-Jazz godfather Mulatu Astatke, Bollywood star Shilpa Rao, and Brazilian chart toppers BaianaSystem and BNegão, and released critically acclaimed remixes for Asian Dub Foundation, Batida, Bomba Estéreo, Poirier, Filastine, and Systema Solar. 

Maga Bo’s groundbreaking debut full-length album, Archipelagoes, was released on DJ /rupture's Soot Records in 2008 after recording sessions in Senegal, Tanzania, Morocco and South Africa with heavyweight local rappers and musicians. His second full-length, Quilombo do Futuro, landed at #1 on the iTunes Brazilian music chart and #1 on the Rhapsody world music album of the year. The album was lauded by the New York Times as “a cultural manifesto riding on rhythm” and by National Public Radio (NPR) as “defin[ing] a kind of virtual refuge for traditional culture, giving it a welcome place in the techy global music soundscape of the 21st century." 

His track, ”No Balanço da Canoa,” garnered over half a million views on Youtube and was featured in Grand Theft Auto V and the opening ceremony of the 2016 Olympics in Rio de Janeiro. He’s released music on Jarring Effects, Tru-Thoughts, Ninja Tune, Sound Way, ZZK, Cumbancha and many others. 

He currently releases confrontational, bass-heavy digital roots music from all over Brazil on Kaxambu Records and is an integrant of the live tropical-electro soundsystem band, Sociedade Recreativa. 

Having performed and worked in over 50 countries, Maga Bo walks the walk of the real globalization. Music is the weapon in a world of cultural appropriation, wide-spread poverty and mass migrations. 

Maga Bo bookings - booking*at*magabo.com

08 No Balanço da Canoa feat. Rosângela Macedo and Marcelo Yuka (Process Rebel Remix)

MAGA BO