Written, produced, and mixed by Nana Lourdes
Mastered by Ruben Radlauer
Photo by Alexa Mareka 

Hello, hello,
you didn’t pick up the phone,
it told me to leave a message after the tone
I don’t have much to say, don’t wanna get in your way
I was just wondering, ‘fore i get on this plane

I was thinking about what we did the other day
And how nothing has been hitting quite in the same way
And how human it is to not want something good to end  
I know you know how disillusioned I get

I think we’re within the realm of possibility
But no one has ever felt easy

Where do we go? Where do we go now?

Where do we go when the future’s unknown
Look, I don’t mean to scare you
I can see it so clearly
Sorry, this is all coming out wrong

Hello, hello,
you didn’t pick up the phone
it’s raining a bunch and I finally got home
I wanted to talk, maybe do other stuff
Got a feeling that I might’ve fucked up 

I keep seeing the same numbers again and again, 
Maybe the universe is telling me it’s time to unbend
What do we do when we have all this trust
Do you ever feel like the world could be ours?

I was waiting for my bag,
And it hit me how complicated my speech can be
But all I really wanted to say is

I swear you know me like nothing and no one
Tell me, are you imagined
All the velvet and satin,
I know you think we’ve only just begun

(But)

Why don’t we go to the chapel of love?
Where we’re gonna get married
Can you imagine
Eternity, baby, for good


Why don’t we go to the chapel of love?
Where we’re gonna get married
Darling, you’re magic
Eternity, baby, for good

Before I go, I just need you to know
That I meant everything I said
And I hope you call me back

WDWG

going...going...GONE!

enknee1

the train to nowhere

That's My Floor

Imaginal Disk

The Ballad of Matt & Mica

Love Is Everywhere

Vampire in the Corner

This song is a quiet confession wrapped in a fingerpicked groove, a bedroom pop reverie where glances linger longer than words. Delicate vocals skim across classical guitar, carrying the story of two people who understood each other between the lines. Light percussion and layered harmonies cradle the emotional weight without tipping it over, letting every verse ache gently before resolving into something tender, tentative, and true.

Never Could Choose

you asked what i meant by that line in the song
not just to flatter me, but to know
i stumbled through words, but you waited so long
like we both knew without saying so

you caught the half-joke that i buried in rhyme
and laughed like you tasted it too
i didn’t expect you to lean in that time
but your hand knew just what to do

you paused when i sang that familiar phrase
like your heart heard more than your ears
i played it cool, said “it’s just a song”
but your gaze held a chorus of tears

it’s not that you touched me, it’s how
like a melody finding its key
i’ve heard verses fall flat when they’re fading
but yours always sang back to me
you made me feel like a chord still building
not a chorus worn down by use
and i’d write this refrain into memory
if you hum what you never could choose

i’ve kissed people who never looked twice
at the things i kept under my tongue
but you…
you read footnotes
and margin scribbles
and still wanted more of the page

it’s not that you touched me, it’s how
like a melody finding its key
i’ve heard verses go still in the silence
but yours always sang back to me
you made me feel like a chord still building
not a chorus worn down by use
and i’d write this refrain into memory
if you hum what you never could choose


The Ballad of Matt & Mica

MAGDALENA BAY

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