Reso-playlist (Андрей из Убиваю Насекомых)

You Lose!

Chaeri

Too Dead Inside

rom com 2021

KicK iii

Señorita

mini mix vol. 3

Top Dog

2 Wheel Drive

sever the blight

Starburned and Unkissed

Imaginal Disk

Killing Time

KMT KI Media 2025 (26.09.2025)
Album Nr. 163 "Damit wir nicht vergessen by KMT" - Style: Electro, Industrial, Rap, Dark | Tracks: 30 (ai generated)
Lyric: Deutsch

Thema: "Damit wir nicht vergessen" ist eine klangliche Reise durch die dunkelsten Kapitel der Menschheitsgeschichte, die sich dem bleibenden Erbe des Völkermords mit unerschrockener Ehrlichkeit und tiefem Mitgefühl stellt. Durch eine Verschmelzung von Dark Synthwave, industriellen Texturen und eindringlichen Rap-Versen malt das Album lebendige Porträts von Verlust, Widerstandsfähigkeit und der dringenden Notwendigkeit der Erinnerung.

Jeder Track dient als Denkmal, als Klage und als Aufruf zum Handeln, der die Zuhörer auffordert, sich den Schatten der Vergangenheit zu stellen und sich dem Aufbau einer Zukunft frei von Hass und Unterdrückung zu verschreiben. Von der Asche der Unschuld bis zu den Echos zerbrochener Versprechen ist "Damit wir nicht vergessen" ein Zeugnis für die Kraft der Musik, Zeugnis abzulegen, zu heilen und angesichts unvorstellbarer Tragödien Hoffnung zu wecken.

Track 01: Der Verlust der Kindheit
Dark-Synthwave, Dark Industrial, Dark-Rap

Track 03: Eine Klage für Srebrenica
Dark-Synthwave, Dark Industrial, Dark-Rap, Balkan Folk

Track 05: Das Echo von Ruanda
Dark-Synthwave, Dark Industrial, Dark-Rap, Dark Ambient

Track 07: Ein Denkmal für alle Opfer
Dark-Synthwave, Dark Industrial, Dark-Rap, Neo-Classical

Track 09: Die Narben der Stille
dark-synthwave, dark industrial, dark-rap, funeral doom

Track 11: Der Vertrauensbruch
dark-synthwave, dark industrial, dark-rap, trance

Track 13: Die Stille der Schuld
Dark-Synthwave, Dark Industrial, Dark-Rap, Dark Jazz

Track 15: Die Schatten der Worte
Dark-Synthwave, Dark Industrial, Dark-Rap, Hardstyle

Track 17: Die Stille schreit
dark-synthwave, dark industrial, dark-rap, drone

Track 19: Die Last der Zuschauer
dark-synthwave, dark industrial, dark-rap, dubstep

Track 21: Die Kraft der Hoffnung
Dark-Synthwave, Dark Industrial, Dark-Rap, Gothic

Track 23: Erinnert Euch
dark-synthwave, dark industrial, dark-rap, chillwave

Track 25: Schweigen der Schatten
dark-synthwave, dark industrial, dark-rap, opera

Track 27: Abschiedslied
dark-synthwave, dark industrial, dark-rap, lullaby

Track 29: Eine Welt ohne uns
Dark-Synthwave, Dark Industrial, Dark Rap

If you would like to use my music commercially, please contact me. No financial income may be generated from my music without my permission. My music is free for private and commercial use. However, I would appreciate it if you would credit me (Kurt Michael Treichl) as the author. Please also mention that this is AI music.

Thank you for your time. Enjoy your journey through my artificially created musical paradise.

© Album cover and music were created by Kurt Michael Treichl using AI support.

Best regards,
Kurt Michael Treichl (KMT KI Media | AI Music Austria) - Austria / Salzburg

Visit me for more on
https://www.mystic-arts.com
https://www.ai-music.at
https://www.kmt.zone

AI Music Austria

25 Schweigen der Schatten v1

Atrocity Exhibition

Ain't it Funny

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

01-Numb

new album out now
https://blackdresses.bandcamp.com/album/peaceful-as-hell

PLEASE BE NICE

You Lose!

MAGDALENA BAY

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