Magic Bronson - Run Run
Recorded at: Restless Recordings, Van Nuys, CA & Bill's Place, North Hollywood, CA
Music & Lyrics by: Michael Nicastro & Matthew Lieberman
Produced by: Michael Nicastro & Matthew Lieberman
Engineered by: Michael Nicastro & Mike Malchicoff
Mixed by: Mike Malchicoff
Mastered by: Andrew Sarlo 
Electric Guitar by: Mike Malchicoff
Artwork by: Matthew Lieberman

Bright lights in the city 
A pack of smokes
Old chair pulled up to my window
Is this where I wanna be 
Or where I wanna go
Watch the fog creep by
As the clock slows
I’m in love with love
Or the idea of it
And all these steep long climbs
Have left me out of breath
Do I give up now and say the hell with it
Or do I just keep moving 
Never gonna rest

Never gonna rest 
Never ever ever say the hell with it
Yea I’m so restless, never
Never gonna, Never gonna

Run Run Run
Gotta get away
Run Run Run
Gotta leave this place
You Run Run Run Run Run

The hum of the street is my soundtrack
If I give all I got 
What can I give back
So I’m jumping one foot 
Over these street cracks
Living day to day to day 
Out of this backpack
Oh heave a heavy sigh 
I’m on deck
If you leave a piece behind 
I’m a big mess
Baby show a little leg
I love that sundress
RSPCT show some respect

Show some respect 
Never ever ever ever
Say the hell with it
Yeah were so restless
Never 
Never gonna 
Never gonna

Run Run Run
Gotta get away
You Run Run Run
Gotta leave this place
Run Run Run 
Gotta get away
You Run Run Run Run Run


Run Run

I make stuff but very rarely so usually listening to nice music (I have too much music I vibe to)

“Contact light.”
First words spoken from the surface of the Moon, by Buzz Aldrin on 20 July 1969 when Apollo 11 landed.

بازم بِکار تو دستِ من بهارو....1401/07/08

The universality of music and its importance in the life of man is in many ways analogous to water. It may exist in countless forms and several states. It nourishes and sustains many kinds of internal life. 
It nourishes religions, philosophies, and – sciences, without being identical with any of them. Like beauty it is forever ministering, enriching, and expanding the potentials of human consciousness. This is harmony as controlled dynamic force. Music is disciplined sound. 
It is important that all students of philosophy and comparative religion should appreciate the spiritualizing force of great music. 
It is equally valuable to consider the development of music consciousness and music appreciation through the ages and among the different civilizations which have been enriched by its gentle and gracious persuasion. Music has a meaning for man; it fits into his moods without any compromise of its own integrity. Like water it adapts itself instantly to the shape of its container. In a square vessel, it is square; in a circular vessel it is circular. This is true because of the nature of the element itself, and not because it is catering to the shape of the jug, the vase, or the bowl. We must learn to appreciate the difference between music and noise, but overcome the tendency to consider unfamiliar musical forms as merely untutored sounds. While musical impulses are common to all mankind, musical forms divide into familiar and unfamiliar. As we have difficulty in understanding persons whose ways of life are different from our own, so we have difficulty in recognizing and responding to the arts of peoples psychologically remote. The final measure is sincerity, not proximity, but until we have experienced some kind of social communion with a larger world of human aspirations this communion is comparatively impossible. As psychological sympathy develops we gain the possibility of measuring arts and art values in terms of basic integrity rather than by the false standards of personal taste. We have forgotten completely that great music must originate in a great concept of life. 
It is just as important, in fact more important, to release music from within the self than merely to listen. We need the growth resulting from personal performance as well as the civilizing force of appreciation. To the old philosopher, the human body itself was a musical instrument. It is the musician within the body who must control and direct the impulses which flow outward through the personality. We talk much of the science of living but we should think more about the art of living. By surrounding himself with the art which is meritorious, true and beautiful, the music of integrity which wiII restore his ideals, Products of small minds are no to be compared with those of great minds and cultures. This is all we need to understand, even in a jittery world, to sharpen the edge of discrimination for the choice of surroundings and the environment that will spiritually achieve for us that desirable thing known as the balanced life. - Manly P. Hall