**Booking & Management** 
mail@gamperdadoni.com

„No music – no life“

The love of music has always been the driving force behind everything GAMPER & DADONI do. One a student of music and the other audio engineering, the two young artists from Hamburg (Germany) started as a Producer/DJ team in spring 2013 and were generating over a billion plays across all DSP's.

Their sound is a thrilling mixture of melodic and funky house that has rapidly gained the support of world renowned DJs such as Kygo, Klingande, Lost Frequencies and Bakermat - all of whom regularly play their tracks.

Over the last three years, GAMPER & DADONI have played over 90 shows in more than 15 countries and whether it's Paris, London, Rio de Janiero, Dublin or Berlin, the duo always leave their mark.

So prepare yourself for a musical journey that will captivate your senses and let you lose yourself to dance.

Angefangen hat alles mit 14 oder 15 Jahren... Ich konnte es nicht mehr ertragen, dass die meisten CDs oder Tapes zwei, drei gute Lieder hatten und der Rest leider nur Durchschnitt war.
Ich machte mich auf die Suche nach einem Freeware Musikschneideprogramm um CDs nach meinem eigenen Geschmack zu gestalten. Freunde hörten die Mixtapes und motivierten mich weiter zu machen. Was mit HIP HOP und dem Künstlernamen DJ PE begann wandelte sich nun im Zuge eines musikalischen Entwicklungs- und Reifeprozesses zu weltenbummler und dem elektronischen Genre.

Ich bin kein klassischer DJ in dem Sinn, der in Clubs bis tief in die Nacht auflegt. Ich habe Freude daran Musik, die mir gefällt, zusammenzustellen und zu genießen. Wenn das Ergebnis anderen Menschen ebenfalls gefällt ist das natürlich umso schöner...
¸¸.•*¨*•♫♪ Musik die man hört ist schön, Musik die man fühlt das Schönste ♪♫•*¨*•.¸¸

Ben Howard returns with his 4th album, Collections From The Whiteout, produced alongside Aaron Dessner (The National). The foreboding darkness that coated Ben’s second record I Forget Where We Were and thinly veiled its follow up Noonday Dream, isn’t so evident on Collections. These are songs written from headlines scanned, or news stories scrolled past, providing inspiration for a selection of vivid narrative snapshots – the death of amateur sailor Donald Crowhurst (Crowhurst’s Meme); Russian fraudster Anna Sorokin (Sorry Kid); the man who stole and crashed a plane in Seattle (The Strange Last Flight Of Richard Russell); and the dismembered body a friend of his father found in a suitcase floating along the Thames (Finders Keepers). Alongside them, the personal anecdotes from the same scattered period living between Paris, Devon and Spain. Yussef Dayes features, as does Kate Stables (This Is The Kit), James Krivchenia (Big Thief), Kyle Keegan (Hiss Golden Messenger), and Dessner. Thomas Bartlett, St. Vincent’s go-to pianist, and Rob Moose, a long-standing arranger of strings for Bon Iver, are also present. Long-term guitarist to Ben’s band, Mickey Smith (A Blaze of Feather), remains a reassuring constant. It’s a sonic adventure that continues this nagging suggestion that Ben is one of the UK’s most inventive and naturally talented songwriters. CFTW is his latest opus, and arguably his most fully realised to date.

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Upcoming artist from Syracuse, New York


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