Tiago Granja a.k.a. Gahnah is a self-taught composer. He participated in several projects from rock to electronica and alternative. He composed for a couple of documentaries and movies, notably doing the soundtrack for SIC’s TV movie Anjo Caído (Jorge Ferreira da Costa), soundtracking and scoring Álvaro Romão’s documentary "A Pele", and composing the music for a TV spot for Associação Portuguesa de Apoio à Vítima (non-profit ONG supporting victims of crime and violence), and more recently the soundtrack for the short films "The Writer" ("A escritora") and "Mirror Mirror" ("Espelho meu") by director Hugo Pinto. Gahnah is a character Tiago made up. It’s an “electronic dog” releasing fleas full of Os and 1s, and hoping one day to be free and ownerless. That’s why it runs… it’s a stray dog but it doesn’t bite. It’s both rational and spiritual.
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Tiago Granja AKA Gahnah é um compositor autodidacta. Participou em diversos projectos musicais do Rock, à Electrónica passando pela música Alternativa (ex. Ode Filipica, Estado Sónico, Umpletrue).
Compôs para alguns documentários e filmes dos quais se destacam a banda sonora do telefilme da SIC "Anjo Caído" do realizador Jorge Ferreira da Costa, a banda sonora e sonoplastia no documentário de Álvaro Romão "A Pele", música para spot televisivo da Associação Portuguesa de Apoio à Vítima, e mais recentemente para duas curtas metragens do realizador Hugo Pinto    "The Writer" ("A escritora") and "Mirror Mirror" ("Espelho meu"). Gahnah é uma personagem inventada por Tiago. É um "cão electrónico" que solta pulgas cheias de zeros e uns à espera de um dia ser livre e sem donos. Por isso foge...É rafeiro mas não morde. É racional e espiritual. Espiritualiza a razão e racionaliza a espiritualidade. Desse processo nascem os sons, os ruídos, os silêncios, as ondas e frequências, os ritmos, as melodias, a energia. Acredita que a música não é um efeito mas uma causa e por isso deixa-se compor pela música. Palavras que gosta e que repete: espírito, alma, intelecto, razão, causa, raiz, nascimento, origem, natureza, Deus, belo, ruído, silêncio, reencarnação.

Can AI really create music like humans? This is the result of crazy AI science combined with Analog Synthesizers, and professional musicians. The goal is to explore the possibilities that Artificial Intelligence can give to music and how producers can exploit it. More info at http://artificialdancemusic.com

magine an old market town, its Thursday night and the town is alive! And in a shed somewhere, a snare is affixed to the underside of a drum as a guitar undergoes a final tuning. An old market town where nothing goes down but the women. Until now.

1-2-3-4!

Browser played gigs from 2002 to 2005. We wore suits like real musicians, we dropped riffs like Black Sabbath and drummed like The Doors. We wrote songs about the north, about politics, about breaking up. We wrote songs about deadbeats and psychos. We told stories and wrote songs that we hoped would make our town, Darlington, come to life.

Dreams sweet dreams, but we believed in them.

Browser played their last gig in 2005. We had just come back from a festival in Germany and played our send off at the live music Mecca, the Tap and Spile. We went our separate ways. :London, Leeds...Hartlepool.

But now we're back.

Watch this space.

I have no style, I am my style. 

from leases to full song production 

eM: kaizer@duck.com
Tg: @kaizersensei
linktr.ee/kaizersensei 

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