Sad Succubus Songs

chrysalis

Rent party

The Chase

Golden Age

Ethel Cain - Golden Age empty arena

Woe (I See It From Your Side)

Woe (I See It From Your Side) (Bjork Remix)

https://chemicalx.ffm.to/puresmilesnakevenom

Song Credits - 
Performed by Eartheater
Produced by Eartheater and Sega Bodega
Mixed by Gabriel Schuman
Mastered by Joe LaPorta

Pure Smile Snake Venom

Catching Chickens EP

Hell of a Ride

Bird's Eye

Bad Idea

13 Months of Sunshine

Feels So Good

New Flower! (feat. Leon Thomas)

This is produced by Funkywhat & Me
Mix Master: Valentin Ignat
Cover by: Spencer Magnan

BOOTY

Heavy Entertainment

Be There

Pool

Pool (Stripped)

Two Weeks

The Classic Jungle Track Everyday Junglist by Marvellous Cain and Bizzy Bee remastered for your pleasure.

Buy it now on vinyl exclusively from Junglist Network

Other tracks include Hitman and Homicidez

https://shop.junglistnetwork.com/products/everyday-junglist-hitman-marvellous-cain-12-vinyl

Everyday Junglist - Remastered - Marvellous Cain & Bizzy Bee

Hello, hello and welcome to episode 322 of The Everyday Junglist Podcast!

Thank you DSurr for your mix that we featured for episode 321!

Episode 322 brings us a mix from an absolute legend and the man responsible for such seminal classics like, Everyday Junglist, Hitman, Dubplate Style, and Roll Dat Shit, Marvellous Cain!!

Cain's mix is a blend of remixed classic, dnb/jungle tunes, and dnb/jungle classics, rolled into a high enegry mixtape! This mix is MASSIVE!!!

For Marvellous Cain's bio, please visit: 

www.uknowthescore.podomatic.com

For more music and to book Marvellous Cain, please click the links below:

https://www.facebook.com/MarvellousCainYR/

https://soundcloud.com/marvellous-cain

https://twitter.com/marvellouscain

https://www.linkedin.com/in/marvellous-cain

http://www.urbanagency.co.uk/marvellous-cain/

Enjoy the sounds of Marvellous Cain! The Everyday Junglist Podcast!

Track listing:

1-Peter Bouncer - Junglist (Serial Killaz Remix)	
2-Gangsta (Serum Remix)	Dillinja	
3-Everyman VIP (Benny Page Rmx Mix 2)	
4-DJ MONK - I SPY (LIONDUB 2013 REFIX) 
5-THE DARK STRANGER (SERUM REFIX)	
6-Dubplate Style Remix - Marvellous Cain 
7-Special Dedication (Sigma Remix)	
8-Trouble Scorpio	
9-HMP - Runnin's	
10-Hot Flame(2013 Refix) Dj Dextrous & H-Pee	
11-I LIKE IT (SERUM REFIX)	
12-Worries In The Dance (Rockers Mix) Serial Killaz	
13-Callin All The People (Dope Ammo Rmx) 
14-Pulp Fiction (Lynx 2010 Edit)	
15-General Levy - Incredible (Shimon remix)	
16-No Diggity Mato - Ed Solo Remix 
17-DJ SS - LIGHTER - BLADERUNNER REMIX	
18-Kung Fu Horse DJ Cautious & Tim Ryan	Rough Love	
19-JUNGLIST REMIX	
20-Origin Unknown - Valley of The Shadows (Chase & Status Remix) 
21-Nice Tune - Serial Killaz vs Marvellous Cain Remix 
22-RIP (S.P.Y Rework) - Remarc	
23-DMS & BONEMAN X - SWEET VIBRATIONS - DJ MONK	
24-Hush Hush	Shimon	
25-Deekline Ed Solo - Good Looking Gal	
26-Dubplate (Total Science remix)	
27-shy_fx-bambaataa	
28-Turbulence Moving Fusion	
29-Veak - Coca Cola Bottle Shape	
30-The Licence (Serial Killaz Remix)	
31-Friday Capone	
32-Badman War in 94 -(Benny Page & inside man remix) 
33-Heavenly body - Dextrous	
34-The Nine Bad Company UK	
35-Warning (Serum Remix) Firefox and 4-Tree	
36-REMARC - SOUND MURDERER - BLADERUNNER REMIX	Blues	
37-Chopper (Shy FX remix)	
38-Marvellous Kane - Everyday Junglist (DJ Limited Remix) ft Fatman D	
39-TNT - 2 DEGREES - DOMINATOR & LOGAN D REMIX VIPPPPPP	
40-WHY (SERUM REMIX VIP) 
41-RUDE BWOY MONTY - WARP 10 (SERUM REFIX)	
42-Andy C & Shimon-Night Flight(Shimon_remix)

Marvellous Cain-Exclusive Mix-The Everyday Junglist Podcast-Episode 322

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: https://bit.ly/2XtJGvQ

Phoenix: Flames Are Dew Upon My Skin

Eartheater - How To Fight (PAN 112)

Off Cuts

A New Kind Of Love (Demo) [feat. Imogen Heap & Guy Sigsworth]

BOOTY

Magi Merlin