Name: 02 by magiwogg
Duration: 8 min 20 s
Description: 2 of 99 tracks. publish once a week at least

私が所属するバンドMargaret Maggieの曲をアレンジしました
http://margaretmaggie.com/

錆びついた機械文明-8bit ver.

Damasareta

1. 立体放送のためのミュージックコンクレート／柴田南雄 _ “Musique Concréte for Stereophonic Broadcast”Minao Sibata

2 of 99 tracks. publish once a week at least

A new world is always ahead, though filled with expectations and anxiety.
We steer our lives as everyone is a traveler in the universe.

人は皆、宇宙という大海原を渡る旅人。
期待と不安を胸に、舵を取る旅人の前には、いつも、新天地が広がっています。

Get DOWN LOAD↓
https://itunes.apple.com/jp/album/AWAYA/id980941906

Voyager DEMO

A remix of the rather...minimalistic theme of W.D. Gaster, turned into a hypothetical battle theme for the guy.  Had lots of fun with this one, and hopefully I managed to capture this guy's spooky, freaky essence with the theme.

By popular demand, here's an external download link because I can't seem to figure out how to get Soundcloud's cursed download system to work properly: https://www.dropbox.com/s/3gs5rtz2zmpczvq/Dark%2C%20Darker%2C%20Yet%20Darker.mp3?dl=0

And here's an hour-long extended mix if you prefer your jams to be seamless and uninterrupted: https://www.dropbox.com/s/4e8u0spd69270bg/Dark%2C%20Darker%2C%20Yet%20Darker%20%5BExtended%20Mix%5D.mp3?dl=0

Dark, Darker, Yet Darker

ポケットモンスター金・銀 より「エンジュシティ」の現代雅楽風編曲。
壱越調に移旋されています。

龍笛はピッコロで代用
笙はメロディカで代用
篳篥はリコーダーで代用
楽筝、楽琵琶はプリペアドハープで代用
打ち物は無し

管絃 壱越調 縁寿楽

02inori demo

The music to the video game 'Composition J' (www.compositionj.com), developed by Michael Silverman of Silverware Games. The video game also includes sound design by Jordan Fehr (jordanfehr.com) of 'Super Meat Boy' and 'Hotline Miami' fame. The music here is an edited version of the music as experienced in the game. The music changes dynamically in the game, with layers being added as players reach higher combo levels, and effects added to the music when players rotate the game world.

About Composition J:

Draw walls, build combos, and clear 3D boxes in this minimalist puzzler based on the works of Piet Mondrian and Jezzball/Qix. Keep a box on screen when another one clears to combo up. Balls only break through walls that are still growing so time your new walls carefully.

The musical direction for 'Composition J' was inspired by my upcoming debut EP 'Acronyms Save Ink' (http://snd.sc/15FNJEr), out now on all digital platforms courtesy of Seamless Recordings.

'Composition J' is out now for iPad and online, priced at 0.99 USD.

compositionj.com
facebook.com/stephenwebstermusic
twitter.com/stephenwmusic
stephenwebster.net

Composition J

Fourty white horses
On a red hill
First they jump
Then they stomp
Then they stand still.

Heute über den Hügel gefahren
Auf der anderen Seite stand zum Glück https://soundcloud.com/alexander-schubert

Cover artwork by petitneon.com and https://soundcloud.com/crashcarl

brfocast neunundvierzig • ALEXANDER SCHUBERT •

ELSE MARIE PADE & JACOB KIRKEGAARD
SVÆVNINGER

IMPREC382   LP

Else Marie Pade (born December 2, 1924 in Aarhus) is a Danish composer. An educated composer, Pade pioneered electronic music and concrete music in Denmark. In 1954 Pade became the first Danish composer of electronic and concrete music. She knew and worked with Pierre Schaeffer and Karlheinz Stockhausen.  Pade was active in the resistance during the Second World War, and was interned at the Frøslev prison camp from 1944 till the end of the war. An archival collection of Else Marie Pade's electronic work will be released on Important in 2013.

Jakob Kierkegaard is a Danish artist who explores sound art from a scientific perspective. He has released 3 solo records and a collaborative work with Phillip Jeck for the esteemed Touch label.

 Despite an age difference of 51 years, Else Marie Pade and Jacob Kirkegaard speak a similar musical language and are prominent listeners and communicators of sounds that we tend to overhear. For the first time these two pioneers are collaborating on a new work: SVÆVINGER investigates the variations that one can hear when sound waves collide. Both artists have previously worked on this phenomenon; Jacob Kirkegaard in his work Labyrinthitis (2007) and Else Marie Pade in her work "Faust Suite" (1962). For their new joint piece SVÆVINGER, they remixed some of Pade's early (and hitherto unreleased) sound experiments with some of Kirkegaard's recordings from his own ear, thus leading the audience straight into the undiscovered labyrinths of their own hearing.

"Cirrocumulus, Cirrostratus, Stratus" by Else Marie Pade & Jacob Kirkegaard IMPREC382

Composer for environment/ stage performance / or timeline.
Plays viols / viola da gamba, sound manipulation, etc.
I use Soundcloud for uploading works in progress.

02

magiwogg

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