Looking for alternative sounds from chip music, dark synths through progressive rock, fusion jazz to heavy guitar riffs.

On demoscene I am known also as Vino or Wino. I am co-founder and organizer of @Decrunch demo parties.

A Lifetime of Music

It’s all about Creativity. That's the key reason why someone like Magnar has spent his last past twenty years making music for the world of demos, games and beyond.

His claim to fame started on the Amiga demo scene in the early nineties, where he released most of his best musical work up to that date, in the music disk "Mirror" by the then already-legendary Norwegian team Andromeda. Then moving over to the hyper active TBL, Magnar was behind the main soundtracks of the chart-hitting demos Darkside (1996) and Panacea (1997).

"I was amazed by what was possible to do with computers, and all the great productions intrigued me into getting more involved in the scene community", he says.

The Present
Magnar moved over to Sweden during the summer time of 2000. Where he settled down to live together with his wife and two kids. In 2008, he finished building his privately owned music studio called Garage Outputz, which shows the level of his passion and inspiration for composing new music. The studio also doubles up as his office, where he can be creative in different ways with computer art. Magnar's ambition is to compile a CD album and delivering a lasting impression to listeners all over the globe. "I am composing a lot of new tracks, and when I feel satisfied, I aim to release that to the general public", he says.

- by Noel / MoP (Alcatraz)

** ROSS KOSHERTON ** 
Synthwave / Synthpop Composer & Producer.
🎥 Filmmaker & Audiovisual Artist. #synthwave #retrowave #electro #lofi
For booking inquiries, please contact:  rosskosherton@gmail.com. 

Trained as a conservatory pianist, graphic designer, and audiovisual producer, he himself is responsible for designing and creating the sound, lighting, visual, and scenographic universe that governs all his shows.

His music is inspired by the very origins of electronic music, starting with Kraftwerk and Jean-Michel Jarre, passing through genres such as Italo Disco, Spacesynth, and more currently, Synthwave, demonstrating Ross's love for synthetic music in its purest expression.

With more than 20 years of experience, Ross Kosherton is a surprise in himself. In a world where music has become predictable, Ross presents himself as a fresh alternative. Though synthetic, of course.

Repost your music: bit.ly/RepostBoost

NETWORK / FOLLOWERS: 1.000.000

Love the 80's and its synthie sounds and arrangements. But it has to be danceable in some way most of the time.

Music with a happy vibe and positive attraction which makes you feel good.

Also have been busy back in the days on legendary C64 and Amiga. Therefore i have an addiction for that kind of sounds.

Activities of the 80s i remember and loved :

/_/_/ roller skating on the beach with bikini girls \_\_\
/_/_/ dreams about luxury design apartments \_\_\
/_/_/ cruising through the neighborhood in sports cars \_\_\
/_/_/ wearing pastel-colored clothes \_\_\
/_/_/ enjoying neon colors in the disco \_\_\
/_/_/ listening to dance music via headphones on the go \_\_\
/_/_/ being carried away by romantic music from john hughes movies \_\_\
/_/_/ playing electronic games with pixel graphics and chip music \_\_\
/_/_/ watching aerobic workout in leggings \_\_\
/_/_/ being enchanted by synthesizer sounds \_\_\

It's time to begin.  Begin again or begin anew?  Fear neither, for in each, you are reborn.  A.

I’m a melody-driven creator who started making music in 1988 on a Commodore 64, shaping tunes on its legendary SID chip without knowing a single note of music theory. I couldn’t read sheet music, didn’t understand keys or harmony — everything was built by ear, trial and error, and a stubborn need to make something that felt right.

Those early days in the C64 demoscene taught me how to turn limitations into creativity. Today, I work in a modern DAW to craft the melodies I love, then team up with AI as my producer — a digital collaborator I treat almost like a “creative demon” that helps me refine and expand my ideas.

Lyrics are written together with AI, drawn from life experiences, yet always shaped to fit the music first. This is where my past and present meet — from 8-bit trackers to cinematic, AI-powered productions. Welcome to my sound.

In 1983.. something bad was in the air.

A warning that seemed to come through every TV cable, every pirate radio signal, every shaking screen that caught your eyes late at night.

A heavy, relentless pulse.
A sound you didn’t just hear.. you felt it.
Like the whole world, from Florida to Bucharest, was beating to the same rhythm.
The same warning.

"What’s going on out there?"
Someone asks.
There’s danger outside.
So don’t go outside.

All signs pointed east.
Strange sources.
Mysterious signals that appeared only on certain nights, at certain heights.

Old tapes mention Vlad, a quiet, enigmatic figure, born in Romania,
whose story drifts through echoes and static, carrying whispers of Transilvania.
A name wrapped in rumor and mystery, tied to stories that trace through dark forests and mountain echoes,
where myth meets reality, and shadows dance beneath neon light.

Some say he came down from the mountains with sounds that were never written.
Others say he never came down at all.

People tell stories.
About blood and basslines.
About heartbeats syncing with distorted rhythms.
About a face that doesn’t age.

But maybe it’s just legend.
Or maybe the music isn’t just music.
Maybe it’s a calling.

And if that “something bad” from 1983 wasn’t the end…
Maybe it was only the beginning.

Magnar is following