Library - Part 1

FBD Project - Gesture Without Motion [Bang-In Tunes]
 DJ Nut Nut & Pure Science - The Rumble (Boom Shaka Mix) [Production House]
 Cloud 9 - Ruff (Remix) [Moving Shadow]
 International Rude Boyz - Paragone (Remix) [Formation]
 Trinity - Chapter 19 [V]
 DJ Ratty - Source Of All Evil [Formation]
 Dexxtrous & Sudden Def - Infrared [Infrared]
 DJ SS & EQ - DJ-Anthems Volume II [Formation]
 Grooverider - Sinister (The Influence Remix) [Reinforced]
 Doc Scott - Rage [Reinforced]
 Noise Of Art - Rollin Deep (Danny Breaks & Andy C Remix) [Suburban Base]
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Grooverider - Dance Planet - Pure Energy 2 - 1994

System Ex - Say It [Entity]
 Code Of Practice - Infiltrate [Certificate 18]
 LTJ Bukem - Rainfall [Looking Good]
 Code Of Practice - Can We Change The Future? (Dubplate Mix) [Certificate 18]
 Spinback & Gwange - The Execution [Legend]
 Tango & Fallout - Revelation [Unreleased]
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  Foul Play - Being With You (Van Kleef Remix) [Renegade Selector Series 2 LP]
 Swift & Zinc featuring Steve B - Dezire (Z Mix) [2000 AD]
 G-Force, Ils & Juice - Horn Track (Dubplate Mix) [Unreleased]
 Intense - The Genesis Project [Rugged Vinyl]

LTJ Bukem  - Dance Planet - Pure Energy 2 - 1994

LTJ Bukem @ The Edge Experience - Vol 2 -1993

DJ SY & LTJ BUKEM SWING RED OCTOBER

Scratching the floor

The Panish

My latest creation "Dope" was made using sound design I've been working on, I've tried to implement minimal style synths and stabs but with a heavy-weight roller sub and Reece bass to keep the momentum. I complemented it with some old school vocal samples from the movie Reefer Madness for a bit of fun. Enjoy!

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Dope (Orignial Mix) - Elusiv

Dreamscape IV

LTJ Bukem Dreamscape 4 29-05-1992

A perennial favorite as the best DJ in the world according to fans as well as the major mixing magazines, Carl Cox has been a part of Britain’s dance scene from the heady days of disco through to the global clubland of the new millennium, with temporary pit stops covering hip-hop, the rare groove movement, and the immense rave revolution of the late ’80s. That large span of time has undoubtedly affected his choice of records, since Cox routinely detours through breakbeat, Italian house, and the dance mainstream during his usual sets of hard techno. Perhaps the best testament to his mixing skills is his immense popularity despite his focus on music much more intense than the brand of arena trance spawned by Oakenfold, Sasha, Digweed, and others. 

Cox was born in Oldham in 1962, to parents originally from Barbados (they later moved back after he grew up). Cox began DJing family get-togethers at the age of eight, selecting records from his parents’ stack of soul 45s. He was buying his own records soon after, and owned his first pair of turntables at the age of 15. The rest of his teens was spent making spare money at any event he could DJ; though Cox studied electrical engineering in college, he quit after six months and began working various jobs until he could become a full-time DJ. 

Cox had followed the musical trends from disco to rare groove on to hip-hop during the late ’70s and early ’80s, but the introduction of house into Britain during the middle part of the decade convinced him that he had found his niche. After moving to Brighton in 1986, his reputation bloomed during the acid house explosion of 1988-1989; Cox played the opening night at Shoom, one of the defining club nights of Britain’s house revolution (as well as other legendary hot spots like Land of Oz and Spectrum). In front of 15,000 at the 1989 open-air event Sunrise, he unveiled his use of three decks on the mix; that signature technique built him into one of the top DJs of the late ’80s and early ’90s. 

By 1992 Cox had signed an unheard-of long-term production deal with Paul Oakenfold’s Perfecto Records and hit number 23 on the British charts with his debut single, “I Want You (Forever).” His second single, “Does It Feel Good to You,” also reached the Top 40, and he quickly diversified by setting up his own record label (Worldwide Ultimatum) and an international DJ agency (Ultimate). The onset of a more hardcore rave sound (and the fact that he was increasingly becoming pigeonholed within it) forced Cox to spend several years reestablishing his niche. In a bit of irony, commercial successes like Cox’s own steered him away from high-BPM candy-core and toward the still soulful house and techno scene. 

Three years after his hit singles, Cox returned with the first volume in what became a genre-defining mix compilation series, F.A.C.T.: Future Alliance of Communications and Tecknology. After the first volume dropped in 1995, surprisingly high sales figures earned a second two years later (released in America as well). One year later, Cox released his first studio full-length with 1996’s At the End of the Cliché. Mix album The Sound of Ultimate B.A.S.E. followed in 1998, with another studio album, Phuture 2000, appearing in 1999. One year later, he released the self-explanatory Mixed Live, recorded at Chicago’s Crobar. A second edition of Mixed Live appeared two years later along with the mix CD Global. The DJ’s next busy year was 2004 with the Pure Intec mix CD appearing in August and Cox’s entry in the Back to Mine series dropping in November. Second Sign appeared in 2006 with new Cox productions and a diverse set of collaborators, including superstar DJ Norman Cook and Detroit techno pioneer Kevin Saunderson. John Bush, All Music Guide

Carl Cox - global 403 - sat -12-04-2010

Live At Dreamscape 11

LTJ Bukem & MC Conrad @ One Nation 'The Midsummer Ball' on Saturday the 16th of July 1994.

15th September 1995           

LTJ Bukem @ One Nation - The Midsummer Ball (16-7-1994)

-Undercover Agent	Dub Plate Circles (Remix)	
–Cool Hand Flex	Cling Tone	
–Deep Blue & Blame	Transitions	
–Keen	1, 2, 3 (DJ SS Remix)	
–Teebone	Down Wid Da Funk	
–A-Sides	After Dark V.I.P.	
–Skyscraper	Liberty 1	
–Kenny Ken	So Much Trouble	
–Stakka & K.Tee	Dream World	
–Roni Size	Numbers

Randall --Helter Skelter-The Annual 1995-1996

Dj Slipmatt----Phoenix Studio Line-Blue Doublepack - Tape 2--1993

Mickey Finn @ Shelleys Laserdome ( Amnesia House) Oct 1992

Ramos

A1) Joint Project - Dark In The Jungle [Soapbar]
A2) Dr. S. Gachet - EXDK Remix [Labello Blanco]
A3) The Invisible Man - The Beginning [Timeless]
A4) Tango And Ratty - The Killer [Tango & Ratty]
A5) Bizzy B - Extacy Is A Science [White House]
A6) Q Project - Night Moves [Legend]
A7) Cloud 9 - Ruff (Remix) [Moving Shadow]
A8) 2 Bad Mice - Tribal Revival (2 Bad Mice Remix) [Moving Shadow]
A9) M Beat - Rumble (B) [Renk]

B1) M Beat - Rumble (B) [Renk]
B2) Jim Polo & Neil Vass - Underground Feelin Remix PT 1 [Face]
B3) Nebula II - Benzine Fiend [Reinforced]
B4) Tango And Ratty - Tales From The Darkside (Micky Finn & Bay B Kane Remix) [Tango & Ratty]
B5) Bizzy B - Slow Jam [White House]
B6) EQ - Dubplate Style [Formation]
B7) Dexxtrous - Somethin' Out There [Planet Earth]
B8) Cloud 9 - Mr Logic [Moving Shadow]
B9) 2 Bad Mice - Underworld (DJ Hype Remix) [Moving Shadow]
B10) Eze G & Badd 102 - That's Enough [Unatural Light]

6th August 1993

Ramos - Fusion - Sterns - Worthing August 1993

Ruffneck Ting 'Hot Ting!' 09-02-94

LTJ Bukem @ Ruffneck Ting - 1994

for your listening pleasure...hardcore..oldskool...early hardcore...bouncy techno..happy hardcore..jungle...oldskool hardtrance..hardcore techno...gabber..breakbeat hardcore..4beat.. if any one or artists have any objection to any of the sets that i have up just pm me and i can take them down. enjoy the memories and sets from the past...

LTJ Bukem - Dance Planet - Pure Energy 2 - 1994

magpie303

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