EDM Joy - Record Label & Marketing Agency.

Your No.1 Stop For Anything EDM.

We don’t accept submissions here on SoundCloud. Please visit the submission page on our website for your submission related inquiries.

EDM Joy is a globally known online media & news company / advertising agency / tastemaker and curator specialized in Electronic Dance & Pop Music.

Founded in 2015, EDM Joy quickly became one of the most popular Electronic Dance & Pop Music focused music companies / tastemakers with over 1.5 million fans all across the globe.

ANG, Trilane - Wherever I Go (feat. David Shane) is OUT NOW! __________________________________________________

Label imprint of TNC Music Ltd -  the future of electronic dance music!

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"Quality over Quantity"

TNC Music Ltd is a Finnish next generation record company where talent, passion and amazing music meet with an engaged, devoted audience. All our actions can be eventually summarised into three words: “Quality over Quantity“. 

TNC Music is the home for two emerging labels: TNC Recordings and Future Generation. TNC Recordings, our label imprint for harder dance music genres, has been on a steady rise since being launched back in December 2016. Already in a short period of time, artists such as REGGIO, SaberZ, ANG and Syzz have had multiple releases on the label. 

This far, TNC has been generally known for the top quality big room releases but during 2019, you can also expect to see other harder dance music genres being released on the label alongside multiple new artists making their awaited debuts.

Make sure to tune into our socials to stay updated with the upcoming releases and events!

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

ALL REQUESTS to:
Annie Zaremba
annie@supdub.eu

Jay Denham is the second generation Detroit techno pioneer - musician, dj artist and producer from Kalamazoo, Michigan - city right in the middle between Chicago and Detroit. His style is a unique blend of these two worlds - Chicago house and Detroit techno, with a Kalamazoo touch. He stays true to the underground, makes the music for the art of it and always remembers where he comes from.

Denham's solid musical background takes its roots in 70s, when little Jay opted for a four-string bass guitar over a six-string electric. By age 17, Jay has been playing high school party gigs with his rock band. During these teenage years, he developed a taste for punk and New Wave, though still influenced by funk acts like Rick James, Parliament, Cameo, Zapp, and later Prince and The Time, as well as by electronic music of Kraftwerk.

With the arrival of the 80s, Jay Denham moved on to the early detroit techno and further on to the chicago house, when he came across "Chicago Hot Mix" tapes and the revolutionary Farley Jackmaster Funk and the deep Frankie Knuckles. Immediately blown away by these new sounds, Jay started his pilgrimages to the Cradle of House music in search of records, religiously tape-recording the local radio shows he couldn't receive in his home town, Kalamazoo. A chance encounter with the legendary early House producer, Chip E inspired Jay to try to make this new music himself, and eventually to create his own sound.

The next significant encounter marked another step in Jay's career. At the Western Michigan University he befriended a certain Anthony Shakir, aka DJ Shake, who now runs Frictional records. Shake had a keyboard, Jay had a drum machine and it wasn't long before they were jamming together. Finally a breakthrough - full dedication, hard working and sacrifices paid off - Denham's early works captured the attention of Derrick May and Kevin Saunderson who released Jay's first EPs on Transmat off shoot label, Fragile and KMS label. The track "Rituals" which Jay released as Vice on the Techno 2 Next Generation album was quickly followed by the classic track, "Insync" released as Fade II Black.

The fruitful collaboration came to an end when growing stack of tracks eventually hit against the labels' limitations on releasing and Jay decided to go back home to his roots in Kalamazoo, where he worked with local producers and DJs, and continued to develop his unique sound.

In 1992, Jay Denham struck out on his own. He founded Black Nation Records and launched it with his seminal "Birth of a Nation" E.P. (allusion to the infamous and subversive Ku Klux Klan propaganda film of the same title), featuring tracks by Denham himself and as well as his colleagues - Fanon Flowers, Tony Ollie, Brett Dancer, and Chance McDermott. Black Nation's philosophy: driving underground grooves for the funk-conscious record buyer.

With the success of Black Nation relentless releases of pure Detroit techno, Jay was able to refine his sound to what he describes as the funky techno sound.

After a while Jay decided to set up shop in Munich, Germany, where he worked with a local label Disko B. The label gave him carte blanche to express his creativity beyond the sound he was know for at the time, which gave the world the classic album "Synthesized Society", #2 album of the year 2000 according to the Groove Magazine.

Moving on to the European scene Jay expanded his style (instead of "continued to develop his sound") as a DJ. With more than 35 years of career, Jay is also well known for his dj skills, rocking 3 decks back in the day, performing at the Movement Detroit, Awakenings NL, Time Wrap music festivals, as well as at Tresor Berlin, Rote Sonne Munich, Lost London, Sonar, Time warp, Nature one, and many other clubs around the world with his brand of hot mixing.



Georg Stengel sorgte mit seiner starken Stimme schon in der Vergangenheit für viel Aufmerksamkeit. Nun nach der Erfolgs-Single „Holterdiepolter“ mit Anstandslos & Durchgeknallt warten alle auf seinen nächsten Coup.

Maik Eschner is following