'noisesinthenight' is the pseudonym used by experimental musician/sound artist Dan Gibson.
noisesinthenight attempts to create new and interesting sonic experiences through the exploration, manipulation and arrangement of acoustic and electronic sounds.

Several EPs by noisesinthenight are available for free downloaded at: noisesinthenight.bandcamp.com

To listen to more of my collaborative work, go to:
https://soundcloud.com/cutleri
https://soundcloud.com/littlebones
https://soundcloud.com/plasticshores
https://soundcloud.com/the-grind-4/sets/carpe-diem


“Engages with discourses of memory and nostalgia...a relationship to history, and to artistic tradition, is a central factor in the way the music means. Shaffer chooses to employ a well established, ‘folk’ creative lexicon. She combines its signifiers according to a grammar of her own making, however, one of a decidedly modern, culturally self-aware cast. This applies equally to her musical materials, her performances and her lyrical content. She plays mandolin, some violin...and she sings; stylistically, it is clearly located in a folksong tradition, but it’s a curiously mid-Atlantic one. There are obvious elements of Americana, but a lot more than a nod to European sounds, and there is a gleeful affinity for the expressive potential of dissonance (as in the keening ‘Keen’). Her words are mysterious, delicately balanced possibilities of meaning, often clearly yearning in character, but also disturbing (‘I lost my limbs/ while you were sleeping’), and not without humour (‘Keeping my bloomers on for now’). ‘Pinwheel’ applies cut and paste techniques to Shaffer’s materials, in a brief outbreak of experimental folktronica. For me though, the creative highlight is ‘Gnarled’, where a simple, austere, unaccompanied vocal arrangement is shot through with astringent harmonies that remind me of the arresting opening to Rose Kemp’s Golden Shroud (although it’s a lot less mental, unsurprisingly). This is a lovely, thought-provoking set of recordings.”
-Oliver Arditi (www.oliverartditi.com)


"Ms Shaffer is based in Brooklyn/USA and records with mandolins and violins along with nice harmonies. It is the perfect music for rainy days in autumn! If you're listening to her music, you will not think that she is from the USA. The sound is in the tradition of Scandinavian singers and songwriters! Lean back and enjoy!" 
-KALTBLUT Magazine (http://www.kaltblut-magazine.com/)

"Om jag hade fört någon slags geografisk statistik över hamnarna vi besökt är jag ganska säker på att Brooklyn skulle hamna i topp. Den här gången åker vi med på en vegetationstät och akustisk resa, där vindarna från mandolinen och violinen styr farten."
-Skogsgospel (http://skogsgospel.blogspot.com/)

As SoundClouder of the Day, 10/7/11 !!! :
http://www.facebook.com/soundcloud/posts/202913026447241
https://twitter.com/soundcloud/status/122402383560056835
http://soundcloud.tumblr.com/post/11149579423/scotd-jessie-shaffer

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Damian Robert Nesta Marley, also known around the world as “Junior Gong” and more recently as “Gongzilla” was born in 1978 to parents Bob Marley and Cindy Breakspeare, Miss World 1976.  As a young adult, he developed a passion and a gift to speak for those who cannot always speak for themselves. A self-proclaimed ‘Spiritual Revolutionary’, Damian has worked assiduously to carve his own niche in music history and to add a new perspective to the Marley legacy for the 21st century. 

At the age of 13, Damian began performing in a group called “The Shepherds” which comprised of Shiah Coore (son of Third World guitarist Cat Coore) and currently a member of his band, and Yashema Beth McGreggor, daughter of reggae singers Freddie Mcgreggor and Judy Mowatt and then began touring with his brothers, Stephen, Ky-mani, Julian and Ziggy. 

By 1996, Damian had already made his stamp as a different kind of Marley when he released his first solo album “Mr. Marley”, a heavily dancehall-influenced album produced by his brother Stephen Marley.  His second album “Halfway Tree” was released in 2001 by a major record label and showcased Damian’s unique gift for blending dancehall, reggae and hip-hop styles.  This album won Damian much recognition and remained on the Billboard Top Reggae Album Charts for 158 weeks and earned him his first Grammy for Best Reggae Album in 2002. 
While honored by this recognition by the global music fraternity, Damian continued to work in the studio, laying the groundwork for the tracks that would become his highly anticipated album, “Welcome To Jamrock”. The lyrics in this album presented Marley as a true spiritual revolutionary, as he used his talent to evoke a spiritual change while trying to enforce a better way of thinking.  He is described as “rhyming with the conviction of a street preacher with the intellect of a university economist”.  

Damian’s hit single “Welcome to Jamrock” was listed as one of the Top 100 Songs of the Decade by Rolling Stone, and at the 2006 Grammy Awards, he won Best Reggae Album and Best Urban/Alternative Performance for Welcome to Jamrock. Damian is the only Jamaican reggae artist in history to win two Grammy Awards on the same night. He is also the only reggae artist to win in the Best Urban/Alternative Performance category at the Grammy Awards. The New York Times called Welcome to Jamrock the “best reggae song of the decade.” 
Welcome to Jamrock led the pathway to Damian’s critically acclaimed collaboration with Nas for 2010’s much lauded album “Distant Relatives” – a project which explored the relationships between reggae, hip-hop and Africa. The album title refers not only to the bond between the artists, but the connection to their African ancestry, which inspired the album both musically and lyrically. USA Today referred to the album as a “potent and often provocative collaboration” and by Rolling Stone as “an Afrocentric winner.” The album debuted at Number 5 on the Billboard Top 200 Album Chart and Number 1 on the R&B/Hip-Hop Albums, Rap Albums and Reggae Albums charts, with Billboard heralding the album as “a dynamic hybrid.”    

The Distant Relatives Tour kicked off in 2011 and saw Damian traveling and performing for thousands of fans all over the world, including South America, Europe, The United Kingdom, The Caribbean and North America.  

Damian continued to cross musical boundaries in 2012, as he went on to partner with Skrillex for their groundbreaking track “Make It Bun Dem”, which Rolling Stone called “a monster mash up of dubstep and dancehall” and has led to several remixes of the original version.  Damian recently released two other singles; “Set Up Shop” and  “Affairs of the Heart” which both received widespread airplay. 

Damian continues to tour with his band all over the world as a way of entertaining and healing as he continues to spread the message for those whose voices cannot be heard. He is working with his brothers Stephen and Julian under their Ghetto Youths International Label, to discover, develop and sign gifted artistes by applying their musical talent and vast experience to create new and different styles of music.  

Damian is currently in the studio working on his upcoming solo album.

My debut EP 'The Lost Hours' is out on Slime Recordings from all good digital outlets including iTunes,Amazon,Juno, Beatport.
Also available alongside other EPs and free downloads direct from Bandcamp here: <a href="http://kontigo.bandcamp.com/album/the-lost-hours" rel="nofollow" target="_blank">http://kontigo.bandcamp.com/album/the-lost-hours</a>


BACKBONE with Stormzy OUT NOW.

https://chasestatus.lnk.to/backbone

Welcome to the The Prototypes Official Soundcloud Page.Now a solo act since May 2023 - Everything prior to that was a duo!!!
---------------------------------
Booking info:
jon@urbanagency.co.uk (Excluding US)

Simon Jnr. is an artist from Birmingham, U.K. Known for his energetic presence on stage, quick double time flows, and witty lyrics, he's certainly one of the most exciting artists in the city.

Twitter / TikTok: Skrillex

F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 out now: https://skrillex.lnk.to/fus


Get more music from Skrillex
Spotify: https://skrillex.lnk.to/Spotify
Apple Music: https://skrillex.lnk.to/AppleMusic
YouTube: https://skrillex.lnk.to/YouTube

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