ephemeral flux (live)

Fleshout002

From the New Album of Nicolas Tourney, Gnosis (Expérimental Label)

Gnosis

https://llllllll.co/t/disquiet-junto-project-0418-ice-nine/28144/1

This is a recording I made for the 418th weekly Disquiet Junto project — Ice-Nine / The Assignment: Record the sound of ice in a glass and make something of it. I rattled 4 cubes of ice, partially melted in a large thick glass beer stein by my microphone and passed the sounds through my Red Panda Particle pedal and OTO BIM and BAM units as it was being recorded. I further processed the recording through Ableton's Resonators, Saturator, and Reverb.

More on this 418th weekly Disquiet Junto project — Ice-Nine / The Assignment: Record the sound of ice in a glass and make something of it — at:

https://disquiet.com/0418/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0418-ice-nine/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Ice In A Glass [disquiet0418]

paaapii

vertikal

Someone said: This sounds like Moby in the beginning and like Plaid at the end.
What do you think?

bready2

unity.projections[001=>2]  - for accordion and cello (2020)
/live recording/

Branko Džinović (accordion)
Aleksandar Latković (cello)

Belgrade Philharmonic Orchestra Hall
10 March 2020

unity.projections[001=>2]  - for accordion and cello (2020)

BRITTLE

The sounds of Claravox Centennial performed by Gregoire Blanc.

Learn more about Claravox here: https://www.moogmusic.com/products/claravox-centennial

Learn more about Gregoire Blanc here: http://gregoireblanc.com/en/home/

Whitenoiseboomboom

This exploration is based on a single sample of a prepared piano sound. You will here it at the very beginning. This was done live with a TC Electronic looper, Makenoise Morphagene and Instruo 1047 filter. Pitch changes are done by dialing in different cutoff resonant frequencies on the filter. Rhythm variations come from out of phase loops and also foreshortening of the sample. Panning from the Intellijel Planar 2 Enjoy!
https://www.patreon.com/synthtodd

Phasing And Filtering

Maja Bosnić is a composer from Belgrade. She is drawn to impossible missions, absurd solutions, limited material, playfulness, uncertain outcomes, audience participation, treating instruments as ready-made objects of expression, and treating real-life objects as musical instruments. She obtained a PhD degree in music composition at Goldsmiths, University of London (UK), supervised by prof. Roger Redgate, and is currently working as Assistant Lecturer in Composition at the Faculty of Music in Belgrade. She writes pieces for solo, chamber, ensemble, and orchestra performances, as well as, projects for electronics, multi-media, and interactive settings with audience participation. Bosnić’s works have been performed in festivals, such as Musikverein, Musikprotokoll, Impuls (Austria), CTM Festival, Darmstädter Ferienkurse, Festival Jünger Kunstler Bayreuth (Germany), Spiel! Festival (Switzerland), Distat Terra Festival (Argentina), IYAF in Kingston upon Thames, London Composers Forum (United Kingdom), Tzlil Meudcan (Israel), Spazio Musica (Italy), Delian Academy of New Music (Greece), Sites + Subjects (Bulgaria), Timsonia Festival (Romania), Music Here and Now, KOMA, International Review of Composers, April Meetings, and S.U.T.R.A. Festival (Serbia). Her works have been performed with the support of the Ministry of Culture of the Republic of Serbia, Secretariat for Culture of the City of Belgrade, Goethe-Institut, Ernst von Siemens Music Foundation, the Austrian Ministry of Culture and European Cultural Foundation. She was awarded Stipendium Progetto Positano by Ensemble Mosaik from Berlin (2023), third prize at the international composition competition New Music Generation in Kazahstan 2020, honorable mention at the Thailand New Music and Arts Symposium, Delian New Music Academy in 2019, Donaueschinger Muziktage 2014, and scholarships, and annual grants by the Ministry of Youth of the Republic of Serbia (2007-2015). Since 2010, she’s been organizing workshops and concerts of contemporary music in Serbia with organization Zabuna.