The Cure vs Aretha Franklin : A Deeper Lullaby (Ralpheus Mash-Bootique)

Tears for Fears - Pale Shelter - Complete Command Mix

The Main Thing (Cinnamon Chasers Extended Club Mix)

Amanda Lear - Follow Me (makes sense edit)

MIXED PLAYLIST OF RE-EDIT SINGLES FROM THE CURE 

BOYS DON'T CRY - THE CURE (REMIXES PLAYLIST) RE - EDITED

Reworks of 'We Invisible' from Dreems, Chez De Milo, H20, Jinje, Cervo & Simas Slabačiauskas.

A Brief Utopia (A project by Jinjé) A Brief Utopia was born from an EP released earlier this year by Jinjé (aka, Lee J Malcolm from Vessels) on Scene Unseen. Stepping away from his usual production duties and focusing more on his passion for live drumming and percussion instruments. This was the starting block for much of the composition on the this record. He quickly realised that this would be a brilliant thing to do live and reached out to fellow musicians Danny Templeman (Submotion Orchestra, Gentleman’s DubClub) and Nathan Moseley (Fwar, Brolin) to put together a high energy show aimed at clubs and festivals alike.A Brief Utopia brings a colourful, vibrant and visually engaging experience. Drawing on a love of music from around the world focused through a lens of live drumming, tuned percussion and psychedelic synth work.

Jinjé & A Brief Utopia - Last Kankabono (Dreems Remix)

Maybe in another life...

Decompress

Paul Simon - Diamonds On The Soles Of Her Shoes (Dave O'Mara Remix)

Acapella: The Korgys - Everybody's got to learn sometimes
Instrumental! Pet Shop Boys - King of Rome

The Korgis vs Pet Shop Boys - Everybody's a King of Rome Sometimes (Dj Giac Bootlegs)(2009)

Leng Records’ first album release of 2020 comes courtesy of two contrasting legends of Italian dance music, Afro-Cosmic pioneer Daniele Baldelli and sometime FPI Project member Marco Fratty (real name Marco Frattini).

Both producers have a wealth of experience. Baldelli first to rose to fame as resident DJ at the near mythical Cosmic Club in the early 1980s, before moving into music production two decades ago. Since then, he’s collaborated with heaps of producers – most notably DJ Rocca, Marco Dionigi and Dario Piana – but “Oil Painting” marks his first collaboration with Frattini, an experienced producer whose bustling discography stretches right back to the Italian house explosion of the late 1980s and early ’90s.

The pair’s debut collaborative release is bold, bubbly, vibrant and funky, with the storied Italian veterans making extensive use of live instrumentation, vintage synthesizers and chugging, floor-friendly grooves. As you’d expect from a Baldelli-related project, the influences are obvious – think funk, dub-disco, cosmic rock, Italo-disco and nu-disco – but the resulting colourful cuts refuse to settle on one specific style.

Firmly focused on the dancefloor, “Oil Painting” is a gleeful, celebratory and excitable as anything either producer has released to date. For proof, check the surging arpeggio style synth-bass, kaleidoscopic synthesizer lines and eyes-closed rock guitar solos of “Automatic Amplitude”, the flute-laden dub disco shuffle of “Jasmine Flavour”, the organ-laden cosmic funk chug of “Oil Painting” and the lolloping disco-funk exuberance of “Steam Engine”, where crunchy guitar licks and Meters style organ stabs wrap themselves around a vintage disco bassline and head-nodding, toe-tapping drums.

The highlights don’t stop there, either. The percussion and delay-laden Afro-Cosmic funk fusion of “Slinky Funk” is a veritably tropical excursion that repurposes the bassline and incessant cowbells from Cymande classic “Bra”, and the Clavinet-heavy stomp of “Positive Flow”, whose snaking, constantly-changing saxophone solo and flash-fried guitar riffs helps create a thrillingly excitable mood.

From start to finish, “Oil Painting” is an album full to bursting with musical joy and umpteen giddy calls towards the dancefloor. From producers of Baldelli and Frattini’s experience, we’d expect nothing less.