Gießen, DJ, Releases auf Null Records, Tonewrecker, Antikonsum, Feinwerk, errorism

Musician/Composer/Producer from the UK. C64 SID Composer and one of the founding members of both Xenomania and Motiv8. Composed the acclaimed soundtracks for The Last Ninja 2, Driller, Dominator, Hunter's Moon and Vendetta.

Check out my youtube channel for news on more remakes.

Podcasts, Mitschnitte, Livesets und Tracks unsere Acts und Künstler der Toxic Family.  Die Frankfurter Szeneaktivisten für elektronische Musik, Partys und dessen Lifestyle.

Besuch uns: http://www.toxicfamily.de

Facebook: 
https://www.facebook.com/Budenmucke/

Instagram: 
https://www.instagram.com/budenmucke__2012/

The Frankfurt-based DJ and producer made his first Steps in the well known German Frankfurt Techno Scene where the journey began in 2016.
Heinick had his personal Highlights in 2019 when he played his first „out of Germany“ Gigs and also become a member of the collective „wir sind verboten“. „It was a great adventure to play in front of unknown people in a unknown land, you don’t know the mentality and of course not how they define a proper Techno Set.“ Since then he was represented on various „wir sind verboten" showcases, among others at Ritter Butzke Berlin and FLUX Landshut.
„The art of how you produce a Track and play a Techno Set, is relevant to yourself, to be who you are and will defines you in every way“ Heinick says. His Productions already reached the whole World with some great feedbacks from well known artists.
He creates a very intimate atmosphere together with the dancing people, very melodic and always pure story telling.
Heinick has his specific Sound that reminds the People how beautiful electronic Music can be.

Das Gießener Wald & Wiese Kollektiv stampfte im Frühjahr 2018 binnen weniger Wochen seinen eigenen Club "Frau Trude" aus dem Boden. Mit viel Herzblut, Schweiß & Liebe zum Detail erschuf man einen Club nach seinen eigenen Bedürfnissen. 
2023//
24.06 - Proxima Centauri @Galerie Kurzweil
23.06 - Volante x Wald & Wiese | Gießen
17.06 - CSD Aftershow @Muk Gießen
08.06 - Wurzel Festival Secret Floor
07.06 - Groove District Gießen
03.06 - James Wood Festival @Forest Stage | Wetzlar
20.05 - tba
12.05 - X-Fade DJ Nacht @Radio X | FFM
30.04+ 01.05 – Tanz in den Mai @Muk | Gießen
18.03 - Berliner Nächte Showcase @Tanzhaus West | FFM
25.02 - Viva @ Pracht Bar | FFM
04.02 - Thomas Stieler & David Jach @Muk | GI
20.01 - Maximillion @Muk | GI

BOOKING:
info@waldundwiese.club


Residents a-z :
@andremfloor
@einfachjansn
@kollektivnonverbal
@max-wide
@mehagi
@playmalampoe
@becksham
scumdog

Hans Berg says that “every show is about pushing things further” when describing his take on live shows. He is not interested in playing it safe, being an artist who just plugs in, performs the same set, and then plugs out again. He wants to share the journey with his audience, experiencing the risk and reward of exploring the unknown and improvised. Hans’ artistry is all about building up his own musical environment, not just for the listener but also for himself. It is very much a world he is immersed in while producing. 

Playing with hyper-modern synthetic sounds, created from both hardware and software, balancing between hypnotic and driving techno, shaping unexpected melodies, it is some of the most organic-inorganic music you will ever hear. His musical language is distinct - it is near impossible not to recognise a Hans Berg production upon hearing it. For the initial discovery phase of production he very much enjoys the element of letting go of control; in recent projects he has investigated what happens if he lets the machines (particularly his beloved modular synths) lead the way; finding rewards in the unexpected and unplanned; letting instincts and machinery go off the beaten track; not intervening until the second act, when the raw material is in his hands, when it is time to sculpt and fine-tune his creations.

Hans also runs the label UFO Station Recordings together with fellow Swede Johanna Knutsson, it is a platform for individual productions as well as for their duo Knutsson/Berg. Aside from recently having released two solo EP’s on Ian Pooley’s Montage imprint, his debut album, “Dream Maker”, came out on The Vinyl Factory in 2017, followed in 2019 by his second full-length achievement “Sounds of the Forest Forgotten” on 2MR. Conceived between Hans’ studios in the ultra-busy city of Berlin and the remote countryside of Sweden, as the title suggests, it gathers inspiration from human interaction with the wild, highlighting the connection and disconnection between technology and nature.

Since 2004 Hans has been collaborating with Nathalie Djurberg, scoring the Swedish visual artist’s installations and movies. Berg’s compositions extends Djurberg’s work with soundtracks and sonic environments, and their work has been shown in numerous solo- and group exhibitions worldwide.

My friend Max and i create some dark, folk-ish cover songs. 
Folk, Neo-Folk, Indie with my voice and a genious who plays all the guitars and bass and everything else.

Anja Schneider is a DJ, producer, radio broadcaster, label boss, tireless creative force and mentor; recognised in 2021 with theaward of a Honour Prize by The Berlin Music Commission for having had “an outstanding impact on the music scene.” asrecognition for her work supporting fellow artists and cultural institutions during the COVID-19 pandemic lockdown. Anjacontinues to operate as one of electronic music’s most vital artists, currently focused on multiple projects including her Sous Music record label, the main home for Anja’s own productions and avant guard artists she admires, plus ‘Club Room’ an internationally syndicated weekly radio show and ‘ClubRoom: Backstage’-a thriving interview podcast series.

For more media info contact: emma@acrylicartists.com

makhank is following