Interplay: Classical with Electronics

New Works Calgary, Calgary AB
Recorded Live in 2011            
World Premiere

T. Patrick Carrabre :: Ancestral Drones

Piece for Violin, Gamelan and Live Electronics. Premiered at Harvard University at the John Knowles Paine Concert Hall on December 10-11 2009. The premieres was in charged by violinist Gabriela Diaz.

Echoic is a piece motivated by two concerns. The first one being the generation of gestures that are a result of resonance (and vice versa) and the second one is the challenge of using the Gamelan as a different instrument, and try to take a distant from the historic “weight” of such a beautiful instrument. The structure was developed using simple sounds that evolved into more complex ones, and that is precisely the driving building force; evolution. In addition, the piece tries to integrate the Gamelan as an extension of the electronics which is in constant dialogue-processing with the violin. The violin plays a soloist role in this piece but both instruments are to be processed independently in real time. The piece features several aspects that convey velocity and the idea of injection of energy to specific material that will eventually spread to the rest of the musical elements. The Gamelan also is treated as an “amplifier” of the violin ideas. The violinist (Gabriela Diaz) will control the cues for the computer and the Gamelan performers, playing a crucial role not only as a violinist, but also as a sort of conductor in the piece.

ECHOIC

Mason Bates Alternative Energy IV Excerpt

On Space, for percussion sextet and 3D electronic sounds, Juan Pampin (2005), performed by Les Percussions de Strasbourg.

On Space, North

Listen to the previews of George King's Odradek-CD "JUBILEES", including the World Premieres of "Six pieces after paintings by Ben Hartley" by Philip Cashian and of George King's own "6 Piano Etudes".

Buy it here

02. Magnus Lindberg - Piano Jubilees - II

Kimmo Pohjonen and sampling master Samuli Kosminen joined forces with Kronos Quartet on the project Uniko featuring music composed by the duo. Kosminen samples Pohjonen’s accordion and Kronos’ strings and reproduces them into the mix via his electronic drum pads and devices.

Uniko  II. Plasma

Pierre Boulez - Répons

flute & tape - part IV and V - sound direction: Massimo Massimi
recorded by Giuseppe Silvi during EMUFest2013 on 2013/10/23
(it was also last piece of my flute master degree)


Musica su Due Dimensioni - Bruno Maderna

Julian Anderson (*1967) is a pivotal figure in modern British music. As a composer who “renews the power of music as an evocation of community” (Bayan Northcott, New Grove Dictionary) his works are equally accessible, challenging, intellectually stimulating and radiantly beautiful. One of Anderson's central works, Book of Hours for ensemble and electronics, a haunting evocation of medieval art, uses electronics as an extra instrumental colour like gold leaf in a manuscript. Scherzo (with Trains), written for the unusual combination of four clarinets, reveals the composer's humorous side.
 
Scherzo (with Trains) and Book of Hours were performed on Thursday 12 November 2015, conducted by Antony Hermus.

Live

Book Of Hours Part 1  | Julian Anderson

Erkki-Sven Tüür: Crystallisatio

Crystallisatio

Harvey: Tombeau de Messiaen

Mortuos Plango, Vivos Voco

As in, we're going back.
From 'Internecine EP', available for free download at www.rhodeisland.org.uk.

Return To Leukerbad (pt 2)

FAUSTO ROMITELLI: Amok Koma
Internationale Ensemble Modern Akademie 
Nacho de Paz, conductor

LIVE RECORDING (2007)

FAUSTO ROMITELLI: Amok Koma / INTERNATIONALE ENSEMBLE MODERN AKADEMIE [ 2007 ]

Les chants de l'amour

GRISEY - Les chants de l'amour / Sequenza 9.3

For Clarinet, Oboe, Bassoon and Electronics (either fixed media or live).

Recorded live at Mostly Modern Festival, NY, USA, 2019

Clarinet - Raymond Brien
Oboe - Tyler Kuehn
Bassoon - Alex Johnson
Electronics - Ben West

Mostly Modern Festival 2019: Chamber Concert 1 - June 13, 2019

Phantom Splinter - Dai Fujikura

Iannis Xenakis
Psappha

Hans-Kristian Kjos Sørensen, percussion

Kaspar Wollheim, Sound Engineer

recorded on August 16th 2019 at Molyvos Castle

Iannis Xenakis - Psappha

Barbara Kolb - Millefoglie and Other Works

Millefoglie

Vicky Chow and Saskia Lankhoorn

November 2012
Korzo Theatre
Den Haag, Netherlands

John Luther Adams -Dark Waves

Kaija Saariaho
"Vent nocturne" pour alto et électronique 
interprété par Odile Auboin (photo)
20.04.2013, Cité de la musique 

Kaija Saariaho - Vent nocturne

Note de programme : " Etymo, qu'est-ce que c'est ? Que vient faire ici la quête d'une origine, d'un sens originel, d'un etymon ? Pourquoi le retour, aussi, de ce (très) vieux problème, celui de savoir si les sons du langage ne sont pas seulement conventionnels, mais également motivés, s'ils ont un lien avec ce qu'ils désignent ?"
Année de création : 1994
Barbara Hannigan, soprano
Pablo Márquez, guitare
Benny Sluchin, trombone
IRCAM
Ensemble intercontemporain / Susanna Mälkki
Kairos, 2008

<a href="http://www.clicmusique.com/francesconi-etymo-capo-intercontemporain-p-1694.html" target="_blank">Acheter ce CD</a>

Interplay: Classical with Electronics

J. Singleton Makin