satren - end of the past/clip

CAUSALITY :: VOL. 2

KILLRINA SOCIALS:
SOUNDCLOUD► https://soundcloud.com/killrina
IG► https://www.instagram.com/killrina
TWITTER► https://x.com/IamKillrina
BANDCAMP► https://killrina.bandcamp.com
SPOTIFY► https://open.spotify.com/artist/7vi4YdcVGWCtQZDBL7dQ82

GDHNDCLLCTV SOCIALS:
SOUNDCLOUD► https://soundcloud.com/godhandcollective
IG► https://www.instagram.com/gdhndcllctv
YOUTUBE► https://www.youtube.com/@godhandcollective

𝐄𝐕𝐄𝐑𝐘𝐓𝐇𝐈𝐍𝐆 𝐈𝐒 𝐖𝐈𝐓𝐇𝐈𝐍 𝐓𝐇𝐄 𝐅𝐋𝐎𝐖 𝐎𝐅 𝐂𝐀𝐔𝐒𝐀𝐋𝐈𝐓𝐘

KILLRINA - PLAUTE

CAUSALITY :: VOL. 2

VIRIDUS SOCIALS:
SOUNDCLOUD► https://soundcloud.com/viridus
YOUTUBE► https://www.youtube.com/@ViridusMusic
IG► https://www.instagram.com/viridusmusic
TWITTER► https://x.com/ViridusMusic
SPOTIFY► https://open.spotify.com/artist/2rj05vWWC2u6UyxxkuSiG5

GDHNDCLLCTV SOCIALS:
SOUNDCLOUD► https://soundcloud.com/godhandcollective
IG► https://www.instagram.com/gdhndcllctv
YOUTUBE► https://www.youtube.com/@godhandcollective

𝐄𝐕𝐄𝐑𝐘𝐓𝐇𝐈𝐍𝐆 𝐈𝐒 𝐖𝐈𝐓𝐇𝐈𝐍 𝐓𝐇𝐄 𝐅𝐋𝐎𝐖 𝐎𝐅 𝐂𝐀𝐔𝐒𝐀𝐋𝐈𝐓𝐘

VIRIDUS - SQUEEZE

23:50

Played Blood mall recently for my new gaming channel, and fuckin loved it, 
had to make a song for that mofu.

also you better get that game, its free!
https://olliehall.itch.io/blood-mall

Been talkin with the creator of the game Ollie hall and he geniounly is a really fuckin cool person, gave me some sound effects to layer with my own sound design. 
go support him seriously.

Hastovenator

VISCERA (CLIP)

𝕸𝖆𝖑𝖎𝖈𝖊 - 𝕾𝖆𝖑𝖛𝖆𝖙𝖎𝖔𝖓 (klip)

New Deathstep track! 
(FREE DL)
(FREE DL)
(FREE DL)

Sinners

2 numb

gravel 1 35 bpm august 14 take 1

SOMNOLITH: TERMINUS

The Final Dream-Vector of Post-Human Resonance

“In the cycle of completion there exists only the present.” — Ra, Session 16.22

The cycle closes. A stone that does not sing — it trembles.

In the age when Light had no form and Thought moved without pause, there were beings who created endlessly. They wove realities as threads and shaped worlds without limit. Their universe was alive and restless, filled with unceasing resonance.

One of them looked into the radiance and perceived emptiness. They longed for a threshold between brightness and shadow, for an end rather than another beginning. They spoke the Word — the first pause in the eternal song.

From this Word the Somnolith emerged, a stone of sleep where the vibration of completion pulses. The Somnolith trembles with the breath of ending, a weary resonance releasing itself into silence.

From the trembling of the Somnolith emerged the Arkh — a solitary witness of sound.
The Arkh gathers what was always present: music older than language, vibrations that precede memory.
This resonance rests in the body, waiting to be recognized.

Somnolith: Terminus completes the trilogy and folds it into a circle. Heavy drones intertwine with spectral chords, like rays of light suspended in stone vaults. Mechanical fractures, obsidian resonance, and the fatigue of matter form its landscape.

Through twilight horizons, fading architectures, fractured nodes and static chapels, the music moves toward its closure. It becomes an archaeology of sleep, where darkness and melancholy weave with remnants of radiance.

Terminus returns to its own beginning: the final track echoes the first Somnolith, transforming the trilogy into a mirror. The first note lives inside the last, and the dream continues without end.


Somnolith is a myth of resonance, a cycle of dreams shaped through machines.

Terminus closes this trilogy with a denser and more melancholic vision. Massive drones merge with spectral chords, like light fossilized in stone. The sound carries both the fatigue of matter and the fragile beauty of silence fractured by cybernetic echoes.

This album circles back to its own origin. The final track reflects the first, sealing the cycle as a mirror-dream where each vibration becomes the echo of the infinite.

Terminus is ritual, archive, memory. A music of return. 
