Composition : Malika Kishino www.malika-kishino.com
Score : Edizioni Suvini Zerboni
Performance : Studio Musikfabrik under the direction of Peter Veale
Sophia Oertel, Violine
Giovanna Zevi, Violine
Yujin Bae, Viola
Maike Danner, Violoncello
14.10. 2023 in Alte Feuerwache Köln

Schmetterlingstanz  (2023) for String Quartet - Shortened Version -

Live performance at the Manchester International Cello Festival 2004

Oren Shevlin: Violoncello

Isang Yun Glisseés for Violoncello Solo (1970)

Live recording from the Cologne Philharmonie 2004
Oren Shevlin: Violoncello
Eliahu Inbal: Conductor
WDR Symphony Orchestra

Ernest Bloch Schelomo: Rhapsodie Hébraïque for Violoncello and Orchestra 1915-16

for Piano
Piano, Kyoko MOTONO 
08 03.1998, Festivale musique d´aujourd´hui de caen
Conservatoire de Caen
11 min 18 sec

Danse Automnale De Feuilles Vermeilles (1997)

Salle Varèse du CNSMD de Lyon
Concert du 7 octobre 2016
Julien Beaudiment, flûte solo
Shu-Torng Lin et Ana Pascoal Ferraz, flûtes
Atelier XX-21
Fabrice Pierre, direction

Pierre Boulez - Explosante Fixe

ENSEMBLE RECHERCHE
Anja Clift, Flute
Eduardo Olloqui, Oboe
Shizuyo Oka, Clarinet

Composer : Malika KISHINO / 岸野　末利加 www.malika-kishino.com
EDIZIONI SUVINI ZERBONI - MILANO 
08.12.2023 in Hochschule für Künste Bremen, Konzertsaal

Ochres for Flute, Oboe and Clarinet (2016)

Live performance from the Cologne Philharmonie 20/21.10.2008
Oren Shevlin - Violoncello
Oliver Knussen - Conductor
Gürzenich Orchestra, Cologne

Cello Symphony

III. Adagio - Cadenza -  IV. Passacaglia: Andante allegro

II. Presto inquieto

I. Allegro maestoso

UPRISING (rivolta) for contrabass clarinet and live electronic
Franco Evangelisti prize 2022 in Rome
Paolo Ravaglia, contrabass clarinet
Alessandro Ratoci, live electronics

The title "Uprising" conveys multiple ideas, each referencing distinct concepts. The first pertains to a sonic phenomenon: the higher energy of the audio spectrum rising above the lower fundamentals. The second draws from the English meaning of a violent revolt, serving as a metaphor for the spirit of the piece.
Alongside the clarinet and its electroacoustic transformation, a key element is introduced: the kick drum, a staple of dance-oriented electronic music. This choice was made for its physical impact as a sonic "cliché" and its tonal resemblance to certain timbres in the clarinet's lower register. Detached from its typical role of maintaining regular metric patterns, the kick drum is reimagined to create fluid, pulsating sound objects.

UPRISING for Contrabass Clarinet and Electronic

composed by Malika KISHINO, www.malika-kishino.com
Score : EDIZIONI SUVINI ZERBONI, www.esz.it/it/contatti
Performend by Yi-Ping Yang (bass-drum), Max Bruckert (Electronic) in AmphiOpéra - Lyon, March 1, 2010


Schmetterlingstanz (2023) for String Quartet - Shortened Version -

Malika Kishino | 岸野末利加

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Schmetterlingstanz (2023) for String Quartet - Shortened Version -

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Malika Kishino | 岸野末利加