The experience of beauty is in our daily lives, and within us.

Shinbigan (審美眼) - Appreciation, Eye for beauty

1. Hirusagari (昼下がり) - Early in the afternoon
2. Chouryou (跳梁) - Jumping about
3. Senkoji (千光寺) - A temple in Onomichi, Hiroshima
4. Youtou (揺蕩) - Swaying
5. Boukyaku (忘却) - Oblivion
6. Harusame (春雨) - Spring rain
7. Kanjyaku (閑寂) - Quietness
8. Syugyoku (珠玉) - Gem
9. Amagiri (雨霧) - Misty rain

All tracks are produced by Hidekazu Imashige
Cover Photo by Hidekazu Imashige

Shinbigan

Youtou

This piece is "just okay".  The challenge I gave to myself was to produce the piece entirely on iPhone in Cubasis 3.  I asked a couple of friends, and come to find out that Flowtones is an excellent "modulation monster" synth, and Cascade is possibly the best reverb app available on iPhone and iPad.

The idea behind the piece was to be as minimalist as possible.  That said, I think I prefer producing on the iPad Mini 7 more than the iPhone.  Ymmv.

Anyways, do enjoy. :)

JWM - A Minimal Attempt

Who Are You If I Am Here And You Are There?

drifting (slowed  & reverb)

Aura - Healing

In Open Fields

9: Mind.Divided - White Nebulae (Remix By Echo Grid)

A noisy track from Self Inside by Lattice.

Holding You (As Your Train Goes By)

Alchemy of Ice

Hymns to a Melancholic Sunset

La siesta del cipre's

Nos alejamos de la casa, sobre la nieve joven

[p*dis] distribution sampler for December 2012

celer - without retrospect, the morning - Dry and Disconsolate (clip) (Glacial Movements)

http://malisima.info

Malísima (it/she/they) understood art for the first time on a Tuesday at 8 a.m., crying in the streets of La Seu D’Urgell on the way to class at an arts-focused high school program they would drop out of three months later. Self-proclaimed "avant-garde experimentalist" and referred to as "malísima (in the head)" by those close to her, she draws on pop culture and her fragile psycho-emotional health as influential elements in her work.

With no clear sense of where she's from or how old she is, she seeks to build a sonic home (and make a living—because hey, that wouldn’t be so bad either) through bastardly contemporary productions that mix all the ingredients—internal and external—from her everyday environment.

And sometimes, no-input mixing, because who doesn’t love an impossible love story?

“Sometimes I thought about what time it was. Then I was on the verge of tears. Then I laughed a lot.”
-Amnesia Scanner, AS ANGELS RIG HOOK