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All my mixes are on Mixcloud (link below). 


Shipping (dub/deep techno) & enh (ambient/downtempo)

My music on more platforms: https://hyperfollow.com/dariolupo

Hello. I'm Dario. I write electronic and ambient music.

Ludovico Einaudi is known the world over through films and TV. His music has featured in titles including Black Swan, Doctor Zhivago, This is England and many more. In 2011 his track I Giorni was played on Radio 1, and his haunting melodies are timeless in their beauty.

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For all of Matthias Tanzmann’s achievements, the future is showing even further excitement and evolutionary growth. He is known as a global leader of the Tech House scene and is synonymous with Moon Harbour, his influential and soon-to-be 25-year-old record label that has already put out over 100 vinyl releases and more than 200 digital tracks. Like Matthias who first broke through as a DJ at the end of the 1990s, it constantly evolves, adapts and leads the scene from the front. 

Both he and Moon Harbour have stayed true to the signature sound that first stood him apart. They never fail to bring new ideas to the dance floor and constantly evolve with the culture. Along the way, there have been countless seminal moments. From his early residency at Leipzig’s cult Distillery Club to his first releases on Steve Bug’s Dessous label and Freude Am Tanzen in 1998 and 1999 via the infamous Moon Harbour showcases at major events including Miami Music Week, Amsterdam Dance Event, Barcelona’s 'Off Sonar' and the leading clubs of Ibiza over the last 20 years. Furthermore he is an integral collaborative member of the super group, Better Lost Than Stupid, alongside Davide Squillace and Martin Buttrich. This ground-breaking trio performs all over the world from London, Ibiza, Miami to Dubai. Together they released the acclaimed full length album Wild Slide and accompanying remix album. 

Whenever he plays, Matthias locks his global audience into his winding and hypnotic grooves for hours on end, always ramping up the pressure and keeping dancers on their toes. He has consistently performed as a resident for almost 15 years at Ibiza's wildest and the most cutting-edge Circoloco party at DC10. He also plays in demand back-to-back sets with partner in crime Davide Squillace and is regarded as one of the favourite players at the infamous ANTS events at Ushuaia Ibiza. In between those regular gigs and picking up several DJ Award nominations, he is on a constant tour of the world's most celebrated clubs and events from Elrow to Solid Grooves to Music On. 

Founded in 2000 and followed by sub-label Cargo Edition in 2006, Moon Harbour Recordings has been a vehicle for much of his music over the years, though it has also been responsible for bringing through plenty of next-generation talents. Matthias Tanzmann has served up three solo albums on his own label - Restless in 2008, Momentum in 2016 and the far-reaching Round And Round album in 2019. Each one shows how he brings colour and narrative to his music through the careful layering of percussion and the teasing out of deft sound designs to make for moments of real dance floor drama. Whether working solo or in collaboration with the likes of Steve Bug, Black Circle or Daniel Stefanik, the key for Matthias is to never stop evolving, asking questions and exploring new ground. Furthermore as a keen contributor to the industry and passing on to the new generation, Matthias shared his vast knowledge with a unique production masterclass in collaboration with Mixmasters in Ibiza in 2023.

As a remixer, Matthias also brings an in-demand signature sound for the likes of Jamie Jones, Dennis Cruz, Moby or Booka Shada. His Remixes 2002-2012 compilation showcased his adeptness and adaptability, and he has further cemented his legacy as a definitive DJ with seminal mix CDs for revered series like Cavo Paradiso Mykonos in 2010, Circoloco in 2008 and 2011, fabric London in 2012, and several times for Moon Harbour.

What started as an obsessive hobby back in Leipzig became a globe-trotting profession. Importantly, though, Matthias Tanzmann has always retained the sense of fun and inquisition that motivated him back then. That shows in the tracks he continues to skillfully craft, whether deep and moody for cozy backrooms, or more raw and jacked up for the main room. From his sets to his productions via the music he A&Rs for Moon Harbour, Matthias Tanzmann blends a deep understanding of dance music dynamics with a burning desire to keep things moving forward.

One of Australia’s most-loved alt-pop darlings, Owl Eyes (Brooke Addamo), releases her first solo music for some time, the dreamy new single ‘On Me’. A poignant ode to finding power within oneself in the face on uncertainty, ‘On Me’ marks the anticipated return of Owl Eyes.

‘On Me’ showcases all that we have come to know and love when Owl Eyes comes to mind. On the single, Owl Eyes represents an honest fragility sitting tightly beside a humble strength that comes with growing into who you are as a person. Written and rewritten many times over the course of a year, ‘On Me’ has taken on a number of different personas, never quite feeling right for Brooke to release but also hanging in the wings like the shadow of a dream. It took an understanding and acceptance of her vulnerability for the song to truly come to the surface.

Produced in collaboration with Aeroplane, it wasn’t until he sent Brooke a version with added strings and cassette piano that the lyrics for the chorus finally came to her. Within 20 minutes, the rest of the song poured out of her.

Owl Eyes captured the hearts and minds of both fans and media with her hugely successful debut LP Nightswim (2013) which cultivated the young artist a legion of dedicated and loyal fans, not to mention widespread acclaim. Featuring the title track and fan favourite ‘Nightswim’ and lead single ‘Closure’ (over 3 million streams), Nighswim saw the Melbourne artist undertake a sold out national headline tour, extensive metro and regional tours, perform on national TV on RockWizz, head to the US for SXSW Festival and grace the cover of magazines throughout the country. Owl Eyes has also featured on tracks with the likes of Illy on ‘It Can Wait’ and on Flight Facilities’ smash hit ‘Heart Attack’.

Over the last few years, Owl Eyes has been touring the world as a vocalist with Flight Facilities, the opportunity allowing her to perform to huge crowds across the globe including coveted slots at Coachella and Glastonbury. She features as the main vocalist on the dance duo’s live recording of their set at Melbourne’s Sidney Myer Music Bowl with the Melbourne Symphony Orchestra.

In and around her hectic touring commitments, Owl Eyes has been refining her craft both as an artist and songwriter. She has found time around tour dates to write on her own and collaboratively in LA and in Europe. One such collaboration seeing her flex her songwriting prowess on Slumberjack’s mammoth hit ‘Fracture (feat. Vera Blue)’ which is approaching 7 million streams. 

With more music hanging in her wings, we can’t wait to see what else Owl Eyes has in store.

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