A very expressive work... played with great feeling. ❤️ feeling

W-Sheep in The Rain

Fanailova

Industrial 4

'shit at and hit'
Thanks to grandma Billie for the phrase. A wonderful woman. I've yet to hear of this phrase existing prior, nor of it from anyone else since.
Scotty: Two yamaha storia II takes through a fender mustang III amp with differing fx, channeled accordingly, maybe, hopefully, and a handful of vocal takes layered. 

I can't get up today.
I've got no words to say.
Everything always replays,
and causes me dismay. 

I feel like I've been shot at and missed, and shit at and fucking hit. 

If there is a god,
why the fuck would they
make us in the mould
to have to feel this way?
Everyday.

shit at and hit

Recorded win 2024 with Yamaha C5 - made in England - closed

D - Der Bär geht schlafen - The Bear goes sleeping - Yamaha C5 - 2024

First there was a common funky beat for 2 minutes or so. Then there was a bass played during those 2 minutes in a complete improv mood. Then a nylon guitar came breaking time. Then a steel guitar came bending time. Then some djembes, shakers and seeds came defying the beat and eliminating it.

In the spirit of mixing traditional instruments with free jazz approach, a simple though "we are lost in time" emerges.



Lost in time

A Perfect World

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision bass and Gibson SG electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
The Beautiful Dark -- @thebeautifuldark -- Carl -- vocals
J.J. Terrell– @j-j-terrell – organ and piano
Mistermark-- @user-432503709 -- Mark –- VST string and VST sax
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson custom T model electric guitar, production, mix, and mastering
Llanpsych -- @llanpsych -- Tez – Epiphone Les Paul electric guitar

This cover of the CCR version of this Screaming Jay Hawkins classic began as an idea Josh had for Eclectic Collective putting on a musical Halloween costume. He was inspired by his favorite band, Phish, who cover an entire album every Halloween as a musical costume. Although, which song we covered was up for debate from the start. 
  Once we decided on a song, Josh laid down the skeleton for it on his '71 SG. Once we had a framework to work with, Ken laid down his rocking drums, followed by Josh completing the rhythm section by adding his trusty P-bass. Even though the song was now in its infancy, Carl summoned all his Halloween spirit for his dynamic vocal performance.  
  Now that it was sounding like a real song, JJ dropped both the key piano part, as well as his expressive organ in there, too. Mark wasn't far behind, adding his magic via the sax to the solo section, and strings in the third verse. Stephen came through with the spooky tremolo guitar and the fiery first half of the guitar solo in the solo section right after. And to put the cherry on the musical sundae, Tez brought the lightning down for the second half of the guitar solo, as well as the solo work that leads the whole way to the end.
  We all enjoyed bringing this classic song back to life, and doing it in the spirit of what may be the most fun holiday on the callendar. We hope you enjoy listening to it as much as we enjoyed creating it. Happy Halloween!

I Put a Spell on You- cover interpretation-Eclectic Colletive

Darkwave explorations of the human condition... inspired by the paradox of hope vs. broken dreams...
Releases November 14 🖤

Call Me Abbey

After having numness in my left hand for nearly two months, I am finally feeling significantly better and able to play without discomfort. I improvised this song with that in mind.

Fugue No.1 Op.54

Paul Maurice Roche | Composer

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