Mixed for Lillithe

Work that has Inspired me to Write Words or Sing

Valencia

Happy Smiling

Giant Bones, Inscriptions In Stones

N.B. 11/07/2023: at last I think I managed to delete the more disturbing noises!! And keep quite the best of the recording ! Hope you better enjoy the song now 🎈 … and the new cover art 🤩 closer to the chorus ❤️‍🔥

it's been a dilemna to choose wether or not I would publish that track:
1. After hours and hours of work on mastering to remove the huge amount of noises on that old tape recording , it was only half a success...
2. I love this song!... despite its not perfect sound

Hope you’ll validate the option 2 :)

Bruno (future Loony) wrote the song, programmed drums, played the bass and the guitars, and sung.
Composed in July 16th 1989
Recorded in January 1992 on Yamaha 4 tracks

The song has been played live with the Catsbleed between 92 and 94, meeting a bit of success 🎈

WHEN I FIND MYSELF (LoFi Remastered)- Bruno C     -   Art cover: Nataly NGM

Orch Piano

Many Thanks as always Ian for coming up with such great opportunities for producers!!!

Open Collaboration with @ipg1
based on 
https://soundcloud.com/ipg1/tha-boss-with-tha-sauce-vox-94-bpm
Credits:
Vocals & Lyrics: IPG1
Guitars, Bass, Drum Production, Mix and Mastering: N.o.b.S.

Tha Boss With Tha Sauce

Tha Boss With Tha Sauce - IPG1 & N.o.b.S.

Instrumental by RiZLiX https://soundcloud.com/rizlix
https://soundcloud.com/rizlix/rizlix-keep-on-rollin
Vocals and Rap: by IPG1 a.k.a Ian Greaves
Mix By: Ian Greaves
Thanks Dan great instrumental and inspiration. ✌🏽💚

Lyrics:
Chorus
The joint it ain’t the joint—-until I smoke it in
And The club it ain’t the joint ——until I roll on in
Now you know it ain’t the joint ——until I smoke it in—-
until I smoke it in—-until I smoke it in

Verse1
The club it ain’t the joint until I roll on in
and she looks at me ——-like where the hell you been 
But I run a tight game—-smiling at her friend 
you take your time ——when you’re ready baby——-roll on in 
Cause she ain’t got no papers —— ain’t got no ring
So if I don’t come around, we’ll it ain’t a thing
For one—-I don’t keep score ——I just roll with it 
If it feels good, I explore —-yeah ——that’s —real-slick 
party here or next door —decisions made real quick 
and I don’t need no dance floor ———-or a sidekick
getting down real hardcore —and——the swagger’s sick 
that’s just—- what I’m built for ——so just— take your pick
keep you  body moving worldwide, don’t sweat it 
and the count is like a landslide —-yo—-I don’t slip 
inside or outside——If it ——rains——just—-let it 
It’s a journey ——not just a ride —and—I’m glad -we met
and the flow ——is like high tide ———-remix an edit

Chorus

Verse2
holding down my block——city —state ——and nation 
leveled up like a worldwide radio station 
Just keep in mind —-this is Just —-how I roll 
give it all ——to the music——body—heart—-and soul
Put my cards on the table and I’ll never fold 
cause I’m holding all the aces —-and I’m in control 
follow now let’s go deeper down this rabbit hole 
Dan put the track together ——and ——it’s winter cold
Now—-I’m dropping these —bars ——-like I’m on parole 
make it rain ——shake that booty —-round the metal pole 
Twerk it—-Twerk it ——ass Poppin    ——It’s on cruise control 
Throw it up ——switch it back ——like a centerfold 
Now-I’m going for a touchdown——like the Super Bowl
come on —-go again —-tell a friend —let me in 
dropping cheddar on the floor—- make it rain again
shake that ass a little more ——-back it up and bend 
over like you did before ————cause ——I’m—off the chain

Verse1

Rolling On Produced By RiZLiX

Taken from the album 'Waltzes'.

The German film composer Kerim Koenig lives in Berlin and has composed primarily for film and TV since 2007. When he saw and heard the Japanese concert pianist Mayuko Miyata – who currently also lives in the German capital – performing at one of her concerts, he remembered a waltz that he had once composed but then forgotten in a drawer. Miyata’s expressive and technically brilliant playing reawakened his passion for Chopin – a passion shared by Miyata, who immersed herself in Chopin’s music under the tutelage of the multi-award-winning Polish concert pianist Lidia Grychtołówna. This led to the project Waltzes: contemporary classical piano music composed by Kerim Koenig and interpreted by Mayuko Miyata. Together they recorded an album at the famous Teldex Studio in Berlin with the help of the Grammy-nominated sound engineer Wolfgang Schiefermair. It is an album full of soundscapes that inspire the listener not so much to waltz as to muse, reflect and relax.

released August 28, 2015 

Recorded and mixed by Wolfgang Schiefermair at Teldex Studio Berlin 
Composed by Kerim König 
Mayuko Miyata, piano

CD, Download or Stream the complete album here:
https://kerimkoenig.bandcamp.com/album/waltzes
https://itunes.apple.com/us/album/waltzes/1017635457
https://open.spotify.com/album/6Z5TyuavKdYPyqkvcaG8Lx?si=M3jCmXN3Tu-Ys3TTgHgd-w

www.kerimkoenig.com · www.heyblau-records.com

Waltzes

Waltz No. 3

Hello Darkness (x)

original music: luca longobardi

From the album Monsieur Quiconque - OST
a film by Adalberto Lombardo

Monsieur Quiconque - Main Theme (bonus track)

Monsieur Quiconque Main Theme (Bonus Track)

The Desire

Why talk about yourself...when you can talk about Mozart?

Orch Piano

Paul Maurice Roche | Composer