Fabulous work, Incredibly Good playing technique, extra high sound quality with proper mixdown and sound level

Garden

This album was written about my life. I am a TBI survivor, I live with ASD, and I have a spinal injury. I am a highly spiritual being, and I am focused on growth. In these short five (going on six) years alive, I've seen and done a lot. Also, while making the best of my situation. I live in a 37(38) year old body with 5/6 years of experience on this planet (aside from being connected deeply to all my past lives. This is a raw expression of my life. This will finally give my friends, followers, and supporters what I am and go through.

Winters Journey

- Picture -
Photography By. Shyntwirl
Art Cover Editor. Shyntwirl
Colorist. Shyntwirl
Make Up. Shyntwirl 

- Music -
Producer. Shyntwirl
Composer. Shyntwirl
Programmer. Shyntwirl
Structure. Shyntwirl
Developer. Shyntwirl
Equalizer. Shyntwirl
Reverb. Shyntwirl
Background. Shyntwirl

PROD. Shyntwirl

Shyntwirl - 420

Smiling Grass

orianthi | according to you

Seesaw

Throat Singing 7 18 25

Cast of characters:

Llanpsych -- @llanpsych -- Tez – Fender Telecaster electric guitar, mix, production, and composition

Mistermark-- @user-432503709 -- Mark – synthesizer, vocals, and lyrics

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass

TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson cutom T electric guitar, sometimes with an ebow

J.J. Terrell– @j-j-terrell – synth


This song began as an idea Tez came up with on his guitar while on holiday not far from his home in Wales. It had such a solid form, it inspired Mark to write lyrics and come up with vocal melodies within a few days of hearing it for the first time. The two of them have written several songs like this, making them a solid songwriting source for Eclectic Collective.

Once the song had a even more solid form, Ken took added his dynamic, bouncy-groove drums to it. As soon as Ken had the drums down, Josh took his turn, adding the fretless bass and solidifying the groove. Now that the basic framework was done, Stephen added his thrilling electric guitar. Last, but certainly not least, JJ added his really cool psych synth part in the two bridges. Mark also added some awesome backing synth to it, as well, filling out the sound. At the very end of the process, Tez also dropped in the hot intro and outro solos, as well.

Once we had it all in the can, it was time to turn it over to Tez for his expert production and mix. He came up with the idea of adding reverb to the drums, as well as some other compression tricks, which he employed with subtle style.

This, as mentioned, is a great example of what Eclectic Collective can do in house with the composition and songwriting skills of Tez and Mark. The rest of us really had fun working on this one, too, of course. We hope you enjoy listenig to this as much as we enjoyed making it.


Original lyrics by mistermark:


There’s something I’m seeking that I’ve never found

but the seed that you planted went deep in the ground

there’s a journey that I’m on and the path is uncertain

the magic fades when you pull back the curtain


Wherever you go I will follow

there’s always another tomorrow


There will never come a time when I do you harm

cause my soul is steady when I’m in your arms

and never have I heard music like your Voice

when you call me to you I have no choice


Wherever you go I will follow

there’s always another tomorrow


Like a puzzle on the table all the pieces fit

like I’m standing in the dark and a match is lit

and what it all means man I just don’t know

but it’s a powerful feeling and it’s starting to grow


Wherever you go I will follow

there’s always another tomorrow

Wherever U Go (Eclectic Collective)

instruments: Jeff Gardiner and jo richter 
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

in an accent long unspoken
in an ancient dialect
curses, blessings, symbols, token
the janitor, the architect
born to care and to dissect
and dream the dream of the unwoken

like a bird within a flight of thought
falling upwards, held within
an endless tunnel copper-wrought
bats, the arching acrobats and next of kin
to passage-dwellers of the interim
who cuddle up head-down and midnight-fraught

about to take flight to the light
like a silent spell and serpent word
burning brightly in the night
like a river’s moon shedding a midnight beam
sheathing the last, unseeing and unseen
sheathing the last remaining sword

Piano Concerto No.3 (3rd movement) Op.36

Paul Maurice Roche, Composer

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