Experimenting again here with different divisions of strings. Why is getting the balance right so difficult? Part of the answer is that conductors (not composers) are the experts. They ensure, for example, that large numbers of divisions of second violins, avoid blasting smaller numbers of viola divisions into acoustic oblivion.

Small, medium or large orchestras plainly have very different numbers of divisions of the different string instruments. It is very complicated to get the balance right, to say the least. Conductors know how to handle all sorts of different orchestras (small, medium and large)...and therefore all sorts of different divisions, of all sorts of instruments.

The best way for composers to learn (from conductors) is to attend rehearsals of pieces made by famous composers. Making notes of everything the conductor says to the orchestra during rehearsals.

Gustav Mahler was a conductor who happened to compose in his spare time. Being a good conductor, in my opinion, is orders of magnitude more difficult than being a good composer. Controversially, I suggest good conductors should not be required (by the performance notes of a score), to adhere strictly to performance notes. Good conductors should be positively encouraged to interpret scores ad libitum.

Efforts were made in the above study to think about string divisions, in relation to other string divisions and piano. A technical study. Which became the first movement of my first piano concerto.

Piano Concerto No.1 (1st movement) Op.22

Hi! open for collaborations and in any style 😉

https://on.soundcloud.com/y2z383meyQjZ5MC17
with jusuisse 😌

https://on.soundcloud.com/dVrP9fvESkSETh797
with [Metal] (Meditations)😊

https://on.soundcloud.com/5SeWShkHvAV4chnd9
with Chris 🤘

salut ouvert pour des collaborations et dans n'importe quel style 😉

* Please check out new songs "Down" and "With A Doctor's Note".

Thank you for stopping by for a listen! I hope you find something to enjoy and special thanks to my SC friends and collaborators.

All music and images protected by law.

Hey, hope you enjoy the music 🎹

Attention !!! : At certain intervals the main genres will rotate and occasionally something else will come in between.


And if I can only reach one person who likes my music, it was the right decision to present my works.
Camo


Happy and joyful about any support, whether a like, follow, comment or repost




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Main:


Hip Hop: Valve

Downtempo/Chill/Organic/Ethno-House: Kokon

Cumbia/Latin: Cumbianaut

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Something else:


Breakbeat/DnB: Molch

Rock: Space Station 

Tech-House/Trance: Trittpfad 

Cinematic/2 Tone/Ska/classic: Chair Room

Composer, writer and producer previously specialising in the epic music and stories of Scotland. If theatre is spectacle, then the theatre of Scotland has us spellbound.

I am a composer of music in the European classical tradition.

Wonderful music from contemporary composers who love the art of making music.

'The most beautiful thing we can experience is the mysterious,  It is the source of all true art and science."  Albert Einstein

I am a composer that is classically trained with broad interest and experience in world musics. MM New England Conservatory '86, BM University of Massachusetts at Amherst '76.

My compositions have won awards from the Massachusetts Cultural Council, New England Reed Trio International Chamber Music Composition Competition, a Bryant Fellowship from Harvard University, and a certificate from the 21st Century Music Project Competition of the the International Center for Japanese Culture in Yokohama, Japan. My works have been performed across the United States, Europe and Japan.

As a composer, I am interested in considering commissions and collaborations. Performing scores and parts are available to all my works here on SoundCloud through Universal Edition, J. W. Pepper Music, Frank Warren Music Service, or by contacting me.

I hope you enjoy listening here.

I was born in Leicester in the late 1950's. Since semi-retirement and subsequent retirement (as a Dermatologist and formerly G.P) I have spent some of my spare time trying to learn music theory. I also enjoy long distance running as well as cycling, skiing and tennis. I enjoy cooking, gardening and growing a few vegetables. And fine wine (in moderation). I enjoy insect photography, with a particular interest in hoverflies..
To my regret I never learnt a musical instrument when younger but I have listened to and been fascinated by music for as long as I can remember. The advent of the computer age has allowed me to pursue my desire to compose music. I use Logic Pro X software (and MuseScore3 for recent piano compositions). My compositions reflect my varied listening preferences (including Contemporary Classical, Jazz and  Music from other cultures around the world).

Welcome at : Mind GSM 

Mind GSM (Game Set & Match) is a solo project from Gerard, previously known as RoGeR , a studio musician utilizing a diverse array of softsynths, plugins, and creatively rearranged instrumental and vocal samples. His music is deeply inspired by artists such as Peter Gabriel, Genesis, Underworld, Philip Glass, Lisa Gerrard, The Editors, Sting, Depeche Mode, and classical composers, often resulting in compositions that evoke strong visual and cinematic themes intertwined with his passion for movies and photography.
Please enjoy as much you did before.





you tube videos  with my music :



https://youtu.be/dy3eB-MFDrw

Piano Concerto No.1 (1st movement) Op.22

Paul Maurice Roche | Composer