Music Video: https://youtu.be/6fssmedUiG8

Presenting my HYPERGLITCH series EP - Multiverse! 

I am beyond excited to share this with you, as it has been in the works for quite a while now! A huge thanks and a shoutout to Woulg for curating the HYPERGLITCH series and giving us this opportunity. I am honored to be a part of it! As well as a huge thanks to Detroit Underground for taking the series further!

Album description by @woulgmusic:

"Melancholy isn't just a feeling in this album, it's a taste, it's a texture, a shroud that encompasses you while you listen. Abroxis has an incredible talent of pulverizing you with heavy, lumbering beats and basses and somehow pulling you out of your body and letting you float over top of it all with his synth lines. This album is really a synthesis of the brutal and the beautiful. It's a sort of emulsion of the two in a way that seems almost impossible. It reminds me of that type of silence; the type you only hear in the worst situations. When time slows down. When the driver loses control of the car on the highway. Swerving from left to right as he overcorrects. There isn't enough time to really think anything, you know he's going too fast. There's that moment where you feel frozen. It's the moment where you know what is about to happen, but it hasn't happened yet, and you're trapped just waiting for it. That's when time slows to a stop for a moment. That's when the silence really settles in. Abroxis has somehow crystallized that feeling into the sound of an entire album. 

I think a core aspect of everything that I tend to think of as "hyperglitch" has a taste of this melancholy, but with Abroxis, it's really on full display. There's something unique about the way that really elaborate, intricate and at the same time brutalizing sound design can describe the sort of helpless violence that can accompany a deep sadness. And the sadness, despondency and apathy can be depicted so accurately with exactly the types of textural, hyper-detailed synth manipulation that is on display in Multiverse."

Composition, production & mastering by: @Abroxis
Released by: @detroitunderground
Artwork by: ANTIREAL (@n2-music)

Bandcamp

Eternal

Tracks by user q e b r u s

Mr Bill & Qebrus ⍎ ２，５－ｄｉｍｅｔｈｏｘｙ－４－（ｎ）－ｐｒｏｐｙｌｔｈｉｏｐｈｅｎｅｔｈｙｌａｍｉｎｅ ⍎  uoᴉsɹǝʌ snɹqǝb

oy oy I'm back with a tune that's quite different from what I usually do, but I still like it quite a lot
I'm not that happy with some aspects of it tho, especially mixing, but I have to learn how to finish things, so I decided to publish it as it is

hope you'll enjoy !

art by @ryok_one

mue process

https://www.youtube.com/watch?v=njrIO1m6-5s

Brittle

Intro electric guitar: Toby Green @toby-green-279519087

Full Body Sprain

A Clear .

A Clear .🜁. White Sky

Collision Notes

traffic

𝑮𝑳𝑰𝑻𝑪𝑯 𝑾𝑰𝑻𝑯 𝑭𝑹𝑰𝑬𝑵𝑫𝑺 𝑪𝑶𝑴𝑷𝑰𝑳𝑨𝑻𝑰𝑶𝑵 𝑽𝑶𝑳𝑼𝑴𝑬 𝑰𝑰𝑰

OUT NOW

https://glitchdotcool.bandcamp.com/album/glitch-with-friends-compilation-vol-3

Repetition and consistency cement themselves often by accident. The ritual is undertaken not for the sake of establishing a persistent pattern but simply because it is a good idea in itself.
Upon establishment, the tradition’s justification warps inward and begins to presuppose itself. The deed is complete because it is tradition to do so.

It is done this way because that is the way it has always been done.

This is not a trap into which we allow ourselves to fall. Novelty is, conversely, a tradition for us. The terrain of GLITCH is rich and varied and it would be shameful to never venture.
Glitch With Friends: Compilation Volume 3 is, for us, the latest ritual in a tradition in which a key constant is an inexorable expansion of our own horizons.

https://glitchdotcool.bandcamp.com/album/glitch-with-friends-compilation-vol-3

went down bad

cut lp 2 stuff. rip thunderbolt, you tried your best but it's just not working

Thunderbolt Meadow (final scrap) [2021]

fun cover of one of my favorite songs of the year #SCExclusive
original song + lyrics by magdalena bay https://soundcloud.com/magbae/she-looked-like-me
i used the "megpoid" vocaloid for vocal generation

She Looked Like Me! (cover)

The movement of historical time is catalyzed by the cycles of production that constitute our social totality. When these cycles and this linear march entwine and lose any semblance of mutual control, their inexorable trajectory is towards rupture. Emergent cycles of higher complexity and abstracted alienness to those of us subjected to them exacerbate the very dynamic from which they were borne, but offer the only way out: fracture.

Released through Abstrakt Reflections. Click the "buy" link for free download.

Fracture Cycles

Outside Context

Hyperglitch music.

co-founder of glitch.cool collective.

Outside Context

Man From Sol