This is a live rendition of three traditional nashids in the 'hugaz maqam' of Arabic music scales. Manaqib Nashids recite these nashids as a set, rolling from one nashid to another.

alayka sallaLlah with min ghina balabil and salatuna ala l-nabiy Manaqib Nashids

bushra lana with ya kawkaba l-asri, inlam tashhad and waLlahi bu suhba - Manaqib Nashids

A medley of nashids sung by Manaqib Nashids, at a Badriya event hosted by City of Knowledge and supported by Path to Salvation.

Manaqib Nashids - GKS Badriya Nashids - 15 - 07 - 2014

A brilliant Egyptian singer, by the name of Mustafa Atef, sings this sublime nashid about the physical characteristics of the Prophet Muhammad (peace be upon him). The nashid begins with a few lines of poetry written by the campanion of the Prophet, Hassan ibn Thabit. These lines were recited by the sahaba, Hassan, in the presence of the Prophet Muhammad.

Qamrun - Mustafa Atef

Manaqib Nashids choral group recite the nashids, Ya Habib al-Quloob and Ya Badra Timmi, live.

Ya Habib Al - Quloob And Ya Badra Timmi (Manaqib Nashids)

Excerpts of three traditional nashids sung together (live) as a set. A free mp3 download sung by Manaqib Nashids.

Salli Ya Salam Medley

Salli ya Salam with Bashiru ahla l - ma'ani and Inna ma l - kawn (Manaqib Nashids)

A medley of three Nahawandi nashids:
1. Talama ashku gharami
2. Safatin nadhra
3. Inn jabartum kasra qalbi
Manaqib Nashids 2014

Talama Ashku Gharami With Safatin Nadhra And Inn Jabartum Kasra Qalbi (Manaqib Nashids 2014)

This track is a melodic ode, resonating with devotion, composed in the tradition of poetic praise for the Prophet Muhammad (peace be upon him), the beloved Messenger of God. Known as the Seal of Prophets, Muhammad is celebrated for his unparalleled mercy, wisdom, and guidance. Such poems, like the famous "Qasida Muhammadiya," written by Imam Busiri, are crafted to glorify his virtues, spreading love for the Prophet in hearts across generations.

This track is sung in English and Arabic, through uplifting harmonies and poetic metaphors, the music captures his light—a guiding sun amidst shadows of ignorance, bringing renewal and grace to all creation.

Muhammad Crown of Messengers Burda Rendition in English and Arabic Manaqib Nashids

This music track echoes the timeless spirit of Imam Busiri’s Qasidah Burdah. And in Chapter 10, Imam Busiri pens his discourse with the Prophet (peace be upon him) and his hopes of intercession. He praises the Prophet Muhammad’s virtues as a guide and intercessor for humanity, and sends prayers on the greatest of companions.

The melody captures the profound themes of seeking divine mercy and the Prophet’s luminous role as a beacon of hope and salvation. Imam Busiri composed the Qasidah Burdah as an expression of deep devotion and gratitude after being miraculously healed from paralysis through the Prophet’s intercession in a dream. This masterpiece continues to inspire devotion and awe.

Burdah Chapter 10 Manaqib Nashids

Sultan Bahu's poem "Alif Allah Chambay Di Booti" is a profound piece of mystical poetry that encapsulates his Sufi philosophy. It is an allegorical and symbolic expression of spiritual awakening, divine love, and transcendence. Below is a detailed interpretation of the poem:

Line-by-Line Analysis
1. "Alif Allah chambay di booti, mere man vich murshid laaee hu":  
   - Translation:  
     The seed of Divine Love (symbolized by the jasmine plant) was sown in my heart by my spiritual guide.  
   - Interpretation:  
     The phrase "Alif Allah" begins with the first letter of the Arabic alphabet, symbolizing the primordial unity and oneness of God. The "chambay di booti" (jasmine plant) represents the delicate and fragrant nature of divine love, which, once planted in the heart by a Murshid Kamil (Perfect Guide), grows and transforms the seeker’s inner being.  
     This line highlights the crucial role of the spiritual guide in awakening the seeker to divine truth.

2. "Na mein bhui na paani, na mein aag na hawaaee hu":  
   - Translation:  
     I am neither of the earth, nor water, nor fire, nor air.  
   - Interpretation:  
     Sultan Bahu here describes a state of spiritual transcendence. These four elements (earth, water, fire, and air) represent the material and physical world. By negating his identity with these elements, the poet declares that he has transcended the limitations of his physical self and ego. This reflects the Sufi concept of fana (annihilation of the self), where the seeker loses all attachment to worldly existence and identifies solely with the Divine.

Core Themes of the Poem

1. Divine Love as a Transformative Force:  
   The poem centers on the idea that love for God, once planted in the heart, is transformative. This love grows like a plant, requiring care and nurturing from the spiritual guide and the seeker.

2. Role of the Murshid (Spiritual Guide):  
   Sultan Bahu emphasizes the importance of a Murshid Kamil, who initiates the seeker into the mysteries of divine love. Without the guidance of such a mentor, the journey to God is incomplete.

3. Unity with the Divine (Tawhid):  
   By transcending the physical elements, the poet suggests that he has achieved union with God, moving beyond the duality of existence. This reflects the ultimate Sufi goal of merging with the Divine Essence.

4. Self-Annihilation (Fana):  
   The poem illustrates the Sufi concept of fana, where the individual self dissolves, leaving only the presence of the Divine. Sultan Bahu expresses his state of being as one that is no longer bound by earthly ties or physical attributes.

Symbolism in the Poem

- "Alif Allah": Symbolizes the foundational principle of divine unity and oneness (Tawhid).  
- "Chambay di booti": Represents divine love and its potential to bloom within the seeker’s heart.  
- "Earth, water, fire, and air": Symbolize the physical and material aspects of existence, which must be transcended to attain spiritual enlightenment.

Philosophical Essence

This poem is a spiritual declaration of Sultan Bahu’s mystical experience and serves as a guide for seekers. It invites the reader to:  
1. Seek a Murshid: To sow the seed of divine love.  
2. Transcend Materialism: To move beyond the physical and embrace the metaphysical.  
3. Embrace Oneness: To realize the unity of existence and dissolve in the Divine.

The recurring refrain "Hu" in many of Sultan Bahu’s poems further emphasizes the Divine Essence, a call to remember and internalize God in every breath.

Legacy

This poem has transcended its historical and cultural origins, continuing to inspire spiritual seekers and mystics worldwide. It is often recited in Sufi gatherings and forms a cornerstone of South Asian spiritual literature, embodying Sultan Bahu’s timeless message of divine love and self-transcendence.

Alif Allah Chambe Di Booti - Fasihuddin Soharwardi

Excerpts of two qasidas:
1. Ma rahati by Sheikh Abu 'l-Hasan al-Shushtari
2. Min jamali l-kawn by Sheikh AbdulRahman al-Shaghouri

Marahati Wa Min Jamalin - Manaqib Nasheeds (2015)

Suhba Birmingham Zawiya Mawlid 2015

Mukhtalifah Hadra 01 - kullun man yahwa

Mukhtalifah Hadra 02 - lama alburqu fee

This is Chapter 4 of the famous work, known as The Burdah, sung by Manaqib Nasheeds.

Al-Busiri narrated the circumstances of his inspiration to write the Burdah:

...I had composed a number of praise poems for the Prophet, Allah bless Him and salute Him with peace, including one that was suggested to me by my friend Zayn al-Dīn Yʿaqūb b. al-Zubayr. Some time after that, I was stricken by fālij (stroke), an illness that paralyzed half of my body. I thought that I would compose this poem, and so I made supplications to the Prophet Muhammad, Allah bless Him and salute Him with peace, to intercede for me and (and ask God to) cure me. I repeatedly sang the poem, wept, prayed, and asked for intercession. Then I slept and in my dream, I saw the Prophet, Allah bless Him and salute Him with peace. He wiped my face with His blessed hands and covered me in His Mantle (Burdah). Then I woke up and found I was able to walk; so I got up and left my house. I had told no one about what had happened.

I encountered a Sufi (faqīr) on my way and he said to me: “I want you to give me the poem in which you praise the Prophet, Allah bless Him and salute Him with peace.”

I said: “Which one?”

So he said: ”The one that you composed during your sickness.”

Then he recited the first verse and said: “I swear by God that I heard it in a dream last night being sung in the presence of the Prophet Muhammad, Allah bless Him and salute Him with peace. I saw the Prophet, Allah bless Him and salute Him with peace, was pleased with it and covered the person who sang it with His Mantle.”
So I recited the poem to him and he memorized it and related his vision to others. 
— Imam al-Busiri

The Burda is divided into 10 chapters and 160 verses all rhyming with each other. Interspersing the verses is the refrain, "My Patron Deity, confer blessings and peace continuously and eternally on Your Beloved, the Best of All Creation" (Arabic: مولاي صلي و سلم دائما أبدا على حبيبك خير الخلق كلهم). Each verse ends with the Arabic letter mīm, a style called mīmīya. The 10 chapters of the Burda comprise:
On Lyrical Love Yearning
On Warnings about the Caprices of the Self
On the Praise of the Prophet
On His Birth
On His Miracles
On the Exalted Stature and Miraculous Merits of the Qur'an
On the Ascension of the Prophet
On the Struggle of Allah’s Messenger
On Seeking Intercession through the Prophet
On Intimate Discourse and the Petition of One’s State.

Burdah Chapter 4 (Manaqib Nasheeds) 01 - 05 - 16

The Qasida Muhammadiya is a poetic ode dedicated to Prophet Muhammad (peace be upon him). It is a classical form of devotional poetry in Arabic, praising the Prophet’s virtues, character, and significance in the Islamic tradition. The qasida (an Arabic term for a formal, structured poem) has been a powerful tool for expressing love, veneration, and spiritual longing for the Prophet.

 Core Themes of Qasida Muhammadiya

1. Praise of the Prophet (Madh-e-Rasool):  
   The poem glorifies the Prophet Muhammad as the greatest of all creation, a source of mercy, and the epitome of perfection. It often highlights his qualities, such as compassion, wisdom, and leadership.

2. Intercession (Shafa’a):  
   Many lines in the qasida appeal for the Prophet’s intercession on the Day of Judgment, reflecting the belief in his role as an intercessor for humanity.

3. Expression of Love and Devotion:  
   The poem is filled with deep expressions of love and longing for the Prophet. The poet often describes the spiritual connection and yearning to be near him, spiritually and physically.

4. Divine Light (Nur-e-Muhammadi):  
   Some versions emphasize the concept of Nur-e-Muhammadi (the light of Muhammad), presenting the Prophet as a pre-existent and eternal light created by Allah before the rest of creation.

5. Miracles and Superiority:  
   The qasida often recounts the miracles (mu'jizat) of the Prophet and his superiority over other prophets and creation.

 Famous Examples

While there is no single, universally recognized Qasida Muhammadiya, various poets have written poems that fall under this category. Among the most celebrated examples is Qasida al-Burda ("The Poem of the Mantle") by Imam Al-Busiri, which praises the Prophet extensively and is recited worldwide in Islamic gatherings.

 Purpose and Legacy

The Qasida Muhammadiya serves as a means of:  
1. Strengthening Faith: By recounting the Prophet’s attributes, it reinforces the believers' love and admiration for him.  
2. Spiritual Connection: Reciting or listening to the qasida is believed to bring blessings, peace, and a sense of nearness to the Prophet.  
3. Cultural Identity: These poems are often integral to Islamic devotional practices and are recited in gatherings, particularly during celebrations like Mawlid (the Prophet's birthday).

In summary, the Qasida Muhammadiya is a heartfelt and reverent expression of love for the Prophet Muhammad, intertwining theology, devotion, and poetry to inspire and elevate the faith of believers.

Qamarun & Muhammadiya at a Mawlid in Birmingham 2015

A remix of one of the tracks from the album 'From God's Beauty', sung by Manaqib Nashids.

Manaqib - Muhammad the Greatest (English and Arabic)

A live rendition, by Manaqib Nashids, of the final chapter of the Burda.

MANAQIB - Burda Chapter 10

05 Asma ul Husna (Manaqib) - Kenyan Rendition (Sayyid Sharif)

09 Asma ul Husna (Manaqib) - Nashid Style Rendition (Youssef Edghouch)

A studio recording from the album 'The Muhammadan Ode', produced by Manaqib Productions and sung by Manaqib Nashids

MANAQIB - Qasida Muhammadiya (verses za to 'ayn)

 A studio recording from the album 'The Muhammadan Ode', produced by Manaqib Productions and sung by Manaqib Nashids

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