In the more than 15 years since the last Clipse album hit the shelves of record stores, the music world has been upended several times over. “You see great rappers all the time,” Pusha-T says, before contrasting he and his older brother Malice with those who are not truly of the culture. “But there's something a little off about it.” Let God Sort ‘Em Out has no such problems. Over 13 taut, kinetic beats from longtime collaborator Pharrell, Pusha and Malice exorcise demons and catalog areas of personal growth—without ever sacrificing the menace and minimalism that made them legends of the genre. It is a master class in maturing without abandoning one’s core identity, but rather deepening it, making it more three-dimensional. “The fact that it has remained viable for so long has allowed me to say, ‘Hey, this must be meant to be,’” Malice says. Let God Sort ‘Em Out is an instantly unforgettable contribution to the duo’s catalog, and to hip-hop writ large, filled with the type of razor-toothed exercises that made Clipse icons in the first place. Take the taunting “Inglorious Bastards” or “Marie Kondo,” which scoffs at “60-day stars and 20-year thousandaires.” The beats, which Pusha describes as “polarizing,” are urgent, technicolor, and hold plenty of space for the vocal to become the track’s most important instrument. The need to be authentic is paramount, but it’s also natural to these two. Perhaps Malice puts it most clearly: “Nothing else works for us.”

Founder of X-IZE 
1/2 of Escape On Tape

Supergloss quickly conquered the modern electronic music scene with her sincere and melodic sound. Inspired by the acid and trance of the 90s and 00s, Lina not only borrows key elements of the rave sound but also reinterprets them, giving them a fresh look and a modern sensibility. Her music combines sensuality and drama expressed in pads and leads with the fighting character of the 303 acid synth, which completely reflects her persona - strong, but gentle.

In a short time, Supergloss has not only found her audience but also become a significant figure in the European electronic scene. She skillfully balances between festival and club sounds, without limiting her creative potential to genres.

After hundreds of gigs, nights of digging and endless hours of attending raves - these factors led her to the idea of creating her own multi-genre label X-IZE, inspired by the rave culture of the ’90s. Rather than preserving it as-is, the label transforms cultural memory through the lens of the present.

X-IZE releases audiovisual content across genres and formats, capturing both personal and collective experiences of unity - then and now.

Lucia Lu explores techno as a space of transformation. Her sound is hypnotic and deep,
charged with energy yet grounded in depth—designed not just to move bodies, but to open
inner landscapes. Inspired by the origins of Detroit techno, she understands the genre as a
form of resistance: music shaped by collapse, yet reaching toward liberation. Her sets unfold
patiently, allowing dancers to lose themselves and reconnect through rhythm, intensity, and
presence.

Starting her solo career in 2021, Lucia Lu explored genre-fluid DJ sets as a process of searching — tracing her musical roots between the African diaspora and the German club scene, moving through house and techno without fixed boundaries.

In 2025, this exploration crystallized into a clear artistic shift. Leaving genre fluidity behind, she now dedicates herself fully to techno, drawing inspiration from the pioneering spirit of Detroit while translating it into a contemporary, driving club language. Her sets are focused, hypnotic and intentional — rooted in history, built for the floor.

Independent DIY community radio based in Vilnius, Lithuania with a mission to foster a colourful and garshful cultural environment. 🦄
Listen --> http://palanga.live
Support us --> https://palanga.live/support

Event & community platform.
All enquiries: driftkyiv@gmail.com

Residents: @olha_korovina, @sclvl, @anikvirkvelia, @matriarkcph, @wlflwr

Mangoofy is following