DJ / Producer / @HeldeepRecords label boss / Weekly Radioshow @HeldeepRadio / HI-LO @official-hilo (My darker, more #Techno focused alter ego) / enjoy :)
More of my DJ sets are on my YouTube channel though:
https://www.youtube.com/channel/UCLLVQloTOSNkIF9uSdh_lWQ
@HeldeepRadio 
https://www.youtube.com/watch?v=lYC_nQJ9mAA&list=PLoVPdGdbdII3XrN-6CvLoHGRHM5jz_OGZ

Enjoy! :)

MGMT
Dave Frank 
heldens@milkhoneyla.com

BOOKINGS
N/S America: kevin.gimble@unitedtalent.com & matt.meyer@unitedtalent.com
ROW: jennifer.hammel@caa.com

Music producers from Los Angeles.
IG/Twitter: @slanderofficial
Labels: @heavensentrecs @gudvibrations

Management
will@prodigyartists.com
steven@prodigyartists.com

Bookings
North America/Asia: cchapman@teamwass.com 
EU: paul@primarytalent.com

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Dutch/Turkish award winning Dj, record producer and sound designer Ummet Ozcan has stamped  his name on the global electronic music scene with numerous Beatport #1’s and flaunting a prolific catalog of festival anthems. 

In 2014 he delivers a number of solid chart breakers like ‘Raise your Hands’ and  ‘Revolution’ which comes with a classic Mad Max style music video. The massive 2015 tune ‘The Hum’,  in cooperation with Belgium star’s Dimitri Vegas & Like Mike, appears to be one of his biggest workings til date. And there are more highly successful joint efforts with other renowned Dj’s with the likes of Calvin Harris, Tiësto and Steve Aoki. 
Rewarded for his relentless dedication he lands the 19th spot in DJ Mag’s Top 100 DJ’s in 2016, the greatness that is Ummet Ozcan, only grows bigger.

Growing up in the known epicentre of dance music, The Netherlands, it isn’t difficult for Ozcan (1982) to plug into dance music at a young age. Since achieving his first major success in 2011 with ‘Reboot’, a firm #1 on Beatport, the veteran DJ’s major hits have been sampled in his peers’ radio podcasts and played at festival mainstages all over the world. In 2012 his genre-defying #1 smash hit ‘The Box’ is one of the most played records at EDC Las Vegas, while a year later his W&W collab ‘The Code’ is one of the most popular tracks at Ultra Music Festival 2013, followed by the remix of Fatboy Slim’s ‘Eat Sleep Rave Repeat’ together with Dimitri Vegas and Like Mike. In 2014 and 2015 Ozcan sees another amount of his tracks reach the highest chart positions. ’Smash’ and ‘Superwave’  become instantaneous hits, racking up millions of YT views and making it to #1. Also more recent titles like ‘Lose Control’ and ‘Stars’ are sure shots. 2017 brings a number of great releases and a critically acclaimed remix of Axwell & Ingrosso’s ‘More than you know’.

A success story that’s about to enter new grounds as In March 2018 he launches his own imprint ‘OZ Records’ which is a homebase for global Ozcan releases and for other talent. Also 2018 gives birth to his software developing company called ‘OzSoft’ that will be focused on providing gamechanging digital tools for the producers community and beyond. The first release that will make waves is the highly anticipated ‘Genesis Pro’ synth plugin.

With this latest achievement Ozcan passionately proves to be a jack-of-all-trades and keeps contributing greatly to the ever expanding dance music society. 

-- Management: Newjam Management: michel@newjam.tv http://www.newjam.tv/ 

-- South East Asia bookings: Robb@supermodifiedagency.com
-- USA bookings: CSheldon@wmeentertainment.com
-- ROW bookings: Jesper@aceagency.com

INQ : info@tmtalentmanagement.com
7400401562 | 7738161619

We produce music & play it live.

Management:
get@keysnkrates.com


North America Bookings: 
perry.gilman@unitedtalent.com

Europe/Australia Bookings: 
paul@primarytalent.com

Music producer from Norway.


Booking North/South America: 
Joel Zimmerman  JZimmerman@wmeentertainment.com

Bookings International: 
Simon Clarkson SClarkson@wmeentertainment.com 


Management/All other inquries: 
myles@goldenharegroup.com

Press INFO:
US Press: myles@goldenharegroup.com
UK/EU Press: matt@getinpr.com

Scand: scandinavia.press@gmail.com

Send us your demos for Friends & Family Records! fandfdemos@gmail.com

mangrillex is following