I wrote this track whilst in bed with a fractured ankle.  It is a reflection on living in the moment, taking the time to experience your existence at the point in time and environment you are in now and, if possible, to enjoy it.

Thisis a radio edit of the 6 minute full track on here.

You Are Here (Radio Edit) (V10)

Pris is set to release his debut album “Phantom” on his own label Resin - the imprint that has risen from the ashes after only ten releases of off-kilter techno that defined its own pocket of the techno scene from 2013 - 2017. Pris aims to use the platform going forward as a melting pot of ideas and to showcase new music from the enigmatic artist.

“Phantom” showcases the culmination of the artist's form and function in a career spanning just over 10 years. Churning rhythms, crispy highs and haunting melodies make for an otherworldly experience. “Phantom” promises to excite the senses with off-the-wall dancefloor tracks “Golem”, “Ultra” and “Astro”. Countered with more introspective moments laced throughout the experience with tracks such as “Cyber Fling”, “Decadence” and “Marble Eyes” - taking the listener on a voyage to discover the darkest corners of the cosmos, and more intriguing still, the listeners own sense of self. 

This momentous occasion in the artist's career reflects the tumultuous times experienced between the end of 2019 and the dawn of 2020. The body of work has only matured with time, now feeling more relevant than ever as the world around us pushes us to our limits. 

Phantom (July 14th 2023)

Poison Lips
Golem
Cyber Fling
Marble Eyes
Ultra
Dark Waves Tower
Decadence
Astro
Absent Minded
Angel
Curtain Call

Written and Produced by Jake Woodhouse. Mastered by Gio. Artwork by Neil Kryszak.

Phantom

Buy Now

Golem

5. Matho - Leaf

I Read Lots About Clemente

Live at the Social Volume 2
"Seconds out, round two. Here come the hotstepper...
You know how the Social story goes. The Chemical Brothers took things to the 'next level', spending thirteen weeks blowing minds & rocking floors in a dank pub basement, mashing up breakbeats, old skool hip hop, acid house & wigged out rock 'n' roll to a crowd of 25 hour party people. The Albany days passed on into Heavenly history, as much a part of the equation as "Nothing Can Stop Us" or "Weekender" & moves were made onwards & upwards. Enter Jon Carter.
Jon Carter entered Social lore at The Albany, not behind the decks, but on the floor (in every sense). Jon was introduced to the club by regular face Mark Jones (the top boy in charge of the excellent Wall Of Sound label, becoming a full time bar fly at The Albany, moving from fresh faced to totally fucked every week. At the time, Jon was a studio engineer, working exclusively on jungle & dance hall tracks. Like so many of us, he got sucked into the whole Social thing - the weekend ends at 6 o'clock on Monday morning, two little birdies down & the biggest headache on the way. The week of the last Albany session, it was all back to someone's had been booted out. Since then, he's been one of the family. He'd made an odd little record for Wall Of Sound ("The Dollar", as Artery) which had the sound of a Social anthem in the making & he'd done a few DJing sessions back at people's houses after the club, blowing up ragga & bogle gear alongside Public Enemy, ZZ Top & The Jam. What was to come next was anyone's guess, which is probably why Heavenly got him on the pay roll.
At this point, Monkey Mafia was born. First came the rock 'n' roll freakbeat fest of "Blow The Whole Joint Up". Secondly, borrowing heavily from dance hall queen Patra, "Work Mi Body" arrived, seeing Jon settle into a groove previously untapped by man or woman. The 'Mafia wildstyle is radically different from the Chemicals (and, in turn, totally different to Mr. Fearless', but that's another compilation all together). The sound is best likened to that of a car full of Ganja'd up yardies driving into a brick wall at 5 o'clock on a Sunday morning while listening to Funkmaster Flex, The Who, The Bassbin Twins & Gregory Isaacs. It's a big summer sound that gets the sun shining, if only in your mind. It's Monday at Notting Hill Carnival, It's party music & it's a party that everyone's welcome to, the "all back to mine, let's wake up the neighbours" kind. It's a sound we've grown to love, like some mad kid you've adopted as one of your own. Much like Jon himself...

Those who have mattered... Tom & Ed Chemical; Jon Carter, Richard Fearless; Mark Jones; Brian, Beccy & all at The Albany; Ali; Frank Perkins; John & Danny Newman; Spence, Izzy & Will @ Lazy Eye; Johnny Chandler; Rory; Martje; Vanessa; Margo; Paolo; James Bailie"

Sleeve notes by Robin Turner, 1996 for Heavenly Records

Live At The Social Vol.2 (remastered)

EMOM-260924

Grounding meditation

Sharpen

To celebrate the Metalheadz back catalogue Remasters series Randall has kindly supplied us with this mix. As a Metalheadz crew member from the off there was no better choice.

Book Randall: paddy@friendlypiranha.com

Twitter @randallmac2

Facebook - www.facebook.com/DjRandallMac2


Buy Remasters

Randall- Metalheadz Re-Mastered History Mix

Disposable Man rants over Manilla Filters edgy electronica - sucks butter nut squash milkshake

Monkey Mind Rough Mix (Manilla Filters feat. Disposable Man)

4OUR ----------------------------------------------------------------------------

Fergus Gracey, Rich Barron and collaborators. Dark, electronic, soundscapes and tunes.
All tunes FG, RB, except: Tentatively (RB, FG, Marc Cattini, Iain Murdoch, Loz Brewer - aka Manky);  Fade in Bloodstream (words John Whitmore / Rumblin' John).