jaya shiva omkara

guru brahma

The Hare Krishna Maha Mantra by Govinda Sky feat.guest vocalists; Eamon Sefton .& Vocalist Karya Bowen.  Bass- Dana Shoults. We pronounce RAMA as "Ramo" on this song. Why? Vishnujana Swami (One of Prabhupada's 1st Sannyasins, pronounced it this way, we honor him)
From the CD Ocean of Mercy

Maha Mantra (Hare Krishna)by Govinda Sky

‘Mahārāja Parīkṣit attained the highest perfection, shelter at Lord Kṛṣṇa’s lotus feet, simply by hearing about Lord Viṣṇu. Śukadeva Gosvāmī attained perfection simply by reciting Śrīmad-Bhāgavatam. Prahlāda Mahārāja attained perfection by remembering the Lord. The goddess of fortune attained perfection by massaging the transcendental legs of Mahā-Viṣṇu. Mahārāja Pṛthu attained perfection by worshiping the Deity, and Akrūra attained perfection by offering prayers unto the Lord. Vajrāṅgajī [Hanumān] attained perfection by rendering service to Lord Rāmacandra, and Arjuna attained perfection simply by being Kṛṣṇa’s friend. Bali Mahārāja attained perfection by dedicating everything to the lotus feet of Kṛṣṇa.’ - CC Madhya 22.136

9 Processes Of Bhakti - Shabda Hari Das & Vanita Siddharth

Harihar

Karpur Gauram

The Rudrashtakam (Sanskrit: रुद्राष्टकम, Rudrāṣṭakam) is a Sanskrit composition in devotion of Rudra, composed by the Hindu Bhakti poet Tulsidas (Sanskrit: तुलसीदास). Tulsidas composed in the late fifteenth century in Uttar Pradesh in India and created many other literary pieces including the magnum opus Ram Charit Manas.

The devotional hymn "Rudrashtakam" appears in the Uttara Kand of the celebrated Ram Charit Manas, where Lomash Rishi composed the hymn to propitiate Lord Shiva. His main purpose was to set his pupil free from the curse of Shiva. He succeeded and asked also a second boon (devotion for himself). His pupil would be the bird ' Kaga-Bhusundi' in a next life, a devotee of Shri Rama and an excellent teller of the life story of Shri Rama.

The Ashtakam is in reverence to Rudra, though the context pertains to the Shiva, the post-Vedic transformation of Rudra. It is arguable that the distinction between Rudra and Shiva was already lost by the time of Tulsidas.

The Rudrashtakam is lucid and simple in style and plays an instrumental role in the Shaiva traditions.

Rudrashtakam

1.GANESH - Shiva Shakti Kritam Ganadesha Stotram 04:32
2.KUBERA - Dyaan, Moolmantra, Gayatri, Homamantra, Ashta Kubermurti Pooja 06:02
3.ANGARAKA - Angaraka Stotram 03:48
4.SHAKTI - Sri Adi Shankara Kritam Navaratnamalika 06:30
5.SHIVA - Vasishta Kritam Dharidriyadukkadahana Panchakshari Shivastotram 08:53
6.SHUKRA - Sri Shukra Stotram 03:53
7.MAHAVISHNU - Sriman Narayaneyam-Kuchela Vritantam 05:56
8.SIDHILAKSHMI - Thaithreya Upanishad-Neela Suktam, Brahmandapuranam-Sidhilakshmi Stotram 05:53
9.KAMADEVA - Dhyaan, Malamantra, Moolamantra, Gayatri, Ashta Kamamurti Pooja 07:18
10.MANTRAPUSHPAM - Arunaprashna-Ashirvaad Veda Mantra, Kama, Kubera Namaskaram 06:02

Ganesh - Shiva Shakti Kritam G

Uma Mohan - Sadachara Pradarshan, Brahmananda Anubhava

Ganesh Mahamantra

Download this song here: 
https://www.ishashoppe.com/downloads/portfolio/alaap-songs-darshan-album-music/

#Alaap is a series of songs that have been played during Darshans with #Sadhguru by #SoundsofIsha. This is the next song in that series. 

Among the Pancha Bhutakritis or songs of the five elements, Ananda Natana Prakasham, sung in Raga Kedaram and composed by Shri Muthuswami #Dikshitar, is dedicated to the Lord of Chidambaram, where he is worshipped as Akasha (space). We hope you enjoy this rendition of Ananda Natana Prakasham by Sounds of Isha. 

Pallavi: 

Ananda natana prakasham 
Chit-sabhesham  
Ashrayami shivakamah valli-isham
 
I seek refuge in the one radiantly manifest with the dance of joy, the lord of the hall of consciousness and the lord of Goddess Shivakamavalli,       
 
Anupallavi:
Bhanukoti koti samkasham
Bhukti mukti prada dahara-akasham
Dinajana samrakshana chanam
Divyapatanjalivyaghrapada-darshitakunchita-abhyacharanam
Ananda natana prakasham 

The one brilliant as countless suns, the giver of enjoyment and liberation, the embodiment of the inner space (in the heart), the one renowned for protection of poor and destitute people, the one with a bent (lifted) lotus-like foot, (that was) displayed (during the dance) to the Devas, Patanjali and Vyaghrapada.

Caranam: 
Shitamshuganga dharam nilakandharam
Shrikedara-adikshetra-adharam
Bhutesham shardula charma-ambaram
Chid-ambaram

The one bearing the moon (who has cool rays) and the Ganga, the blue-throated one, one who is the foundation of (the sanctity) of sacred places such as Kedara, the lord of the (five) elements, the one wearing a tiger-skin as garment, the lord of #Chidambaram (the firmament of consciousness). 

Bhu-sura tri-sahasra munishvaram
Vishveshvaram navanita hridayam
Sadaya guru guhatatam-adyam                       
Veda vedyam vitaraginama prameya
Advaita pratipadyam
Sangita vadya vinoda tandava jatabahu tarabheda chodyam

The lord of the three thousand Brahmin sages, the ruler of the universe, the one whose heart is (soft, easily melted) like butter, the father of the merciful Guruguha, the primordial one, the one understood through the Vedas, the one devoid of desire or attachment, the immeasurable one, the one expounded by Advaita. He performs various forms of dances to the accompaniment of music and musical instruments. He imparts knowledge to His devotees and becomes the answer to the questions of his devotees.

Ananda natana prakhasam 
Chit-sabhesam 
Ashrayami shivakamah valli-isham 

Lyrics in Sanskrit:        

पल्लवि
आनन्द नटन प्रकाशं चित्सभेशं
आश्रयामि शिव काम वल्लीशम्

अनुपल्लवि
भानु कोटि कोटि संकाशं
भुक्ति मुक्ति प्रद दहराकाशम्
दीन जन संरक्षण चणं 
(मध्यम काल साहित्यम्)
दिव्य पतञ्जलि व्याघ्र पाद- 
दर्शित कुञ्चिताब्ज चरणम्
 
चरणम्
शीतांशु गङ्गा धरं नील कन्धरं
श्री केदारादि क्षेत्राधारम्
भूतेशं शार्दूल चर्माम्बरं चिदम्बरं
भू-सुर त्रि-सहस्र मुनीश्वरं विश्वेश्वरम्
नवनीत हृदयं सदय गुरु गुह तातं
आद्यं वेद वेद्यं वीत रागिणं
अप्रमेयाद्वैत प्रतिपाद्यं
सङ्गीत वाद्य विनोद ताण्डव -
जात बहु-तर भेद चोद्यम्
         
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Ananda Natana Prakasham | Shri Muthuswami Dikshitar | Nataraja Song

Krishna das -- door of faith - 05 - jai jagadisha hare (arti

Manish Vyas, born in Gujarat, India (lives in Switzerland) and has been learning Indian music since the age of ten, he learnt Tabla with Ustad Allarakha in Mumbai, where he continued for many years, while he was in charge of the musical department at Osho Ashram in Pune, organizing and performing concerts. He is composer, singer, multi-instrumentalist (Tabla, Harmonium, Santoor, Keyboard) and teacher. Along his lifetime musical path, he has composed hundreds of songs, mainly in the devotional, folk, instrumental, meditative and Sufi genres. He has released more than 20 albums. He offers the perfect blend of Indian genuine sounds merged with a touch of fusion, which makes his music so accessible and appreciated by all type of listeners in the search of authentic Indian sounds. Manish lives currently in Switzerland where he runs a music academy in his spare time. "Important is people know what is what when it comes to sound, Indian music, mantra and Indian spirituality. I share that, what i learned from genuine sources, this is the least respect that Indian music deserves and will always deserve."

Karpur Gauram

Manish Vyas

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