Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

male hip-hop,Pop, r&b from Brooklyn NY
united states. IG: iamshwensdz


✪ YAYA 23 Records ✪ 
YAYA 009 [MAY 2016] - PHOBIA 
YAYA 015 [NOVEMBER 2017] - XIBALBA

✪ Magyar Hollo Records ✪ 
Mental Illness001 [JANUARY 2020] - BEAUTIFUL NIGHT FOR A SATANIC LUST



▷▷▷ Feel free to contact me at : mr.flag[at]hotmail[dot]fr /or let me a pm :)

✪I give every track of mine if needed JUST PM  :)✪

BIO : Randomly, I started making music with some friends as Asmik , Nawatt, n-Drx & more. Tweaking around just for fun , without any specific goal or dreams ; as in music or in life. Then I felt in love with ableton when I realized that she will never let me alone while my wife just did. 
Furthermore, music is more than art. It's the healer of  souls, the only way to make peace with your innerself. As someone kindly depressed, I tried to solve my madness with the best medication I found : music ; sport , sex, drugs, holidays, travels weren't enough. 
Regarding that fact, music will never be any kind of competition , perversity , or anything such negative even if I used to drive all my negativity into my tracks. It makes it out of me for ever. Eveytime I do produce,  everytime i tell myself I should have dont more. Isn't that the best escape to this fucked up world?
 I wish you peace , love and eternity of soul. And if you've took some time to read this,  thank you.

▷ People I played with and who are a big influence to me: 
Emel, Mg677, 25D, Samoth, Dr.Looney, Sagsag23, TaoH, Mo_oGwai ,Mimaniac, Polux, Jacidorex, Kongfou, Frixion Fanatic, Onraad, Vortex Of Entropy ,Alifer, StefanZMK, John Faustus,, DTC, Sparks, Le Zink, OktoberOne, Billx, Floxytek, Guigoo, 69Db, Dissolvment, MR,  DJ Hidden , Asphalt Pirates, Anticeptik Kaotek, Radium, Sevenum Six, Teknoseeker, NZ42, Binary Squad, Vikkei, Nader, IND, Creeds,   ... manymore. 

▷ My friends:
Myosis , Illuminatek Attack, Bz, Dogza, Krown, Confusion ,Ptiver2tête , Noushma, Raidfish, Mashalaksh,Ketateka, Gil, Moo-gwai, Bulle-d'ozer, Re;not, Yaya, Bat Art , IND, MS92, Creeds, Inkorrekt , Erlenmeyer, Arkaiis, CTRL;DEL, Emel, MG677, Tr!sh, Element23, K 89, Democe , Le Peret, Anais-Lin...

▷ Played in : Belgium, Holland (Nimakek), France (SAP,...), Germany (Yaya23) , Peru ( Markahuasi festival), Lithuania ( Rave Again WInter), Switzerland, Mexico, Poland , Colombia, Italy, Portugal, Norway...

KRS aka Krïs VicÏous un des fondateurs du fameux crew HERETIK SYSTEM, a écumé free party et teknival sur toute l'europe durant de nombreuses années avec son hardcore industrial.
C'est sous le pseudo Krïs VicÏous qu'il vient désormais répandre une tekno épurée, efficace et toujours aussi vicieuse sur les dancefloors, oscillant entre minimale aux sonorités sombres et mélancoliques jusqu'au hardcore industriel lourd et lent.


"....la distorsion est un effet secondaire desiré...."

(Krïs VicÏous)



english:

KRS aka Krïs VicÏous one the founding members of the infamous HERETIK SYSTEM has been around free parties and teknivals for many years with his industrial hardcore.

He comes back as Krïs VicÏous henceforth, to spread his effective and purified but still vicious tekno on the dancefloors, oscillating between dark and melancholic minimal sonority to heavy and mid tempo industrial hardcore.

"....distortion is a desired side effect...."

(Krïs VicÏous)

contact booking:
contact@electrobooking.com
https://www.we-are.cz/

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