There is a little window in the attic of a Dalmatian villa from the early middle ages overlooking the dreamy cascade landscape of downtown Dubrovnik.

It's early June, 8 am. A melody of old Mediterranean terracotta roofs plunging into each other is nursing a soft morning light. The polyphony of ages embedded in the stone makes the town glow from its neutron core. No corners are mislaid, and the fortress is keeping us safe.

The window is slightly recessed, almost on the corner with Stradun, and a person with fine jumping skills could easily reach the roof of the church across the narrow street. It's Sunday, and the bells from the various towers across town are spilling their gongs.

I needed to sleep a bit more. But the grinding machinery of tourism has its own agenda. Savagely squeaking swallows and the morning congregations of seagulls sound like a pastorale compared to the town’s growling bowels. Air conditioning units, pumps, kitchen ventilation, garbage trucks, delivery vehicles, wheels, and trolleys of all sorts. I could not help but be fascinated by how a landscape of such beaming beauty can exist in this hideous soundscape.

In all of its ugliness, the soundscape of Dubrovnik still hides so much contemporaneity. The large ventilation unit drones are textural and multiphonic. Anarchy in the town’s electrical grid is constantly buzzing from nooks and crevices like some robo-brute. Sounds of the wagons for garbage collection, and the rivers of inbound and outbound suitcases are bouncing over the stone streets like a constant percussive development. I enjoyed it a lot.

But perhaps we should give it a second thought. The noise in which certain Mediterranean architectural marvels are soaked due to uncontrolled mass tourism is a “silent” killer. Of the environment, and of the local culture and dignity.

I stepped out of the building that morning, and straight in front of my nose on the neighbour’s door, there was a sign:

PLEASE KEEP SILENT. 

--
released June 18, 2023
all rights reserved

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Lucha Libre

Noiaz

Track part of the nice compilation "Basalte".
Listen the whole compilation and order here : https://basalte-vinyle.bandcamp.com/album/basalte-pierre-noire

c_c - Les Orgues

Where Dreams Collide

11xxx27 - Last Call

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Rindert Lammers - "Thank You Kirin Kiki"

[PCLEP 035] PYR

Tiser [PCLEP 035] Konstantinos Gkoumas  - PYR (2025)

The Shadows are Moving

weekly study #1

Recorded July 2012, arranged and mixed April 2025.

stefllr

Joseph from ACL mixes the latest in new releases, showcasing records recently reviewed on the blog as well as some special treats. This week, a mix dedicated to experimental drumming in honor of ZERO, 999..., the new record from Riccardo La Foresta. 

|| @LostChildrenNetLabel || acloserlisten.com/ || https://twitter.com/acloserlisten || https://instagram.com/acloserlisten || https://www.facebook.com/acloserlisten/ || https://soundcloud.com/acloserlisten || https://lostchildren.bandcamp.com/ || Broadcast on 13th April 2025 at CAMP || http://listen.camp

Tracklist

Chris Cutler, “Signal 66 1” (Solo)
Riccardo La Foresta (with Valerio Tricoli, Anthony Pateras, and Ale Hop), “20230704_102400.jpg”
Vladislav Delay, “Mustelmia”
DNA - “Blond Red Head”
Steve Reich, “Drumming, Part I”
Milford Graves, “Nothing 19 [edit]”
Riccardo La Foresta - Drummophone - III
Christian Wolff, “Sticks”
Efraín Rozas, “El miedo a la muerte (The fear of death)” 
Sunny Murray, “Black Art”
Art Blakey &  The Jazz Messengers, “A Chant For Bu”
Andrea Centazzo, Alvin Curran & Evan Parker, “In Real Time #3”
Sulla Linea, “Niente, Amore”
Vladislav Delay Quintet - “Untitled vd5”
Preston Beebe, “live at ateliers le château, Montreal - 27 Sept 23”
Milford Graves Trio, “Unknow”
Francesco Gregoretti, “Faithful Walking Stick”
Christian Wolff / Anla Courtis, “Stones”
Andrea Belfi, “Anticline”
Vladislav Delay Quartet, “Santa Teresa”  [excerpt]
Henry Cow, “Living In the Heart of the Beast” [excerpt]
Andrea Centazzo, “First And Last Freedom”
Riccardo La Foresta (with Renato Grieco and Ale Hop), “The Lower Primate In Us 2”
Chris Cutler, “A Walk Through Nancy 6” (Solo) [excerpt]

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