Composed in 2012, this work was awarded the FUNARTE Classical Composition Prize and premiered at the XX Biennial of Brazilian Contemporary Music (2013).

Some samples used in this work were taken from the sample library of Mapuche instruments http://archive.org/details/libreria_de_samples_mapuches

Glosa de Clímax Púrpura

extr : 3’32’’ – 2002 – APREM – CD : Motus M 30 2004- Voix : Simone Riste et Roger Cochini

Cantos De Antes - extr : 3’32’’ – 2002

extr : 4’14’’- 2001– CD 1 - IMEB –Compendium International – LDC 278 11 22/23 - chien : Timothé

La baballe du chienchien à la mémère - extr : 4’14’’ - 2001

New remix 14 minutes 27 Oct 2013 for gig at mantisfestival.com (live diffusion on 48 genelec loudspeakers)

Nancrillex MIX25 Oct2013 B

Delay, monotonía, clases de danza contemporanea, profesoras de lujo, sets en Ableton Live para las clases de danza contemporanea del Depto. de Danza de la Universidad de Chile. Comparta difunda y baile. (tod@s deberiamos bailar).


Clidovaceno 166

Esta es una obra electroacustica que realicé en Buenos Aires en el Centro Cultural Recoleta, en el LIPM. Laboratorio de investigación y producción musical, en ese momento dirigido por Francisco Kropfl, pionero de la música contemporánea del siglo XX en Argentina.
El trabajo se ha hecho junto a Miriam García, cantora y discípula, a la vez que heredera de la obra de la tucumana, cantora, maestra y recopiladora LEDA VALLADARES.
En esta obra, hurgando en terrenos europeos quise mantener nuestra identidad, o al menos una de nuestras identidades originarias, usando material sonoro del canto con caja del noroeste argentino.
www.guillermorizzotto.com


Canto De Mi Tierra (G.Rizzotto) (2004)

Schizo à 120 (extract)
by Sébastien BERANGER
www.sebastien-beranger.com

120 for the tempo ! Schizoid for the form…

Sébastien BERANGER - Schizo a 120 Shorty

Instrumentación:
Fl (Fl piccolo)
Cl en Sib (Cl b en Sib)
Violin
Violoncello
Piano

Jugar (2004) para quinteto

Excerpt.
Especialmente compuesta para el concierto temático del 11 de Septiembre que tradicionalmente organizaba cada año el Laboratorio ARCIS de Informática Musical (LAIM), de la Escuela de Música de esa universidad, con el apoyo de la SCD. Inspirada por los grabados y pinturas de Francisco de Goya y su inquietante actualidad.
Specially composed for the thematic concert of September 11th in Chile, which has been traditionally organised every year by the Laboratorio ARCIS de Informática Musical (ARCIS Computer Music Lab) at that university with the support of the SCD (Chilean copyrights society). Inspired by the paintings and printings by Francisco de Goya and they disturbing topicality.

01 El Sueño De La Razón Produce Monstruos (Excerpt) (2009) Stereo

This is the binaural (headphones) version of 'Optical Tubes'. 'Optical Tubes' is movement 2 from the work 'Hidden Values', composed originally in 7th order 3D higher order ambisonics for the Espace de Projection, IRCAM, France.

http://users.notam02.no/~natashab/cd_audio_extracts/Peat_Polymer.html

Optical Tubes, (binaural). Album 'Peat & Polymer'

Old English verb dremen meant "rejoice; play music." Related: Dreamed; dreaming. (etymonline)

Dremen

Composer, sound and visual artist. Born and bred as musician within techno and industrial Chilean scene, he moves between different types of electronic music. He studied electroacoustic composition with Rodrigo Sigal and Federico Schumacher and works on acousmatic and live electronics since 2004. His music has been performed in several and prestigious festivals like Synthèse (Bourges, France), JIEM (Madrid), Bienal Internacional de Música Eletroacústica (São Paulo) and Sonoimágenes (Buenos Aires). He is an active member of the Electroacoustic Music Community of Chile (www.cech.cl) and of the Latinamerican Sound Art Network (www.redasla.org)

Usually he composes for theatre and dance. He has been producer of several concerts, meetings, conferences and publications, highlighting the International Festival of Electroacoustic Music of Chile “Ai-maako” and CD collections of Chilean electroacoustic music.

With studies in Fine Arts pedagogy (UMCE, Chile) and a Bachelor degree in Visual Arts (Universidad Mayor, Chile), he currently is a PhD researcher in Electroacoustic Composition under the supervision of Adam Stansbie and Adrian Moore in the Department of Music at the University of Sheffield, United Kingdom. The central topics of his research are human voice, poetry, language, acousmatic and algorithms.

http://alejandroalbornoz.wordpress.com

01 El Sueño De La Razón Produce Monstruos (Excerpt) (2009) Stereo

Alejandro Albornoz