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Klassiek Piano voor Baby's

Aria from Goldberg Variations BWV 988.

Çal, oyna

Two friends embark on an adventure to reach the top of a mountain and encounter obstacles along the way.

8. A Conversation About Friendship and the Sky

Fugesque (London Drizzle)

Szintra makes meditative music with flute improvisation. Her debut album, “Szintra – The Fragrance Of Memories”
is a melancholic and genre-bending fusion between new age, classical and neoclassical darkwave.
https://szintra.bandcamp.com/album/the-fragrance-of-memories
https://www.szintramusic.com/
© 2024 Artfeeders
℗ 2024 Artfeeders

Return from Afar | Szintra (feat. Raphael Schwarzacher)

🎵BEAUTY AND THE BEAST
🎼Music by: A. Menkel
🎹Arranged for Piano by: Dan Coates
✅Performed by: JOHN ARANETA
🎧Best with headphones for the full listening experience

07. Beauty and the Beast

Mia & Sebastian's Theme

Mia & Sebastian's Theme (Soft Piano Version)

Hours We Lost

symbol of wallet

The anonymous twentieth-century melody A New Commandment was written for the well-known passage from St John’s Gospel (chapter 13, verses 34-35), beginning: 'A new commandment I give unto you, that you love one another as I have loved you'. This fantasia builds on the theme with colour and drama, using two complete statements and several interludes based on fragments of the melody.
Alan Bullard's Piano Prayer and Praise series contains solo piano pieces, mainly based on well-known hymns or worship songs, suitable for use in church services – either played complete or using sections as shorter interludes.
www.colneedition.co.uk
www.alanbullard.co.uk

Alan Bullard: A New Commandment - fantasia for solo piano

(Tugay Güler is a composer and songwriter officially a member of the US-based BMI (Broadcast Music Inc.). His works are registered with BMI, which oversees and controls copyrights worldwide.) 

“Throughout our lives, we sweat and save for a shallow grave. But I never lived confined within walls. If life consists of borders, then not crossing them is my real grave.”
 — Tugay GÜLER 

Tugay Güler is a poet, lyricist, and composer who pushes boundaries with the lyrics and compositions born from his poetry. 

With his unique style, he transforms deep emotions into powerful and soul-touching melodies. 

He is much more than an ordinary person. 

In addition to composing all kinds of music with his Turkish and English poems, he also reaches people's souls with his resonant modern symphonies. His stories express silence, resistance, and emotion. 

Every word, every note, every breath carries profound meaning. 

🎶 Works created with love, performed freely, and resonating beyond borders.


THE REST IS A LIE Heart Touching Symphonies (All Opus)

THE REST IS A LIE Waiting my love (Do major. C) (No.1 Op.11)

THE REST IS A LIE Waiting my love No.1 Op.11 (Do major - C)

les bouquets (version longue)

Study for an Aria - 18.10.25

A tribute to all those hours in the life that we loose with utterly senseless stuff and that vanish into oblivion. Not the hours that we loose on necessary evils like household chores but rather the ones like doomsscrolling where we know, we could and should have used them better. But then in the end - does it really make a difference in the long run?
 
Three times the same motive with different turns after a few seconds respectively (at @0:00, @0:57, @1:50).  And an appendix  @2:19 with an open quesion and the hint of an answer.

Again, this composition will come with lyrics in due course, however, since I don't have access to my studio currently, this will take some time - will likely publish some other things before.

Thanks to all of you for listening and supporting my work!


Elegy for the hours

Reminiscing | Bach

Swan Lake is a ballet composed by Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular of all ballets.
The scenario, in two acts, was fashioned from Russian and German folk tales[a] and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger (Václav Reisinger). The ballet was premiered by the Bolshoi Ballet on 4 March 1877 at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revised by the St. Petersburg Imperial Theatre's chief conductor and composer Riccardo Drigo

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BLIISS

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