His unique sound expression is going to reach again the techno scene for some pure damages. 
Emmanuel Top belongs to the hall of fame of legendary techno producer. He sold millions of records on vinyl, CD and streams with aliases such as B.B.E., Plexus, Karlos Mendez, Age of love,..
On TOP of that he made many classics under his own name such as Acid Phase, Turkish Bazar, Radio, La Pipe a Eau, Tone, Krankenhaus, Ecsta-Deal, Stress, etc ..
through his own imprint Attack Records.

Played by almost every dj s all over the world, his name is a trademark of quality music and characterful music.

Emmanuel Top became France's first techno superstar, even if his popularity was greater in countries like Germany and England than his own country.
 His avant-guardist album Asteroid on Novamute was a key album which influenced many techno producers of today.


Emmanuel Top 
(Black plague performance, Attack Records, ]FºKªLM[)

There's only one obvious thing in the sound of Neelix: Relentless forward boost. Exactly how this boost is generated is not obvious at all – which makes it catchy in the most subliminal way possible. The German artist playfully incorporates elements of Progressive Trance, Progressive House and Electro. However, the actual magic of Neelix happens somewhere inbetween those genres. For 10 years already this unique formula made him a crowd-pleaser at a great variety of dance events on all 5 continents, including monumental festivals like Electric Daisy Carnival, Tomorrowland or Boom.

It's 2005 when Neelix stirs a revolution. His album 'No Way To Leave' fulfills all the expectations of the dance floor – but it does so in the most unexpected way. Within no time, party goers refer to his highly dynamic hybrid style simply as 'Neelix sound'. It's the beginning of a stellar career that keeps building and building – just like a typical Neelix track itself. During the last decade, the music of Neelix has inspired a whole generation of producers, it can be found in the collections of countless DJ, in film productions, and in the catalogues of prestigious labels like for instance SpinTwist Records or Paul Oakenfold’s legendary Perfecto imprint.

Rui Da Silva

Producer, DJ, record label boss, musical innovator.

Free music subscribe here

http://forms.aweber.com/form/19/1944909919.htm

Rui Da Silva is an electronic music producer. He runs Kismet Records, his own, successful, independent music label. He DJs all over the world.

Rui has been involved in music since he was a kid and in the music business since he set up the Kaos Records label in Portugal in the early 90s with the label he kick started the dance scene in Portugal 

in 1993 Rui creates the legendary Underground Sound of Lisbon the most influential electronic dance band out of Portugal till this day. The Seminal "So get Up" originally released under his label Kaos Records went on to be licensed to Tribal Records in the US, the international release of So Get Up came packaged with mixes from Junior Vasquez and Danny Tenaglia. this record became a classic in the Sound Factory in New York with Junior playing it constantly every saturday. 

In 1999 he moved away from his label Kaos Records and relocated to London in a search for new challenges. He set up Kismet Records and started recording under his own name.

In 2001 his music leapt from club to radio when his song Touch Me became an international number one single. 

Today he continues to produce club tracks and experimental electronic music always, as he puts it, “trying to change the sound and evolve as staying still gets me bored”. 

Kismet is still going strong in the digital age with a mission to “help new upcoming talent to break into the electronic music scene”. 

Rui’s formative years, growing up in Portugal, were spent listening to music and one-deck DJing at parties. Early influences included Tones On Tail, Talking Heads, Kraftwerk and Brian Eno. “But when I was 16 or 17 I realised that DJing wasn’t fulfilling as i was basically playing other peoples music!” 

After that he started playing bass in a band. “That was frustrating as I was the only one into turning up for the rehearsals.” 

Then, the revelatory experience, he started listening to early house from the US and the UK. “I decided to sell the bass and amp and buy a Roland 909 (drum machine) and start creating music. I liked the way it was all about the music and nothing about image.” 

From there it was only a small step to becoming a producer, party animal, and label boss. 

And the future? More production of course. “If I don’t do music I feel agitated.” And more new ideas.
“Trying to learn a little bit more. Making music is like cooking, you must plan it, and you need to source the right ingredients. But if you cook all the time you can start experimenting. The best part of the creative process comes from mistakes but to make a track you must also be organised, it’s the pull between these two poles that makes a great song.” And plenty of quality releases on Kismet. “After so many years in the business I’m in a position to help people and develop new talent.” 

Rui Da Silva, at once professor and student, mentor and pupil, learning, evolving,  drawing on his experience while surfing the edge of new sounds. 

5 Key Rui Da Silva tunes 

1 Rui Da Silva - Touch Me
2 Underground Sound Of Lisbon - So Get Up
3 Rui Da Silva - Pacman
4 Rui Da Silva - Fire/Earth
5 Coco Da Silva - Saudade

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Born in Tel Aviv, Israel, in 1964, Offer Nissim is the owner of his own label, named Offer Nissim Music Publishing. 
He made his name as a DJ, specializing in creating a signature sound recognized instantly. 
He has performed/ spun his mixes and studio works all over the world, and established a a name for himself as a mega-DJ. Nissim's production work began in 1993, and over the years he has had a hand in a number of singles and remixes, featuring works by Beyoncé, Madonna, Jennifer Lopez, Deborah Cox, Christina Aguilera, Donna Summer, Aretha Franklin, Lana Del Rey, and more. 
Offer’s success as a Producer, Remixer and a world known musician, is what brought Peter Rauhofer, a DJ/Remixer and Grammy award winner, owning the successful Dance label Star69 Records in New York City, to sign Offer in 2004. 
That same year, other than being the top leading DJ in Israel, Nissim became an icon among music lovers all over the country, when he was named DJ and Man of the year, 4th year in a row, by the music and nightlife magazines "DJ Ha’ir” and “Layla”. 
The electrifying and striking presence on the turntables and the unique sound created in Nissim's studio works, have come to immediately bring his name to mind among clubbers in general, and gay clubbers in particular. 
Nissim's performance, which combines sweeping moves with an energetic atmosphere, creates a very unique bond between himself and his audience. 
Nissim has established himself as a cultural hero, enjoying the success of Five double albums, and responsible for the musical production and success of Dana International, winner of the 1998 Eurovision song contest. 
In recent years, Nissim had created official remixes for Mylene Farmer, and also for Madonna; e.g. TUTR, GGW (2012), Living For Love, and Ghosttown (2015). 
Additionally, he was one of the DJs taking part in Madonna’s MDNA show tour, and has recently created & produced the hit song and video clip for “Everybody Needs a Man” with Maya Simantov. 
Today Offer Nissim is leading in all main festivals, cities, pride parties and events all around the world.
Booking info:
offernissim11@gmail.com 

עם ישראל חי 🇮🇱 
https://en.wikipedia.org/wiki/Dana_International

Dana International is a well acclaimed Israeli pop singer. Dana is a Transgender Woman, and she pronounces messages of freedom, liberation, fun and love through the language of her music, which varies from dance and house dance floor tracks to pop and ballads. Her international breakthrough occurred after winning the 1998 Eurovision with the song Diva. She has released eight albums and three additional compilation albums, positioning herself as one of Israel's most successful musical acts ever.

Management: danamusic@bezeqint.net

Manuel Cano is following