Management: blake@mindwarpmgmt.com
Booking: tynan@mindwarpmgmt.com
Ableton Lessons: calend.ly/chmura
Personal Contact: chmuramusic@gmail.com

@qualiasound

We have loved the stars too fondly to be fearful of the night.

DJ GETLIVE! is a native New Yorker hailing from Jamaica, Queens. As a product of NYC’s late ‘90s hip-hop environment, he arrived at DJing first as a b-boy, and then as a practitioner on the turntablist and battle DJ scenes. Now, through his club sets, a weekly radio show, and a mix series GETLIVE! reps his city’s deep music culture while championing new artists and sharing global sounds—connecting styles, genres, and eras in the mix whenever he plays.

Programs for your speakers

Bookings: Alan Gary - agary@teamwass.com

LeafyGreen Art Glass:
https://www.instagram.com/leafygreenglass
https://www.facebook.com/leafygreenglass
Leafy's beat-dropping sessions:
STILLDREAM 6/23-26 2022

Residencies - BLOOP LONDON RADIO (live in studio 1st Sunday of the month) // Ctrlaltdeleventshull
Releases - TONIC D RECORDS // Deephist // Deep Electronics // Microgardendeep // Mint Trax // Minimal Underground // Shuvt.resonance 
Bookings - DM

Vinyl Honey - All vinyl DJ and collector.  Soul, Boogie, Funk, Freestyle and Disco.  Catch me on Mixlr.com/hellagroove or on Twitch.tv/vinylhoney

Peloton A&R Front Man, DJ, 1/2 member of twowave and self-proclaimed dance maniac, Aron Schoppert first started throwing northwest electronic music events in the mid 90s, with inspiration from underground dance collectives up and down the west coast through internet hub hyperreal ( shrumtribe, b-side, cloudfactory, starborne, seelie court )

In 1998 he picked up his first set of turntables and preferred new experimental techno and idm which he procured from local hub Orpheum records and Wall of Sound. 

Later drawn to Detroit, Chicago and Midwest forms of techno via online marketplaces in the early 2000s like Sonic Groove, Bent Crayon, Groovetech. 

Peloton Musique was formed out of the desire for more creative collaboration in the pacific northwest.  

Curatorial and Influential Hilights
-----------------------------------------------
1992 Paradigm Shift BBS - VLA World HQ, Demo Programming

1995-1998 New Dawn, FTF, Sundazed in the Park

2000-2003 Iteration Party series w/ Oliver Ho, Random Noise Generation, Sutekh, Safety Scissors, Bruno Pronsato, Stewart Walker, DJ Slip, Jerry Abstract, DOSC, Misha, Phil Chan, Shane Silkey, Tobias Van Veen, Killing Frenzy & Tracer visuals.

2003-2007 Decibel Festival - Founding member; Artist management, Stage Manager, Hospitality, Website technician.  

2004 Phoenix Festival - Stage Management / Ambient Barn Environments & Lighting.

2005 Phoenix Festival - Project managed, 4 day curation of artist lineup for Free Cascadia

2007 Launched Peloton Musique with Shane Silkey and Eli Huntington, later joined by Joris Kamma and Patrick Frye.   

2008 Peloton Release Party for "Bicycles Are Your Friends" to open Decibel Festival.

2010 Working for Interactive agency Stimulant, sound design and composition for LoopLoop and Bliss Bomb products.

for a wandering mind

MGMT : brayden@wildlifedivision.ca
Bookings : Cody@triplea.agency





@wildlife_division

@qualiasound

inquiries: 
dez@wildlifedivision.ca

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

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