بسیار عالی زنده باشی مرررد

“Sarmasti”
Mahmood Schricker & Eendo
محمود شریکر و ایندو  ------- سرمستی
CREDITS:
Music, setar: Mahmood Schricker @mahmoodschricker
Lyrics: Sina Salimi @sinasalimi
Vocals: Shadi Yousefian  @eendomusic
Percussions: Garsha
Arrangement, Production & Mixing: Ardalan Payvar @eendomusic
Mastering: Andy Krehm (Silver Birch Productions)
Cover Photo of Mahmood by: Simia

بینِ زمین و آسمان
جایی میانِ شمال و جنوب
جایی پرآشوب

از این جهان تا آن جهان
جایی میانِ طلوع و غروب
کاری دل‌آشوب

بینِ دو بی‌نهایت
میانِ دو بی‌انتها
راهی پر‌آشوب

در سرمستیِ ابدی
سرمستیِ ابدی

در سرمستیِ ابدی
سرمستیِ ابدی

مثلِ قطره‌ای میانِ دریا
مثلِ سوزنی در کوهِ کاه
در برزخی بی‌انتها

جایی میانِ سکوت و صدا
لحظه‌ای بینِ دیروز و فردا
میانِ دو بی‌انتها


در سرمستیِ ابدی
سرمستیِ ابدی

Sarmasti featuring Eendo

Golshifteh Farahani - Yaar (Ft. Didier Malherbe)

Music Producer: Farbod Ghanaei
Mix, Master: Homayoun Sehat
Setar: Mehrdad Golmohammadi
Guitar: Navid Yavarian
Track Cover: Sepehr Salehi

Farbod Ghanaei

Dawn

Feraq MaqaamStudio

vocal, melody & guitar: Qaziso
lyrics: reza kazemi
oud: saman gorgin
keyboards, record, mix, mastering & arrangement: arash navid
bass guitars: artin amiri
drums: pooya gholinejad
coverart: mobinasafa
typography: sajjad arabshahi

Flame

3- Existence: Life

Music by Naghib Shanbezadeh
vocal : Saeid Shanbehzadeh
Turkish saz : Nese Ulas

Naghib&Saied Shanbehzadeh - Tiva

Dans ce nouveau projet, dynamisé par les percussions de son fils Naghib, Saeid Shanbehzadeh engage un dialogue fécond avec la guitare de Manu Codjia, l’un de ses plus fidèles compagnons sur la route du jazz contemporain. Leurs improvisations insufflent un esprit neuf à l’héritage culturel iranien toujours mis en valeur. Rendant un double hommage aux traditions afro-iraniennes venues de sa mère et baloutches venues de son père, Shanbehzadeh associe cornemuse et saxophone à la voix magnifique de Rostam Mirlashari, un “prince de la musique du Baloutchistan” exilée en Suède en 1991. La cohésion de leur musique esquisse la profondeur de l’héritage mutuel qui les unit dans cette collaboration.

Pour - Afrigha

Makran

Bios
Kennedy is the composer and curator of the Mad Composer Lab, a concept studio designed to explore the process of music composition. Kennedy’s musical vocabulary is eclectic, innovative and truly authentic. As a musician, Kennedy has performed with many professional ensembles playing bassoon and contrabassoon. Additionally, Kennedy performs on piano and an assortment of exotic instruments, including didjeridu and duduk and can be heard on various soundtrack recordings. Highly talented and expressive with the baton, he has served as conductor of the Monroe Symphony Youth Honors Orchestra, and has guested with a variety of groups from coast to coast. His background as an orchestral musician, conductor, and player of orchestral and exotic instruments offers Kennedy an unparalleled perspective in the workings and abilities of a wide range of ensembles in the marriage of sound, visuals, and emotion. This expansive and eclectic experience, united with his limitless imagination, allows him to offer in his music, an incredibly broad pallet of musical timbre and philosophies.
Vahid Kilani
I am Vahid Kilani. It should not be important to me or anybody else where and when I was born. But the inevitability of the date and location of my birth has influenced me a great deal, as it led to most of my childhood passing with a love and a passion for music. After finding out about the “Music Conservatory” very late in my youth, I rebelled at once and said a big no to all that was expected of me—education, job, college,… and I ran like a crazy lover to my old and apparently all-encompassing love, music. On this route, I embraced all of the difficulties with the help of kindness of my music masters (teachers and friends). I started in music with the violin, but after a year I left that and went to work as an assistant in the making of Iranian musical instruments. That is when I started playing the Tanbour. The obstacles were great, but my passion was even greater! Lack of government support for the arts and artists, especially for music, was clear to everyone, and so was the lack of communication and collaboration among artists in Iran. This left me inclined toward loneliness—fated to experience alone, practice alone, compose alone! I did not expect help from anyone. But, although a great deal happens and gets created out of loneliness, the result only expands its reach through communicating and sharing with others. As Edward Gibbon taught us, communication adds to wisdom and knowledge, but being alone is where gentility and creativity happen! I was practicing traditional Persian music, a music which despite all its beauty is tinged with prejudices and biases of “music people.” Although I really enjoyed that study, I did not limit myself to it. At the same time, I got a degree in making instruments as well as a membership in the Iran House of Music. However, I am not proud of this, as I believe the value of every person, artist or not, is in his or her output, not in degrees and credentials.
I am an ordinary person who is experiencing and learning. The eternal nature of humanity is in moving forward, as immovability leads to nothingness and extinction. As Houshang Ebtehaj says: Still water soon sinks into the earth/But the river rolling grows into a sea. Now, my first release in Tanbour playing has been created, of course with the help and support of you friends. I hope “Barzakh” will be an introduction to a full album of the same name, as well as an anecdote to geographic borders, to help us to reach together the apotheosis of art, which, to me, is creating another world and inviting others to that world to take a break from current human Barzakh (the temporary barrier between here and the hereafter) for some moments. In the end, I do not name myself anything and do not accept any label…except maybe a poet whose poems have achieved distance from words and are presenting themselves in other forms.

Feraq MaqaamStudio

MaqaamStudio

Recent comments

Hamed Golestan

Related tracks