Pristine like the picture. Beautiful music. Thank you for sharing this!

Really does have an expansive vibe with some creative waveform design; both raw and ethereal..

This is the release version of the album I've been working on for the last three months of my life. Thank you to all my listeners for your support and I hope you enjoy this version, which has been professionally mastered.

The bandcamp version comes with a 20 page colour digital booklet featuring many of the cosmological structures the album focuses on:
https://marcdauncey.bandcamp.com/album/cosmos

"The album is a darkly satirical look at humanity’s relationship with the cosmos. Looking into the near future where human beings mine asteroids for precious metals with all the attendant exploitation present in terra-based industries today. We start from the sun and move outwards. 

Heavy Metal Rain On Venus is stark warning on the consequences of climate change on earth, presenting a literal hellscape of molten metal raining on the scorched plains. 

Next we view Earth through alien eyes recieving the scrambled &  babbling radio signals we’ve been emitting for over a century, before moving on through the solar system taking in comets, asteroids and moons of Saturn and Jupiter. 

The album then leaves the solar system with Voyager 2, takes us to the deepest darkest interstellar voids before leaving us standing on the shore of an alien planet buzzing with life.

I wanted to base each piece on my emotional reaction to the location in question, which turns out to be a mixture of awe and even fear. These are after all, huge natural forces the scope of which is so much larger that our tiny lives. So when I think about places like the bootes void, millions of light years of nothing, I try to imagine what it would be like to be in the middle of that, just for a split second. A place so alien, dark and cold that it defies any human experience. It is that strangeness and mystery that I wanted to capture in my music. We are made of the same stuff as all of these structures. The universe exists within and without us.

I'm influenced by so many great musicians who've addressed this subject matter in the past. Eno & Tangerine Dream spring instantly to mind. But also nineties ambient like the sadly missed Pete Namlook, Monolake, modern classical composers like Max RIchter, Philip Glass and even drone rockers like Sun o:))). I was watching Star Trek alongside producing these and that is also a huge influence. I hope you enjoy listening to these songs."

Buy On Bandcamp

Marc Dauncey - Cosmos LP (release version)

Hello ! That's is my last track. Speaking about a end of a trip. Hope you like it !

https://www.youtube.com/watch?v=lpD1IK2Vetc

Run Aground

Comet Hyakutake (Japanese pronunciation: [çakɯ̥take], formally designated C/1996 B2) is a comet, discovered on 31 January 1996,[1] that passed very close to Earth in March of that year. It was dubbed The Great Comet of 1996; its passage near the Earth was one of the closest cometary approaches of the previous 200 years. Hyakutake appeared very bright in the night sky and was widely seen around the world. The comet temporarily upstaged the much anticipated Comet Hale–Bopp, which was approaching the inner Solar System at the time.

Scientific observations of the comet led to several discoveries. Most surprising to cometary scientists was the first discovery of X-ray emission from a comet, believed to have been caused by ionised solar wind particles interacting with neutral atoms in the coma of the comet. The Ulysses spacecraft unexpectedly crossed the comet's tail at a distance of more than 500 million km (3.3 AU; 310 million mi) from the nucleus, showing that Hyakutake had the longest tail known for a comet.

Hyakutake is a long-period comet. Before its most recent passage through the Solar System, its orbital period was about 17,000 years, but the gravitational perturbation of the giant planets has increased this period to 70,000 years

Hyakutake

Heavy Metal Rain On Venus (Atomic Weight Breakbeat Mix)

Earth

Heavy Metal Rain On Venus (Ansound Rework)

Mining The Asteriod Belt (Breaking Rocks Album Version)

GONE

Composer : NoRinTon
CoverArt : Rabbitech0

It's Just a Dream

Orkethic [part 2]

Played with my dads Communications receiver, cello, synthesizer and effects...

Radio And Tonal Frequenzies IV

Track with footage from Pexels.com here: https://youtu.be/HcZShsqiQXM?si=CmEmIHxLtDLUCUYC

The Choir

Montage et photographies :
@ 2024, Chartrand Saint-Louis
Lien vers la vidéo : https://youtu.be/YtOpv0vo2fY 

Musique :
@ 2024, pièce de piano, titre : "Éveil printanier", par Albert, 2:28 min.

Mixage, révision et sonorisation par Albert

Éveil printanier

"Éveil printanier", par Albert; Mixage, révision et sonorisation par Albert [lien vidéo]

This track in Spotify/AppleMusic: https://band.link/DvF0f

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Thanks to everyone for support and love to my music!

All Ashot Danielyan Albums: https://ashotdanielyan.bandcamp.com/

» Ashot Danielyan Royalty Free Music: https://audiojungle.net/user/ashot-danielyan-composer/portfolio

Buy me a coffee: https://www.buymeacoffee.com/ashotcomposer

Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

Above The Waves

Spotify/AppleMusic

Ashot Danielyan - Above The Waves

Note sensibili ai momenti di nostalgia per il tempo passato e le esperienze affettive sperimentate.

Hyakutake

Marc Dauncey

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Ha Kékong

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