South African producer/DJ and creator of Shangaan Electro

Übel & Gefährlich, Hamburg
Mojo, Hamburg 
Docks, Hamburg
Westerunie, Amsterdam
Cue Istikal, Istanbul
Reineke Fuchs, Köln
Odonien, Köln
Ritter Butzke, Berlin
Schuppen 2, Bremen

www.beatverliebt.de
kontakt[at]beatverliebt.de

est. 2014 by @yannberthung & friends

U P C O M I N G
o_n hol_d

P A S T
13.06.2020 | beatverliebt. live-streaming /w David Hasert @ Matrix, Bochum
21.12.2019 | beatverliebt. /w Miyagi @ Rotunde, Bochum
12.10.2019 | beatverliebt. /w Jonas Saalbach @ Reineke Fuchs, Cologne
13.04.2019 | beatverliebt. /w Foolik @ Reineke Fuchs, Cologne
07.12.2018 | beatverliebt. /w Pauli Pocket @ Rotunde, Bochum
26.05.2018 | beatverliebt. /w Seth Schwarz @ Reineke Fuchs, Cologne
22.12.2017 | beatverliebt. /w Tony Casanova @ Rotunde, Bochum

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

In a world of ever recycled trends, Tiefschwarz (deep black) is that most classic of shades. Its timeless style is testament to its staying power, and with a DJ and production career spanning over 14 years, this German deep house duo have proven just how apt a moniker can be. Born and bred in Stuttgart, brothers Ali and Basti Schwarz’s passion for techno and deep house flourished their initial experience as DJs in the early 90’s at the now legendary clubs that Ali ran in their home town, ON –U and Red Dog. This led to the formation of Tiefschwarz in 1997, from which they found rapid success with their debut single ‘Music’ (on Francois K’s Wave Music label) and album Ral 9005. By 2001, this had been licensed to the London label Classic Recordings from where they springboarded to international recognition. They decided to make the move to Berlin, at the time fast becoming the epicentre of a true electronic music renaissance, from where they pursued a hectic touring schedule and remixing the likes of Cassius, The Rapture, Missy Elliott, Kelis and their personal heroes Masters At Work. They then scored a double whammy with their all-conquering crossover hit remix of Spektrum’s ‘Kinda New’ and the single ‘Isst’ off their 2005 long-player, ‘Eat Books’. This was also the year that electrohouse dominated the charts and minimal the clubs, but Tiefschwarz have never allowed themselves to be tied down to a certain sound, staying true to their love of melody as demonstrated on their contribution to the Fabric mix series that year.
A series of high profile mixes in 2006, including Depeche Mode, Madonna, Roxy Music, Booka Shade, Phonique, Plastikman, dOP, and many others saw them continue perfecting their distinctive sound. Yet this was also the year in which Ali and Basti gravitated back to Berlin to found their own label, Souvenir. Basti explains “We like the idea of seeing music as a souvenir, an impression you take from somewhere. Something intimate that you remember”. They haven’t let this slow down their impressive production workload though, with a ten year anniversary compilation and a 2010 follow up album ‘Chocolate’ made in collaboration with Santé, and featuring Cassy, Seth Troxler, Dave Aju amongst others. At a perfect time to take stock of their career, the brothers are proudly contributing the ninth installment in the Watergate mix series, and have chosen a number of tracks that simultaneously pay homage to the tracks that shaped the beginnings of their career whilst also remaining very much forward looking. After years of constant touring, however, their Souvenir label has allowed them to lay down more permanent roots back in Berlin. It’s a place to foster talent, both young and old, not only in a sense of releasing records but also as a platform to share mutual experiences within a common network, a close core of artists work together including Ruede Hagelstein, Maher Daniel, the brothers Santé and Re.You, Ali &amp; Basti at the helm. With plenty more artists on the roster as well as a digital only subsidiary, Souvenir Plus, and a debut LP from Hagelstein on the horizon, there is promise of plenty yet to come for the Schwarz brothers’ imprint.

Marc Eisenbarth is following