Music created using HERITAGE PERCUSSION, a FREE hand percussion sample library available from Impact Soundworks! Featuring 13 shakers, rattles, gourds, and drums from around the world, this Kontakt instrument will help add nuance, energy, and shimmer to your tracks. Plus it comes with 40 built-in FX for easy mixing and editing!

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Henning Nugel - Glen (Dressed)

Meeting A Ghost

All material © &  ℗ by Unseen Music.  To license material please contact Keith Kenniff via http://www.unseen-music.com/contact

Helios - Come With Nothings

claudius ptolemy (2008)
for violin and cello
for Johnny Chang and Jessica Catron
NOTES ABOUT THE INTERPRETATION
Tempo is free: as swiftly as accurate intonation permits, but
taking time whenever necessary. Each pitch may be considered to
have a ‘virtual fermata’, which may be held whenever more time is
needed to clearly focus the indicated just interval ratio. For the
most part, overlapping tones produce ‘tuneable intervals’ which
may be precisely realized by ear.
There are only seven pitch classes used in this piece, forming a
D Major scale tuned according to Claudius Ptolemy’s tense diatonic
(5-limit just intonation). The four pitches G - D - A - E are tuned
as a chain of pure (3/2) fifths, matching the open strings of the
violin. The pitches B - F# - C# are tuned as pure (5/4) major thirds
above G - D - E, and are accordingly notated with downward arrows
to indicate alteration by a syntonic comma (81/80). The resulting
thirds should sound beatless and resonant, and care should be
taken not to exaggerate the extent of the comma!
The two individual voices may also be played as solo pieces for
violin and cello.
Berlin, 15 January 2008

Claudius Ptolemy (2008)

Learn more: https://www.spitfireaudio.com/shop/a-z/olafur-arnalds-composer-toolkit/

Also featuring Spitfire Symphonic Strings.

Ísbjörn - Oliver Patrice Weder

Audrey

https://oliverpatriceweder.bandcamp.com/releases
https://www.instagram.com/oliverpatriceweder/
https://www.instagram.com/sa_recordings/

SA001
Released January 17, 2019 

Mix and Master by Harry Wilson 
Photography by Lee Kirby 
Design by Aspa Founti & Tom Howe 
All Recordings © 2019 SA Recordings 
All Compositions © 2018 Oliver Patrice Weder

For A Troubled Mind

This iconic Vangelis composition is the opening scene from the original Blade Runner movie (taking place in a dystopian future Los Angeles of the year 2019), and it is one of the most amazing soundtracks ever written.

Rendition performed and produced by Ando P. using Xerxes synthesizer with Kurzweil Midiboard and Doepfer R2M ribbon controller.

June 2019

Originally composed by Vangelis, Blade Runner soundtrack, 1982.

Blade Runner Main Titles

Blade Runner Main Titles (cover)

Homecoming

Georg Philipp Telemann, Fantasie für Flöte solo Nr. 1 in A-Dur, TWV 40:2

FJORDNE - Last sun (The Setting Sun, 2009)

Canadian composer Marc Sabat (*1965) is based in Berlin since 1999. He has made pieces for concert and installation settings, drawing inspiration from investigations of the sounding and perception of Just Intonation and of various music traditions — folk, experimental and classical. His pieces are presented and broadcast internationally at festivals of new music including the Donaueschinger Musiktage, Klangspuren Schwaz, MaerzMusik, Huddersfield, Darmstadt, Musica Viva and Carnegie Hall. Scores and artist editions are available from Plainsound Music Edition. Recent recordings include the LP “Les Duresses”, released by care of editions (Berlin) as well as discs on the labels Populist Records (Los Angeles) and World Edition (Köln).

Sabat studied composition, violin and mathematics at the University of Toronto, at the Juilliard School in New York, and at McGill University, as well as working privately with Malcolm Goldstein, James Tenney and Walter Zimmermann. Together with Wolfgang von Schweinitz he has developed the Extended Helmholtz-Ellis JI Pitch Notation and is a pioneer of music written and performed in extended Just Intonation. He teaches at the Universität der Künste Berlin, and as a guest at the California Institute of the Arts, the Escola Superior in Barcelona, the Janacek Academy in Brno and the Paris Conservatoire. In 2010, he was an artist-in-residence of the Villa Aurora in Los Angeles, followed in 2011 by a one year residency at the German Academy in Rome, Villa Massimo.