live peformance by ARRAYMUSIC: Michael J. Baker and John Thompson

For Michael Baker 
(Composition for High Trumpet and Bass Drum, 1996)

ARRAYMUSIC 25th anniversary miniature


Composition for trumpet and bass drum was composed in Toronto in November 1996 after a suggestion by Stephen Parkinson. It is dedicated to the memory of Michael J. Baker, composer, conductor, and long-time artistic director of the ARRAYMUSIC ensemble. Michael performed the trumpet part in the premiere performance.

Tempo remains constant and very slow throughout. Both instruments play on the threshold of inaudibility. Trumpet pitch is as high as possible (at least C). Use whisper mute and/or any other technique to achieve desired dynamic. Bass drum plays with soft timpani mallets. Re-articulated (accented) notes should be slightly separated and played with a delicate stress.

For Michael Baker (Composition for high trumpet and bass drum) (1996)

[Piano / Dramatic / Thoughtful] - "Lifeline"

[Orchestral / Epic / Building / Hopeful] - "Vales v3"

Learn more: https://www.spitfireaudio.com/shop/a-z/olafur-arnalds-composer-toolkit/

Also featuring Spitfire Symphonic Strings.

Ísbjörn - Oliver Patrice Weder

This track was primarily composed of samples from 8Dio Studio Percussion Orchestral. A deep-sampled music software instrument (VST/AU/AAX) by www.8dio.com

8dio.com/instrument/studio-pe…-vst-au-aax-samples/

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8Dio Studio Percussion Orchestral: "Perconstellation" by Troels Folmann

Christoph Berg & Henning Schmiedt - Flügelschlag

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SA001
Released January 17, 2019 

Mix and Master by Harry Wilson 
Photography by Lee Kirby 
Design by Aspa Founti & Tom Howe 
All Recordings © 2019 SA Recordings 
All Compositions © 2018 Oliver Patrice Weder

For A Troubled Mind

🎧 Divergent Worlds : Ambient Sounds
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This is ⟪ ρ ā ω ⟫ pronounced "raw". Keeping everything in it's purest form. Emphasis on tone and atmosphere, over traditional musical structures. Rythmic forms, over net composition. Minimalist beats and vocals, over repetition and melody. It's warm, it's alive, it's relaxed, it's an escape, it's a walk in the woods and a deep breath at the ocean. At once epic and intimate. It's the more daring side of the musical spectrum of ⟪ π ṽ ş ⟫.

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Andy Feldman - Evergreen

Phortran - Odyssey

Chicago Symphony Orchestra
Pierre Boulez, conductor

Bach/Schoenberg: Prelude and Fugue in E-flat Major, BWV 552 (December 1991)

Woods

Canadian composer Marc Sabat (*1965) is based in Berlin since 1999. He has made pieces for concert and installation settings, drawing inspiration from investigations of the sounding and perception of Just Intonation and of various music traditions — folk, experimental and classical. His pieces are presented and broadcast internationally at festivals of new music including the Donaueschinger Musiktage, Klangspuren Schwaz, MaerzMusik, Huddersfield, Darmstadt, Musica Viva and Carnegie Hall. Scores and artist editions are available from Plainsound Music Edition. Recent recordings include the LP “Les Duresses”, released by care of editions (Berlin) as well as discs on the labels Populist Records (Los Angeles) and World Edition (Köln).

Sabat studied composition, violin and mathematics at the University of Toronto, at the Juilliard School in New York, and at McGill University, as well as working privately with Malcolm Goldstein, James Tenney and Walter Zimmermann. Together with Wolfgang von Schweinitz he has developed the Extended Helmholtz-Ellis JI Pitch Notation and is a pioneer of music written and performed in extended Just Intonation. He teaches at the Universität der Künste Berlin, and as a guest at the California Institute of the Arts, the Escola Superior in Barcelona, the Janacek Academy in Brno and the Paris Conservatoire. In 2010, he was an artist-in-residence of the Villa Aurora in Los Angeles, followed in 2011 by a one year residency at the German Academy in Rome, Villa Massimo.

For Michael Baker (Composition for high trumpet and bass drum) (1996)

Marc Sabat

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