Arnaud Rebotini - My Life In House Music (Unreleased)

Leaf

On already the third outing of The Nursery, Escape To Mars and Saam do exactly what this series is meant for: putting their talent on display and proving to us and you that they’re promising up and comers.

Escape To Mars kicks things of with two solo tracks perfectly suited for the dance floor, the vibe is heavy throughout, though without ever compromising any of the energy. 

The Dutch youngster Saam has the B-side accounted for. Two deep cuts, for which he clearly took to his modular corner of the studio. Loopy throughout both tracks, but energetic still, thanks to close-to-inaudible changes in percussion and synthesis.

Social Profiles
Escape To Mars
Facebook  
https://www.facebook.com/ETMARS
Soundcloud 
https://soundcloud.com/escape-to-mars
Resident Advisor http://www.residentadvisor.net/dj/escapetomars

Saam 
Soundcloud 
https://soundcloud.com/saamnl
Facebook 
https://www.facebook.com/DJSaamNL
Resident Advisor 
https://www.residentadvisor.net/dj/saam
Beatport 
http://beatport.com/artist/saam/304764


Consumed by Devotion

Himmelskörper

Escape To Mars - Himmelskörper

BleeD007
Phil Moffa | Mass Action
Released 3rd February 2017

BleeD-Music.bandcamp.com

Phil Moffa - Decimation (Volte - Face Remix)

Contents - Pattern Series Remixes Part 1

Oscar Mulero - "Form (Kangding Ray Remix)"

The renowned producer Shlomi Aber launches his most underground project so far in the form of vinyl-only label Lost Episodes.

The label's first release focuses on the boss himself, and the Episode 1 EP presents four atmospheric, hypnotising and simple tracks made with analogue tools. 

Night Coasters, the second track from the EP is Monument's pick for the preview. The dark and deep track takes the listener to a trip that consists of bleeping elements and gritty sounds. 

The Episode 1 EP will be released on vinyl 8th of June.

@ShlomiAber

EPISODE1 - Episode 1

MNMT Premiere: Shlomi Aber – Night Coasters

For its 303rd release, Tresor Records is glad to present a commissioned work by Donato Dozzy.

Rome based production maestro and DJ extraordinaire Donato Dozzy is unanimously considered as an illustrious leading light in all techno artforms.

Along his long career and extensive discography, Dozzy has proven to use his instruments most interesting ways, always re-inventing his music, always presenting new approaches to both the deeper and the more rhythmic forms of electronic music. It was self-evident to Tresor Records to enroll Donato Dozzy’s talents for this assignment, a nod to the seminal Roland TB-303 bass synthesizer.

The result is a relentless collection of radical, propulsive and bleeding-heart acid tracks. In Dozzy’s words.

Donato Dozzy wishes to dedicate this work to his lifelong friend Filo.

Tresor.303 released July 13th on 2x12” vinyl and digital.

Filo Loves The Acid

BANDCAMP

Donato Dozzy - Back

Marcel Fengler - Enigma (Edit) - OstgutTon

Steve Parker-Anoya (Monoloc rmx)

Մաս 2

Everyone's fate is made of many tales. Although our own destiny might be dwelling in our breast, it also takes strong convictions and the courage to challenge yourself. DJ, producer and label manager Marcel Fengler is the best example that talent isn’t just a matter of luck, but the will to believe in your own passions while constantly developing them. Today, Fengler has not only been quoted as „one of the finest techno DJs“ (Resident Advisor), he has earned international respect for his „well-crafted body of production work“ (FACT) introducing his unique and „multi-faceted personality“ (Electronic Beats). 

While growing up, he was first fascinated by the hip-hop culture, breakdance, and graffiti art, Fengler’s interest shifted towards techno music and the art of DJing after the Berlin wall came down. As a vinyl nerd he began playing records during the early nineties. By witnessing Claude Young mixing with three record players, Fengler followed his path merging both hearts in his chest: turntablism and techno. Carried away by the magic and the togetherness of the first hardcore and trance raves in such clubs like E-Werk or Tresor, he organized his own parties in his hometown Fürstenwalde.

Over the last two decades, Fengler developed a versatile and dynamic style of DJing that made him one of the first resident DJs of Berlin’s infamous Berghain / Panorama Bar in 2005. With his impressive intuition for the very moment, Fengler is capable of changing pace, atmosphere, and energy reacting to the mood on the dance floor: whether industrial-drenched hardness, broken beats, gloomy dubs or melodic and funky grooves – next to his inimitable instinct, Fengler draws from a varied repertoire. The approach of allowing to drift away within the momentum also applies to his first singles as a producer on such labels like Ostgut Ton and Mote Evolver. His debut album „Fokus“ (2013), in particular, was a statement of his ambitious claim, awarding his own tracks with emotional densities as well as unexpected contrasts. 

Bringing together both his melodic groove and beat tracks and his straighter cuts, he founded his own imprint Marcel Fengler Index (IMF) in 2011 – a platform that not only continues evolving his timeless techno approach but represents a creative center introducing new and young talents. A logical step for an artist who’s always interested in looking beyond his own nose represented by his project DIN, the mutual collaboration with Philipp Sollmann (Efdemin), for the contemporary dance project „Masse“ of the Staatsballett Berlin. 

As a DJ and producer, Marcel Fengler stands for imposing surprises and the appeal of variety. For him, techno is both unconditional passion as well as an essential part of his identity. He’s not bound to a linear or one-dimensional sound, instead, he’s constantly seeking for new ways to express his emotional storytelling skills. His willingness to challenge himself and to stay curious, while establishing changes as his secret persistence, is showing his true vision of techno which makes Marcel Fengler to one of the today’s most exciting electronic artists in these days.