ACHADOS

SoundCloud Weekly #17

Berghain Tracks  - part 2

newTechno

Marcel Dettmann | Catalogue

Techno

Release info:
Artist: Nima Khak (Incl. Swedish Naan Boys Edit)
Title: Nebulosa
Label: Sand
Cat.No: SAND001
Release date: Oct

W&P Nima Khak at Globe Studios Stockholm.
Remix and additional production on B2 by Jesper Dahlbäck & Nima Khak as Swedish Naan Boys.
Mastered by Jesper Dahlbäck.
Artwork by Åska & Håkan Ullberg

Vinyl:
https://hardwax.com/71934/nima-khak/nebulosa/
http://www.fade.se/vinyl/techno/nima-khak-nebulosa-sand.html
http://www.decks.de/t/nima_khak-nebulosa/c3x-pm

Digital:
https://sandmusic.bandcamp.com/

Nima Khak - Nebulosa - SAND001 - Preview

Boomkat:
https://boomkat.com/products/codex-83abee0c-425d-4f4d-b1d8-674ac45b15a7

Juno:
http://www.juno.co.uk/products/scalameriya-vsk-codex/586773-01/

Norman:
https://www.normanrecords.com/records/155445-scalameriya-vsk-codex

Deejay.de:
http://www.deejay.de/POWVAC013_-_Scalameriya_und_Vsk_-_Codex_-_12-Vinyl__197870

Bleep:
https://bleep.com/release/63700-scalameriya-vsk-codex

Rubadub:
http://www.rubadubrecords.co.uk/music/techno/codex

B1 Scalameriya & VSK - Arise (Power Vacuum 013)

Poni Hoax - Budapest (tennis edit)

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Sunclasses at Night Remixes

Tiga & Zyntherius - Sunglasses At Night (Original 12  Version)

Luke Slater, Steve Bicknell and David Sumner (aka Function) are LSD, an ongoing musical collaboration between three longtime electronic music innovators focusing on psychedelic aspects of techno while emphasizing the cross-pollination of each member’s style and rhythmic sensibility. Their debut 12" ‘Process’ will be released on Ostgut Ton in November, flanked by shows at ADE and Berghain.

More information: http://ostgut.de/ton/record/206

Buy 12"

LSD | Process 1

ANNA - Hidden Beauties

Dawning / Deadman Watches the Clock - Single

Marcel Dettmann & Ben Klock - Dead Man Watches the Clock

PPPO

PPPO (Function's Sandwell Mix)

Out now digitally and on 12" picture vinyl: https://turborec.lnk.to/BlessedEP1

Tiga & The Martinez Brothers offer an auditory glimpse of their upcoming debut EP with lead single, “Blessed,” out October 26 on Turbo Recordings. We tracked down the Tiga-half of the dance music dream team to share his thoughts on the collaboration.

“This one, I actually care about. This wasn’t about egos or star power. It was about three friends, two of whom are brothers with each other, getting in the studio and taking it for a ride down the funky side of Techno Street. “Blessed” really does sound like Tiga and The Martinez Brothers, which makes a lot of sense if you think about it. They believe in God. I believe I can fly. As it turns out, we’re both right.”

TIGA:
Facebook: https://www.facebook.com/officialtiga
Twitter: https://twitter.com/tiga
Instagram: https://www.instagram.com/tiga/
YouTube: https://www.youtube.com/user/officialtiga

The Martinez Brothers:
Facebook: https://www.facebook.com/themartinezbrothers
Twitter: https://twitter.com/themartinezbros
Instagram: https://www.instagram.com/themartinezbros/
Soundcloud: http://soundcloud.com/themartinezbros
YouTube: https://www.youtube.com/themartinezbrostv

Turbo 199 - Blessed EP Part 1

Stream/DL/Buy Vinyl

Tiga & The Martinez Brothers - Blessed (Dirty Mix)

Waitin' For My Baby's Car

Waitin' for My Baby's Car (Extended Mix)

Missing

Nacho Bolognani has been steadily building up a solid foundation of work over the past few years, moonlighting on labels like Fun Records, Momentz and MyHouse YourHouse. Now the house producer brings his skills to Purism, Enrico Mantini's on-point label that deals in all kinds of sublime stripped back jams. DKGF EP leads in with "Distance Dub," a steady ticking tool that should sit easy in the mix with all manner of sounds and styles. "Kip" brings a more shuffling strain of dancefloor goodness to the table, with some spooky key flourishes and slithers of vocal pinging out into the spacious mix. "Grey" plies a more nagging, techy trade, and "Flow" takes things deep with pattering percussion and atmospheric pad tones.

DKGF EP

Distance Dub

Distance Dub [PURISM7]

Krime's Remix of @victor-parris-mitchell and @nina-kraviz "Feel My Butterfly" will be out on June 28th through @snatchrecords as part of a collaboration with Dance Mania. More Info: http://bit.ly/TP_Krimeremix

Feel My Butterfly

Parris Mitchell vs Nina Kraviz - Feel My Butterfly (DJ Krime's Reconstruction Remix)

Sixth Sense

Sixth Sense (Shlomi Aber Remix) [feat. Ursula Rucker]

HATE exclusive premiere. 
Full streaming of the EP soon on our HATE Youtube channel.

Support the label, buy it here:
http://smarturl.it/EA_AlientronicRmxs1

Artist: Ellen Allien
Title: Alientronic Rmxs 1
Label: Bpitch Control
Catalogue: BPX002
Format: 12" Vinyl
Genre: Electronic
Style: Techno
Release date: August 8, 2019

Tracklist:
A1:    Love Distortion (Terence Fixmer Remix)
A2:    Love Distortion (Introversion Remix)
B1:    Electronic Joy (Regal Xtc Remix)
B2:    Love Distortion (Edit1)

The Alientronic Remixes sind gelandet! Ellen Allien hat fantastische Remixer dazu eingeladen, ihre eigenen Ideen auf Tracks ihres neuesten Albums Alientronic für das erste von mehreren Remix-Paketen zu übertragen. Terence Fixmer und Introversion remixen "Love Distortion": Terence rockt mit einem massiven Gitarrenriff und extra fetter Perkussion, während Introversion seinem Rework ein dunkleres Gefühl verleiht und ein Trance-inspiriertes Element hinzufügt, um den Hörer zu hypnotisieren und in eine andere Dimension zu versetzen. Regal droppt einen "XTC Remix" von "Electronic Joy" mit energiegeladener Percussion und bezauberndem Retro-Feeling. Abschließend gibt es einen weiteren Original Edit von "Love Distortion", der eine harmonisierende Version des Killer-Originals bietet.

Follow Ellen Allien here:
http://www.ellenallien.de/
https://soundcloud.com/ellen-allien
https://www.instagram.com/ellen.allien/
https://www.facebook.com/EllenAllien/
https://twitter.com/ellenallien
https://www.discogs.com/artist/4281-Ellen-Allien
https://www.residentadvisor.net/dj/ellenallien
 ___
DISCLAIMER: All tracks are uploaded in a low quality for promotional purposes only and with buy links to respect label and artists.

If either label, artist or third party copyright holder do not agree with their material being uploaded please contact us on Facebook: https://www.facebook.com/hatecollective/
or via email: hatemusic1@gmail.com

Follow us on SOUNDCLOUD for exclusive podcast series:
https://soundcloud.com/hate_music

Follow us on INSTAGRAM for releases previews and news:
https://www.instagram.com/hate_collective

Alientronic Rmxs 1

Love Distortion (Introversion Remix)

Premiere: Ellen Allien - Love Distortion (Introversion Remix) [BPX002]

H-Productions proudly presents (HPX108) Corrosive EPS.3, by Cari Lekebusch. The third part in the series focusing on the Roland TB-303 Bassline. Out on all digi portals - Sept 16, 2019. Artwork in by P.N.T.S. aka SAX.

(HPX108) Corrosive EPS.3

Off The Hinge

Buy/Stream here: https://KompaktRecords.lnk.to/Speicher112SD

“This music is about the euphoria we feel when we are on the dancefloor listening to our favourite song and we let it all go; our thoughts, our problems, our frustrations, and become one with the moment. It is about freedom, unity and acceptance that exists in our dance music community.” - ANNA

For over 25 years, KOMPAKT strives to bring techno, house and everything in-between to the dance floors of generations that come from (or live) in the past, present, and future. Today, they proudly present an anthem that truly speaks to us in the spirit of what lead them to create their SPEICHER series.

ANNA returns for her third round on SPEICHER following an incredible year of non-stop touring the globe, remixing JON HOPKINS and contributing to a recent AFTERLIFE compilation. KITTIN (formerly known as MISS KITTIN) needs no introduction - she is nothing short of a trailblazer in dance music history by contributing countless times through her voice, music and DJing.

Together they are FOREVER RAVERS - dispatching a message of everlasting unity for the dance floor community. ANNA (@dj_anna) brings her most voracious production skills to date interwound with KITTIN (@misskittin) sounding at her best in an explosive consequence that we can only describe as being a must-hear Techno hymn.

ANNA takes the original past the stratosphere with her RAVING IN SPACE MIX. Not to be misinterpreted as a dub version, ANNA keeps the potency of the original but expands the core instrumental elements that moves from suspension to release in a decisively throttling means.

“Some time ago, ANNA who I never met in person, sent me a bomb. Keith Flint had just passed away and I felt the urge to celebrate, with ANNA, the empowerment and the freedom that rave culture offers all of us. FOREVER RAVERS was born. Thank you ANNA for this very special gift. More than ever, music must have a meaning, a message.” – Kittin

“When I started to work on this track, I could not envision how it would turn out, I was just making it, bit by bit. After doing the first beats, I made the bassline using Reaktor. The sound and the sequence reminded me a bit of the old school stuff from The Hacker and David Carreta and the idea of inviting Kittin to do the vocals came to mind. She said she loved the track and she was gonna do the vocals and the result could not be better. I am a huuuge fan of hers going back many years and I have a lot of her records from when I started playing, right through to her recent productions. I remember when she went to Brazil about 15 years ago to play at one of the most loved clubs there at the time called Lov.e. I could not be there but I saw her on TV when she gave an interview on one of the country’s biggest channels. I vividly remember calling all my family to see it – I felt a huge admiration for her, her music, her style and everything about her. And I still do! I was a 17-year-old living in the Brazilian countryside at the time watching one of my idols on TV and could never have imagined that one day we would be doing a track together. Life is so unpredictable and this is a beautiful gift that music gave me.” - ANNA

Buy/Stream

ANNA & KITTIN - Forever Ravers

Activator / Namuan

Activator

@fabriziorat track "Lucid Dream" will be released on October 14th through @involve-records. More info:

More info: bit.ly/TP-lucid-dream

Veröffentlicht von: Involve Records
Erscheinungsdatum: 14. Oktober 2019

Lucid Dream EP (incl. Ø [Phase] and Shlømo Remixes)

Fabrizio Rat - Lucid Dream

marterized by: Gustavo Domingues
artwork: cartom_illustrator

Stefano Andriezzi, Corderow - The Corner Stone of House [snippet]

Tamango Records proudly announces the first album from label-head Yaya called “You Decide” that draws from Yaya’s several musical influences and his wide multicultural background. The album is packed with percussive numbers, where Yaya manages to discover a common ground between his minimal roots and the most avant-garde tech house, finding himself at ease into the 4/4 structure and often bringing into play his sister Karice.
The album opens with rattling tribal percussions and ethnic Yoruba chants provided by Karice for a proper mysterious intro that leads to “Be Yourself”, which features again some catchy vocals from Karice. Here, Yaya plays with whirring synths, broken beats and infectious groove elements, while “Black Mamba” rolls with Yaya’s trademark groove of tribal percussions, bongos and toms, all together with deep strings for a vast sonic exploration that culminates into an epic dancefloor burner. Thus, “Ebi Awon” is about flashings synths, elegant organs and a serious rough-edged rolling bassline, with the astonishing Yoruba vocals by Karice being the real deal. Up next is “One Way”, where Yaya chooses spacious kicks and refreshing funky synths for a full high-octane track, whilst “Lost Beach” is a heady and rapid dancefloor brew with scattering percussions, slapping claps and unusual dark synths. Rounding out the package, “Love And Hate” features downsampled and digitalised pads with thoughtful bass strokes and gently swaying drums, suspending you into a smooth and seductive lo-fi space over its 7+ minutes ride. On the outro, the mysterious Yoruba chants make their return, sanctioning, like an ancient prophecy, the end of this journey.

A2 | Yaya - Be Yourself feat. Karice

Bathroom Scene

Mdr 01

Let's Do It

Radio

Mdr 02

A Req (T++ Remix)

Shena (T++ Remix)

Taken from the World Wide Window charity compilation in support of the Red Cross. 
Available now via Bandcamp alongside 55 other tracks from an incredible selection of electronic artists. Please visit https://enisslab.bandcamp.com/ and support.

Stay inside and stay safe x

Sigha - Ae3m

Our contribution to world wide window compilation out in support to red cross released via bandcamp by enisslab

https://enisslab.bandcamp.com/album/worldwidewindow?fbclid=IwAR0ZuqLlXlCG0EUosj399zeZJPxNzIaWGQ6Yow0c6uQL2ut9Wx4tngHPeC8

Cult Of Violent Passion

TGP Extra 005 

Deepbass - MM624
Kaspiann - Aava
Ness - Unravel 
Dorian Gray - Harmonic Elixir

5th episode on the TGPExtra series where Deepbass, Kaspiann, Ness and Dorian Gray contributes with 4 cuts of deep, functional and hypnotic techno.

Mastered at Artefact Mastering
Artwork by Aerphis
Distributed by Vinyl Future

The Gods Planet, 2020

Get the 12'' here : https://www.deejay.de/Various_TGP_Extra_005_TGPEXTRA005_Vinyl__950001

Digital on Bandcamp and Formaviva  

https://thegodsplanet.bandcamp.com/album/tgp-extra-005 
https://formaviva.com/the-gods-planet/tgpextra005

#deepbass #kaspiann #ness #doriangray #hypnotic #deep #thegodsplanet

Buy 12''

Deepbass, Kaspiann, Ness, Dorian Gray - TGP Extra 005

Download

!nertia - Dukkha (Dorian Gray Remix)

TGPRU04 

Unsung I - From Our Same Cell
Unsung I - Biogenesis 
Unsung I - Separate Entities 
Unsung I - Orthogenesis
Unsung I - Beyond The Biosphere 

Unsung I unveils episode IV of the Radio Universe series. The debuting artist presents to the label five compositions carefully arranged with an intense and uplifting touch. Haunting leads, diverse rhythmic structures and profound atmospheres are delivered, the new sonic explorer has landed on The Gods Planet.

Written & Produced by @Unsung_I
Artwork by Aerphis
Mastered by Ness

Activator

marcel dettmann