Techno

Following on from the inaugural Crossing Wires compilation by Toronto trio My Favorite Robot, next to mix it up for the exciting series is global electronic music icon Timo Maas. Still riding high off the success of his latest and greatest full length relaese, Lifer, back in 2013 (which blended trip hop with ambient, sleazy house with wonky techno and included collaborations with the likes of Placebo’s Brian Molko and Brighton chanteuse Katie Cruel as well as James Lavelle, founder of seminal ‘90s label Mo Wax) Timo has long been a pioneer in his field. Of course, he also runs his own influential label, Rockets & Ponies, and the German producer has also appeared on the MFR label before with standout track ‘Dancing For My Pleasure’ from the first Crossing Wires. Timo is also a revered DJ and in 2013 celebrated 10 years as resident at one of underground house and techno’s most mythologised clubs: Circo Loco at DC10 out in Ibiza. As such, this new Crossing Wires
compilation draws on his skills as both selector and sequencer and proves few can do it better than this long-standing talent. The mix features 14 brand new and exclusive tracks from a range of artists old and new – some are closely associated with MFR, some less so, but together they paint a perfect picture of the state of modern electronic music. Man of the moment Eric Volta kicks things off with the serene synth stylings of ‘Dreams Don`t Turn to
Dust’, a suitably lush affair that sets a soothing tone. From there we soon drop into a compelling groove courtesy of My Favorite Robot’s ‘Dead of the Dance’ and Timo masterfully balances the tempo through his ensuing selections. Never does he get stuck in one place for too long, instead coherently going from spaced out sci-fi house (Discern & Signal Flow’s ‘Coarse Language’) to tripped-out tech (Tim Green’s ‘Plenty of Spiders’) and kinetic and synthetic sounds (Martin Buttrich’s ‘Bubble Heat’) with ease. Timo’s own productions appear twice, first in the form of the growling, shadowy ‘Watching The Robots’ then in collaboration with long time partner Santos on ‘Z Panorama’. Tracks and remixes from Chris Carrier, Villanova and Daniel Stefanik then make up the latter half of the mix in which energy levels are kept up and heady, futuristic imagery is never far away. This is a compelling mix that showcases both the modern sound of house and techno whilst proving that Timo Mass has an understanding of dancefloor dynamics that few could ever question.

Buy on Beatport

Agoria - For One Hour (Villanova Remix)

Following on from the inaugural Crossing Wires compilation by Toronto trio My Favorite Robot, next to mix it up for the exciting series is global electronic music icon Timo Maas. Still riding high off the success of his latest and greatest full length relaese, Lifer, back in 2013 (which blended trip hop with ambient, sleazy house with wonky techno and included collaborations with the likes of Placebo’s Brian Molko and Brighton chanteuse Katie Cruel as well as James Lavelle, founder of seminal ‘90s label Mo Wax) Timo has long been a pioneer in his field. Of course, he also runs his own influential label, Rockets & Ponies, and the German producer has also appeared on the MFR label before with standout track ‘Dancing For My Pleasure’ from the first Crossing Wires. Timo is also a revered DJ and in 2013 celebrated 10 years as resident at one of underground house and techno’s most mythologised clubs: Circo Loco at DC10 out in Ibiza. As such, this new Crossing Wires compilation draws on his skills as both selector and sequencer and proves few can do it better than this long-standing talent. The mix features 14 brand new and exclusive tracks from a range of artists old and new – some are closely associated with MFR, some less so, but together they paint a perfect picture of the state of modern electronic music. Man of the moment Eric Volta kicks things off with the serene synth stylings of ‘Dreams Don`t Turn to Dust’, a suitably lush affair that sets a soothing tone. From there we soon drop into a compelling groove courtesy of My Favorite Robot’s ‘Dead of the Dance’ and Timo masterfully balances the tempo through his ensuing selections. Never does he get stuck in one place for too long, instead coherently going from spaced out sci-fi house (Discern & Signal Flow’s ‘Coarse Language’) to tripped-out tech (Tim Green’s ‘Plenty of Spiders’) and kinetic and synthetic sounds (Martin Buttrich’s ‘Bubble Heat’) with ease. Timo’s own productions appear twice, first in the form of the growling, shadowy ‘Watching The Robots’ then in collaboration with long time partner Santos on ‘Z Panorama’. Tracks and remixes from Chris Carrier, Villanova and Daniel Stefanik then make up the latter half of the mix in which energy levels are kept up and heady, futuristic imagery is never far away. This is a compelling mix that showcases both the modern sound of house and techno whilst proving that Timo Mass has an understanding of dancefloor dynamics that few could ever question.

Villanova - Ola

Soundcloud: @effymusicireland
Facebook: www.facebook.com/EffyMusicIreland

Release Date: September 29th
Format: 12" / Digital

Effy - Move

2000 and One - Tropical Melons (Original Mix)

Basic Pain Procedure (Len Faki Remix)

Dettmann | Klock - Dawning (Revisited)

Steel Revenant

MONNOM BLACK 008

Artist - Stranger 

Highest Sense EP

A1. Highest Sense
A2. Play Some Rave For Me
B1. Ommoord
B2. Doorklapgabber

Release Date - 29.01.2016

MONNOM BLACK 008_Stranger_Highest Sense EP

Mutter

Ben Klock & Marcel Dettmann - Dawning (revisited)

Beatstreet 03 

get it here: http://www.beatport.com/track/plain-original-mix/716873

Marcel Dettmann - Plain

out on BPitch Control
get it here: http://www.beatport.com/track/go-marcel-dettmann-remix/404188

Ellen Allien - Go  (Marcel Dettmann Remix)

Dimension Intrusion

F.U.

Locus Of Control Vol. 1 is Out Now! 
Vinyl & Digital 
> https://lnk.to/4WDG715 <

Musically we are exploring the ‘power or powerlessness people feel over the things that shape their world’

Having kicked off the year debuting a new audio-visual performance, enduring techno outfit Octave One announce new music for 2019, with a series of EP’s entitled ‘Locus of Control’. Featuring many unreleased nuggets, the series will feature unreleased tracks which were tried and tested at a recent Valencia Boiler Room set.

The term ‘Locus of Control’ is a psychological concept that refers to how strongly people believe they have control over the situations and experiences that affect their lives.

“Musically we are exploring the ‘power or powerlessness people feel over the things that shape their world’.” State the Brothers.

Side One kicks off with ‘Lies In Truth’, euphoric piano meets melodic stabs layered with feel good crescendos and a positive uplifting baseline. Intelligent synth builds and layers making for a super strong lead track. Followed by Injection (String Free edit) with an intensifying and pulsing rib rattling bass.

Side Two features the full version of ‘Injection’. The thundering bass takes you on a journey of transcending arpeggios, developing progressions and meandering melodies making the track a peak time cut.

Tracklisting

Vinyl EP
Artist: Octave One
Title: Locus of Control Vol. 1
Side 1A: Lies In Truth
Side 1B: Injection (String Free edit)
Side 2: Injection
Cat No. 4W715

Digital Download
Artist: Octave One
Title: Locus of Control Vol. 1
1.Lies In Truth
2.Injection
3.Injection (String Free Dub)
Cat No. 4WDG715

Connect
http://www.octaveone.com/
https://www.facebook.com/octaveone
https://twitter.com/octaveone
https://soundcloud.com/octaveone

Buy Vinyl & Digital

Octave One - Injection

www.datapunk.de

"Back Home" was the first release of the label Datapunk in the year 2003 and in the year 2004 on the CD Album "Popkiller" by Anthony Rother

Cover Artwork by Rafael Heckmann www.fuku.org
Mastering By Tony Calhoun www.m3mastering.com
Vinyl cut by Andreas Kauffelt www.schnittstelle.ws
Manufacturing by Handle With Care www.handlewithcare.de

Marcel Dettmann - Plain

marcel dettmann

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