Back in 1983, Hashim's „Al Naafiysh“ became one of the defining electro classics. 25 years later, 2 dope boys from Berlin – Marc Hype & Jim Dunloop – pay hommage with their seminal new-funk version (available on their album „Stamp Out Reality“ and on the double a-side 12“ „Rare Occasion“). Due to the versatile qualities of the song, we started a remix competition. Our five favourites are now available on one digi EP. Don't expect the usual MPM style (if there is one for you), it's a mixed bag of 8-bit electro, deep house, knarz house and slomo dub.

Bandulero Sound System: BSS is one of Berlin's premier reggae/dancehall sounds, consisting of Riton, Marc Johnson, Joe Hondah and Jamaican foundation legend Don Gorgon. But their remix is something completely different: bangin' 8-bit electro with serious bassline action.

Al Naafiysh (The Soul) / Bandulero 8bit Soul Refix

un petit track pour bien faire jumper le dancefloor !

to the sun

Here is a cassette I found of scratch and dialogue ideas for what would be Lesson 6 the following year. Its crude and in real time meaning not edited for the A.D.D. impaired. Have fun with this time capsule as we celebrate the 20 year anniversary of Lesson 6: The Lecture. 

Cut Chemist presents Lesson 6: The Lecture EP. Remastered for 2016 this release includes his Cut's mid-nineties opus in its original form from the original session multi-tracks with all elements intact. The original track itself is sometimes confused for the 1999 major label "watered down" rerelease. Also included is "Lesson 6: Instrumental (DIY Version)" minus the cuts and dialogue plus "Lesson 6: The Sketch" a raw and sometimes crude, unedited 15-minute practice tape that became the blueprint for this monumental lesson. 'Lesson 6' has become a spring board not only for the cut-n-paste style associated with Cut Chemist's approach to production but a feel for Jurassic 5's music as an eclectic and inventive whole.

Lesson 6 Scratch Sketches 1995

Da Mystery of Chessboxin - Nobodi da Vinylist REMIX

Rap sensation, Joe Driscoll, is the one man band of this hip-hop ish. I've had the pleasure of touring with him and seeing his killer live show up close and personal this summer. Here's my official remix of his track, Mixtape Champs. It's on that ol' Jackin' For Beats tip...Peep his SoundCloud page for other remixes from Mr Benn and Skitz:

http://soundcloud.com/joe-driscoll

Joe Driscoll - Mixtape Champ (DJ Moneyshot's Jackin' Mix)

This remix is now available for download at: www.paulnice.bandcamp.com
(Click on the BUY button for a direct link)



Back around 2000 when I still lived in the Bay, I got a call from Kenny "The Tick" Salcido at Grand Royal. Adam (Yauch) was in NY putting the finishing touches on the Beastie Boys Anthology DVD for Criterion. It was an ambitious project that lent itself to Adam's love of film and filmmaking. Every Beastie Boys video up to that point (I think except for the Def Jam stuff) would be included and would also feature additional audio tracks for each video, where multiple remixes would play in perfect sync. Nothing like this had ever been done before. And I was asked to be a part of it. I was sent via FedEx 3 DAT tapes, each containing acapellas for the following songs for me to remix: "Hey Ladies", "Shake Your Rump" and So What 'Cha Want". I could try and remix all three if I so desired. The only catch? Whatever I did needed to be in Adam's hands within 48 hours. "If only I had more time" is what I kept repeating in my head over and over again. "Even one more day and I could at least have two of these remixes in the can." It was not to be. I ended up submitting a remix to "Hey Ladies" which made it to the final DVD. People seemed to dig it and I was of course very proud and honored to be a part of it all (not to mention happier than a pig in shit being awash in dozens of free Criterion DVDs). But the rushed nature of the situation always left me wondering what I could've done under different circumstances. So, not long afterwards and just for shits and giggles, I ended up taking the acapellas for both "Shake Your Rump" and "So What 'Cha Want" and remixing them on my own time. What follows is a version of the latter. The master for which had remained in a shoe box for the last 17 some odd years. Aside from a few cuts here and there, this is just what it sounded like back then. I used Southside Movement's "I've Been Watching You" as the basis for the track - which can also be heard, in a more camouflaged fashion, throughout the Beastie's original. Hope you dig...

Thank you. 
Paul

So Whatcha Want (Paul's Critique Remix)/ Beastie Boys

This song, as well as an instrumental version, is available for FREE DOWNLOAD by clicking on the BUY link. The download is free, but you are encouraged to donate if you'd like to hear more remixes like this in the future.

Something I started working on around the time the song was released several years ago. One of those things that was nearly finished but for whatever reason just fell to the wayside and was forgotten about. So here it is, all tuned up and ready to drive. Enjoy.

Bulletproof (Paul Nice Run The Numbers Remix) / La Roux

Dusty Donuts 013 feat. Naughty NMX & Marc Hype - "Flamboyant Move" b/w "I Don’t Understand Love“  

Dusty Donuts comin’ fresh for 2018 with two brandnew bangers! Marc Hype & Naughty NMX taking the A-train from Brooklyn to Harlem while reworking two NYC anthems like you’ve never heard before to shaking floors worldwide. If you don’t understand love, get the flamboyant move! Yes, you’re now rocking with the best!

Flamboyant Move - Naughty NMX & Marc Hype Reflip

DJ Bacon returns to the production realm with one of the deepest, and most comprehensive mash up projects ever attempted.
Once again he blends the elements of rock and hip-hop, this time using samples from Pink Floyd & Beastie Boys exclusively. This dedication mix is called “Beastie Floyd” and is destined to leave fans of both bands wanting more.

Not only is this a whole album of 7 new remixes, the album is mixed into itself to create a mega-mix album over 20 minutes in length. Most of the 7 Beastie Boys vocals used are laced with a sound bed of multiple Pink Floyd and Beastie Boys sound bites – not just the one groove as per a traditional remix.

As is now standard with a DJ Bacon Mega-mix, Beastie Floyd will have a proper
12-inch vinyl release later this year.

This not for profit release is strictly promotional and educational in nature.

The release will be dropping on his bandcamp page here – early to mid May
2020.

https://therealdjbacon.bandcamp.com/
Media enquiries: therealdjbacon@gmail.com

Previous work

His previous release from 2018 ‘Back in Hell” was praised by the likes of Chuck D
from Public Enemy who played the mix exclusively on his radio show and stated
“Fans of AC/DC and RUN-DMC can not miss this one”.
https://therealdjbacon.bandcamp.com/track/back-in-hell-megamix

The DJ Bacon 2016 mega-mix release “Fear of An OG” was praised by ICE-T on
twitter stating to his 1 million plus followers… “This is the hardest ICE-T /PE mix
I’ve ever heard” https://therealdjbacon.bandcamp.com/track/fear-of-an-o-gmegamix

Likewise, his 2015 mega-mix “RUN-BST” gained global acclaim from the likes of
Beat Junkies, Ambrosia for Heads, DMC and DJ lord and many more.
https://therealdjbacon.bandcamp.com/track/run-bst-megamix

Beastie Floyd Megamix Parts 1 & 2

MXMASTERMKE - "SMOKE"  featuring My dad, Mark Schwartz on drums
HAPPY FATHERS DAY

MMM mark schwartz

MMM- SMOKE featuring my dad on drums

Hit the BUY button to buy the vinyl and/or digital version of of Bandcamp.

"Peanut Butter Bam Bam" is based on Charizma and Peanut Butter Wolf's "World Premiere" and the Stalag Riddim. Sean P rhymed over the Stalag riddim on the track "Jamaicans".

Pre Order starts November 30th. Shipping starts December 11th.

Thanks and hope you enjoy the tunes!

It Takes Two - Peanut Butter Bam Bam

Marc Hype began his DJ career, inspired by the late great Jam Master Jay, in 1988 and went through the several decades of hip hop with countless releases, tours and competitions like the ITF championships, which he won twice in 98 & 99. During this time he collaborated and recorded with artists like the Juice Crew legend Masta Ace, Souls Of Mischief, DJ Z-Trip, Killa Kela & Mr. Lif. Over the years his record collection and his musical mind  expanded and led him to all kinds of funky music. His selection on the decks as on production is freestyle, always with a unique groove, no matter the genre.

Jim Dunloop began to train as a classical piano player at the age of four. At his minor age he was analyzing the compositions of Gershwin and Bruback, leading to a keen interest in jazz music. He quickly developed his knowledge of the creative works of many great jazz/funk pianists such as Herbie Hancock , Bob James , Chick Corea and Adam Makiewicz.

In the year 2004 they both met in Berlin for the first time and quickly began to collaborate on shows and production. Their first vinyl releases on the infamous Milk Crate label, "The Antique Anthem", "Bombay Raw" & "Finale 74", were very successful in the worldwide dj-circuit, followed by a cover version of Babe Ruth's "The Mexican" in 2006, which was dubbed by UK's Jazzman Gerald as "the" version to have. On the remix tip they build a strong reputation with works for artists like All Good Funk Alliance, Deela or Kid Gusto.Their past tour schedule proved their ability to rock internationaly with stops allover europe as in NYC, Japan, Hong Kong, Russia, United Arabian Emirates, Israel & Australia.

The live performance of Marc Hype & Jim Dunloop is best defined as a mix of DJing, Turntablism and the highest of piano art. Together they gain 50 years of musical experience!

The Album

"Stamp Out Reality" is the musical manifest of Marc Hype & Jim Dunloop. A diverse mix of different styles which reflects their unique live concept. On the one hand you have classic hip hop joints like "Predominant" ft. the magnificent Mr. Lif or "Oh Really" ft. Queen's own Mr. Complex, on the other you might listening to Miami's Old School Funk legend Blowfly on "The Pussy Song", cuban diva Malena Perez from NYC on the latin influenced "Rare Occasion, heavy break stompers like "Wah Wah Wah"" or a funk cover version of the 80s electro classic "Al Naafiysh (The Soul)". The concept of the album is to display the diversity of the two maestros, coming from different backrounds, met inside the hip hop culture and travelleling through the paths of 21st century funk.


Al Naafiysh (The Soul) / Bandulero 8bit Soul Refix

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