Love your go for it approach! So herky-jerky funky-monkey fun!

Through Fragile Strides

Orchestration mix and production by ↯Mahan↯💀↯Mahan↯ @mahan-mahan
lyrics and vocal by Stonerjazz

i forgot to not think about anything at all
i really dropped the ball
never gonna make it to the hall a fame
that's a shame-
everybody ought to have a shot to show the people what you got

it doesnt matter now cause i'm old
or so i'm told
but what the hell does anybody know anyway
this is only one of infinite scenarios
everybody ought to turn the volume up on their Stereos everybody ought to turn the volume up on their Stereos

Infinite Scenarios  ~with ↯Mahan↯💀↯Mahan↯ (turn the volume up on your stereo)

Vocals (Composition, Arrangement &amp; Performance): @elpiverse
Two Guitars (Composition, Arrangement &amp; Performance): Counterworlds Voltage
Mix &amp; Mastering: @elpiverse
Production: Counterworlds Voltage &amp; @elpiverse
Artwork: @elpiverse
🪬

Medusa

Remixes

Midnight Sun (Remix)

Cast of Characters:
E Ruizzo-- https://soundcloud.com/ruizzoidman21centurions --Manuel-- composition, lyrics, Squier Stratocaster electric guitar, vocals, mix, and production
J.J. Terrell-- @j-j-terrell—JJ-- piano, accordion, and horn
TexMex Shaman– @texmex-shaman –Stephen– Jose Ramirez nylon stringed flamenco style guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision Bass bass

This song began all the way back when Manuel was 16 and found love that summer with a girl named Carmen. He remembered her, though, and wrote this song about her all these years later. The title of the song means "Your name has the song," and the lyrics spell out the girl's charms using the letters of her name. Check out the lyrics and the translation below. 
  Using that inspiration, Manuel came up with the song structure and the vocal melodies to a rudimentary drum track with his electric guitar. He then asked Josh if the group would be interested in taking it on. Josh, never being one to refuse a challenging piece of music, and always on the lookout for interesting musicians with whom to collaborate, accepted his kind offer and created a project for the rest of the Eclectic Collecitve to join. He started the whole thing off by adding his bass, to which Ken added his innovative drums, to which Josh redid his bass, as is the typical process in the EC.
  Next up was JJ, who you'd think he'd grown up with Spanish music the way he added the horns, accordion, and piano. Then Stephen stepped in and added his psychedelic and intricate acoustic guitar to the stew. 
  It was all done, except for the mix at this point. Manuel did the honors, and did it very expertly. Stephen mastered it to give it more volume and dynamism, too, as he always does. 
  This was the first, but we hope not the last, time the EC has collaborated with Manuel, although we're all fans of the incredible music on his page. He was a true delight to work with, giving honest, encouraging feedback and helping us shape his song to meet his vision. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by E Ruizzo:

TU NOMBRE TIENE LA CANCIÓN  /  YOUR NAME HAS THE SONG

Qué es una lágrima en el desierto?  /  What is a tear in the desert?
Cae sin ruido, se evapora y se olvida.  /  It falls without noise, evaporates and is forgotten.
No tiene tiempo de brillar, su vida  /  It has no time to shine, its life
es corta y su camino tan incierto…  /  is short and its path so uncertain...

Ce del calor del desierto y su sol,  /  ‘C’ for the heat of the desert and its sun,
a del adiós por el que lloré tanto;  /  ‘a’ for the farewell for which I cried so much;
erre del río que forma mi llanto;  /  ‘r’ for the river formed by my crying;
eme de miedo, de magia y de amor.  /  ‘m’ for fear, for magic and for love.

E de esperanza, de espacio rosado,  /  ‘E’ for hope, for pink space,
de espina clavada, de suelta emoción;  /  for stuck thorn, for loose emotion;
ene de noche de un tiempo pasado.  /  ‘n’ for night of a past time.

Carmen, tu nombre tiene la canción  /  Carmen, your name has the song
de todo aquello que has significado:  /  of all that you have meant:
Carmen de luz, de sonrisa y de adiós.  /  Carmen of light, of smile and of goodbye.

Tu Nombre Tiene La Canción (with The Eclectic Collective)

'irate' with Harmful if Followed 

Harmful: lyrics, vocals
Scotty: lyrics, vocals, mandolin, guitar, cuica 

I’ve got this problem, mate.
Perhaps you could relate.
It's my woman. She's gone irate. 

Mate I’ve been telling you for years 
That crazy lady ain’t worth all them tears
She’s mentaler than you
And that’s quite hard to do 
Mate come live with me
I’ve not thought about the physical side but I suppose we could suck it and see 

Mate, everything sounds lovely.

irate (with Harmful if Followed)

c0me 0n 1n

Collateral Effect

The Smoking Trout usually sticks to sprawling concept albums but this one-off piece kind of just came together. I came up with a beat and melody that I felt was weird enough to share with Jeff (STONERJAZZ @user-911083679). He added the the creative vocal track as well as a cloned reflection of my combined instrumental tracks that added some interesting texture. (Stephen @texmex-shaman) helped us knit everything together with the killer whimsical guitar part through the middle, connecting the two verses. 

Lyrics by STONERJAZZ

Always get a little sentimental
in the middle of the conversation
when i think about all the options offered
during the assimalation

when the level of concern
and the nature of the consternation
for the mundane and the useless
made it difficult to accept or advocate the privilege
and the worship of the lucky landing of the crooked Cowboys

Though sentimental in its nature
its making meditations incomplete
and decisions Faulty
just distractions while we fiddle in the middle of another Crisis
in the simulation
and the monkeys say "Good good Real good yum yum yum yum
now we're gonna get some Yeah"

Assimilation (The Smoking Trout: TRC, STONERJAZZ & TexMex Shaman)

"The Quilcom Trout synthesiser is a tribute to the Trautonium in its many incarnations and versions", Quote Rex Baxterfield, who created this free vst. The Trautonium is the first Synth from 1930, well known from A. Hitchcock's The Birds. Well, I used Trout 5 times in this track + drum and bass vst + flute ! ....  Famous are compositions for Trautonium from Paul Hindemith, German Composer, who accompanied the development of the Trautonium as a university teacher and was a kind of "Bürgerschreck" (musical bogey) at that time, because of his "modernity" ... :-)

Eclectic // 5 x Trout

As usually, a song about me and I... A bit more powerful than usual, maybe

All was there

"Our infinite sadness can only be cured by an infinite love."
Jorge M. Bergoglio
"Let us hurry to love people they depart so quickly"
Jan Twardowski


https://marcinkulik.bandcamp.com

https://www.youtube.com/@marcin_kulik

https://www.instagram.com/__marcin_kulik__/

https://www.tiktok.com/@marcin_kulik_

Collateral Effect

Marcin Kulik

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